The Cannes Film Festival heads into its final weekend with people on the Croisette buzzing about Jeff Nichols' “Mud” and Leo Scarax’s “Holy Motor” — but are they good enough for the Palme d’Or? That buzz is still circling around Michael Haneke’s love story “Amour.”
Wrap editor Sharon Waxman and columnist Steve Pond debate the contenders at the august film festival.
Read also: Cannes 2012: Does the Palme d'Or Race Come Down to Naughty vs. Nice?
Read all our coverage from Cannes. (That's "Cannes" like khan, not "Cannes" like can.)
