Awards
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WrapPRO Roundtable: How Cheryl Boone Isaacs Fought For Movie Academy Diversity After #OscarsSoWhite | Video
Isaacs calls 2015’s announcement of an all-white slate of Oscar nominees in major acting categories “the morning I will never, ever forget”
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‘Borat Subsequent Moviefilm’ and ‘Trial of the Chicago 7’ Win Artios Awards for Casting
Television winners include “The Great,” “Euphoria,” “What We Do in the Shadows,” “Succession” and “Normal People”
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‘Quo Vadis, Aida?’ Director on Why Art Is Necessary to Confront Tragedy
TheWrap awards magazine: “Without art and culture, our lives wouldn’t make any sense,” says director Jasmila Žbanić, whose film chronicles the 1995 Srebrenica massacre
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How ‘The Man Who Sold His Skin’ Mixed the Art World and a Refugee Crisis
TheWrap magazine: “I wanted to see this luxurious world through his gaze,” director Kaouther Ben Hania says of the desperate refugee who becomes a contemporary-art commodity
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Annual Oscar Nominees Luncheon Canceled? We Threw a Virtual One Instead (Exclusive Photos)
Here’s to the Class of 2021!
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Maria Bakalova on Why That Rudy Giuliani Scene Still Makes Her Nervous
TheWrap awards magazine: “He called the police and we were running away from the police, and we left the state, and the next day we even left the country,” the Bulgarian actress says
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Will Thomas Vinterberg’s ‘Another Round’ Be Latest Foreign-Language Film to Win Best Director Oscar?
TheWrap awards magazine: The first Danish filmmaker ever nominated in the category talks about the “hubbub” he’s caused in “the humble kingdom of Denmark”
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How the ‘Judas and the Black Messiah’ Team Got Hollywood to Make a Movie About Black Socialism
TheWrap awards magazine: “There was…apprehension in some pitch meetings about making a movie about an organization perceived as violent and militaristic,” writer Keith Lucas said
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Short Films, Big Messages: Oscar Nominees Take On Social Justice Issues (Video)
“I’m really happy I could touch lots of hearts,” says filmmaker Tomar Shushan, who explores the issue of privilege through the story of a stolen bicycle
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‘Mank’ in Color: How Vibrant Shades Were Key for Designing Black and White Film (Exclusive Video)
Oscar-nominated production designer Donald Graham Burt explains why he built colorful sets for David Fincher’s monochromatic period piece
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8 Times Oscar Got It Wrong – From ‘Crash’ to Kevin Costner (Photos)
Some examples, from the major Academy Awards categories, of the voters backing the wrong horse
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Oscar Nominees for International Feature Say Their Films Create a Better Global Community (Video)
“We see that we are alike, our countries are alike, our leaders are alike, that our life challenges are alike,” “Collective” director says
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How 2021 Oscar Short Doc Nominees Tackled Tales of Past and Present Injustice (Video)
TheWrap Awards Screening Series: WWII veterans, American racism and Yemen’s famine are among the subjects of this year’s field
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How the Largely Improvised ‘Borat Subsequent Moviefilm’ Landed an Oscar Screenplay Nomination
TheWrap awards magazine: “We were able to take beats we already wanted to get in the movie and shape them to what the world had become,” director Jason Woliner says
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‘Sound of Metal’ Editor on Why He Cut a ‘Beautiful, Candy to the Eye’ Scene
Oscar nominee and BAFTA winner Mikkel E.G. Nielsen talks to TheWrap about what was lost (and gained) from the film’s original 3:45 version