Steve Pond
Steve Pond
Steve Pond’s inside look at the artistry and insanity of the awards race, drawn from more than three decades of obsessively chronicling the Oscars and the entertainment industry.
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How Iconic Indie Producer Christine Vachon ‘Brought the Industry Into the Classroom’
TheWrap magazine: A conversation with the producer of “Carol” and “Past Lives” on film schools, first-time directors and the state of cinema and education
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AFI, NYU Take Top Prizes at Student Academy Awards
Gold medals also go to schools from France and Austria
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‘Past Lives,’ ‘All of Us Strangers’ Lead Gotham Award Nominations
“Barbie” and “Ferrari” crash the lineup of mostly low-budget indies, but only in the supporting performance category
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‘The 1619 Project,’ ‘Nothing Lasts Forever’ Lead Cinema Eye Honors’ Broadcast Nominations
The nonfiction awards also salute “Pretty Baby: Brooke Shields,” “Dear Mama” and “Our Planet II”
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Jon Batiste Doc ‘American Symphony’ Leads Critics Choice Documentary Awards Nominations
Matthew Heineman’s film picked up six nominations, one more than “20 Days in Mariupol,” “Kokomo City” and “Still: A Michael J. Fox Movie”
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CNN, Vice News, Anderson Cooper Top News & Documentary Emmy Awards
Programs on the Russian invasion of Ukraine won nine awards at the New York ceremony
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Struggling Golden Globes Drop 18 More Voters | Exclusive
This is the latest move to overhaul the roster of who gets to vote for the awards and removes many paid members
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‘The Zone of Interest,’ ‘The Taste of Things’ Give Oscars International Race a Pair of Favorites
With more than 50 countries in the running already, the French and British submissions immediately become frontrunners
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‘American Fiction’ Wins Toronto Film Festival’s Audience Award
The TIFF People’s Choice winner has gone on to receive a Best Picture Oscar nomination 14 times in the last 15 years
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‘The Movie Teller’ Review: Lone Scherfig Delivers a Lovely Ode to the Power of Cinema
Toronto Film Festival: The director of “An Education” makes a Spanish-language film set 50 years ago, but that feels appropriate for today
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‘Sly’ Review: Sylvester Stallone Documentary Is a Portrait in Restlessness
Toronto Film Festival: Thom Zimny’s Netflix documentary finds the iconic actor pacing his halls and rummaging through his memories
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‘Widow Clicquot’ Review: Haley Bennett Shines in Ode to Champagne, Doomed Romance and Girl Power
Toronto Film Festival: At its best, Thomas Napper’s film about a real-life “grand dame of champagne” moves viewers in rapturous fantasia
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‘In the Rearview’ Review: Road Trip Doc Puts a Face on Cost of War in Ukraine
Toronto Film Festival: Maciek Hamela’s first film is a wrenching portrait of the human side of the conflict
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‘The Monk and the Gun’ Review: Bhutan Delivers Another Feel-Good Mountain Escapade
Toronto Film Festival: Director Pawo Choyning Dorji follows his Oscar-nominated “Lunana: A Yak in the Classroom” with a tangled and charming tale
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‘The Critic’ Review: Ian McKellen Makes a Nasty Reviewer Despicable and Entertaining
Toronto 2023: Anand Tucker’s period tale of an embittered critic flirts with melodrama, but gives its star a role to relish