Reviews
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‘Street Fighter 6’ Review: The Most Accessible Fighting Game in Years
Capcom makes it clear that newcomers are more than welcome to hit the streets
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‘Elemental’ Review: A Rich and Vibrant Showcase of Studio Animation
Pixar’s latest takes the conventional antagonists duo of fire and water from foils to friends to frustrated soul mates
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‘Cobweb’ Review: Song Kang-ho Is a Director at Play in Stylish Potboiler
Cannes 2023: South Korean actor marks his fourth consecutive trip to the festival with an exercise in flair but not much more
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‘Club Zero’ Review: Jessica Hausner’s Eating Disorder Satire Is a Tough Nut to Crack
Cannes 2023: The hard look at modern anxieties has mixed effect
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All 22 of Disney’s Live-Action Remakes Ranked From Worst to Best
How does “The Little Mermaid” rank among the studio’s remakes of its animated hits?
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‘La Chimera’ Review: Another Stunning and Lyrical Countryside Parable From Alice Rohrwacher
Cannes 2023: One of the best films in this year’s competition contemplates time and existence by excavating the past
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All 47 Stephen King Movies, Ranked Worst to Best (Photos)
Where does “Mr. Harrigan’s Phone” place among the many big-screen adaptations of the horror master’s work?
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‘Primary Trust’ Off Broadway Review: William Jackson Harper Gives Imaginary Friends a Good Name
The star of “The Good Place” and “Love Life” delivers a memorable, heartbreaking performance
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By Robert Hofler -
‘Perfect Days’ Review: Wim Wenders’ Quiet Drama Finds a Hero Who Cleans Toilets
Cannes 2023: The veteran German director has crafted an endearing, admiring portrait of a decent man
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‘The Boogeyman’ Review: Stephen King’s Terrifying Short Story Gets Stale Translation
The 20th Century horror-thriller’s execution is at odds with the concept
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‘Fubar’ Review: Arnold Schwarzenegger’s First TV Show Should Have Stayed a Farce
Attempts to soften this Netflix spy comedy ruin the flow, but a fine supporting cast helps retain interest
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‘A Brighter Tomorrow’ Review: Nanni Moretti Returns to Cannes With His Tics and Obsessions Laid Bare
Cannes 2023: Farce is a comeback of sorts that could also serve as the director’s closing statement
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‘The Pot au Feu’ Review: Juliette Binoche and Benoit Magimel Shine in a Lush, Kitchen-Set Romance
Cannes 2023: Trần Anh Hùng’s period drama prefers steaks to stakes – and it’s an absolute delight
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‘American Born Chinese’ Review: Uneven Disney+ Adaptation Still Entertains
With a supporting cast headlined by Michelle Yeoh, the show is a thrilling fantasy and coming-of-age tale that doesn’t quite blend the sum of its parts
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‘Robot Dreams’ Review: A Beautiful Tale of Friendship and Love in the Hand-Drawn Streets of Vintage New York
Cannes 2023: Pablo Berger’s heartwarming animation is one of the most delightful films in this year’s lineup