The Oscar-Nominated Sound Mixers: Gary Rydstrom of 'War Horse'

February, 17, 2012 1:30 pm | Comments On #Academy Awards, Awards, Chris Willman, Gary Rydstrom, oscars, sound editing, sound mixing, Steven Spielberg, War Horse

Actors, try not to be too envious: Sound people can be nominated twice in the same year for the same film. Of course, that’s only if they did both sound editing and sound mixing on a feature, which is still something of a rarity. Gary Rydstrom is one of those exceptional double-threats and is up in both categories for “War Horse.”

Gary Rydstrom, sound mixer and sound editor for 'War Horse'

Even if he doesn’t win either, his mantelpiece won't go wanting. Rydstrom already has seven Oscars: two for the ground-breaking “Terminator 2,” two more for “Jurassic Park,” one for...

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The Oscar-Nominated Sound Mixers: Michael Semanick of 'The Girl With the Dragon Tattoo'

February, 15, 2012 10:36 am | Comments On #Awards

David Fincher's "The Girl With the Dragon Tattoo" is cold and dark, chilly and kinky; it's a virtuoso thriller in which sound plays a key role in ratcheting up the tension and keeping the audience uneasy as the main characters struggle to solve a decades-old crime.

Michael Semanick, sound mixer for Girl With the Dragon TattooRe-recording mixer Michael Semanick received his ninth Oscar nomination for the film, his fifth movie with Fincher. His other work includes the "There Will Be Blood," "WALL-E" and the "Lord of the Rings" trilogy, for which he won one of his two Oscars. (The other came for Peter Jackson's "King Kong.")

What were...

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The Oscar-Nominated Sound Mixers: Deb Adair of 'Moneyball'

February, 13, 2012 9:24 am | Comments On #Academy Awards, Chris Willman, Deb Adair, Moneyball, oscars, sound, sound design, sound mixing, sound recording

“Moneyball” is by far the quietest movie currently up for an Oscar for best achievement in sound mixing -- notwithstanding a few crowd eruptions and literally game-changing cracks of the bat.

Previously an Emmy and Golden Reel winner, Deb Adair picked up her first Oscar nod for her work on the film (along with colleagues Ron Bochar, David Giammarco, and Ed Novick). TheWrap talked with her about how a sports film that is light on sports -- and consists largely of debates in stadium caverns -- found its place as a nominee alongside louder fare like “Transformers: Dark of the Moon.”

When people think of sound...

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The Oscar-Nominated Sound Mixers: Greg P. Russell of 'Transformers: Dark of the Moon'

February, 10, 2012 10:49 am | Comments On #Awards

Sound re-recording mixer Greg P. Russell may be a name few moviegoers -- or even many Academy members -- know. But with more than 185 films to his credit and more than a dozen Oscar nominations, he has worked with some of the biggest directors in Hollywood.

 Dark of the MoonRussell picked up his 15th Oscar nod this year for Michael Bay’s “Transformers: Dark of the Moon.” With a worldwide gross of more than $1.1 billion, Bay's film ranks fourth after "Avatar," "Titanic" and "Harry Potter and the Deathly Hallows Part 2." Russell and Bay have collaborated on eight films, with six nominations for sound mixing. But so far the director's action...

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The Oscar-Nominated Sound Mixers: Tom Fleischman of 'Hugo'

February, 08, 2012 10:53 am | Comments On #Awards, hugo, Martin Scorsese, Oscars 2012, Steve Pond

Tom Fleischman has mixed sound for many of the Martin Scorsese movies that are full of gunshots, punches and profanities – but like his director, Fleischman tried a change of pace last year with "Hugo." The Best Picture nominee's sound palette leans toward the ticking of clocks, the bustle of a Parisian train station and the occasional roar of a locomotive, much of it set to the strains of small-combo jazz from the early decades of the 20th Century.

Hugo sound mixer Tom Fleischman re-teams with director Martin Scorsese for Hugo

Fleischman is a five-time Oscar nominee; his earlier nods came for "Reds,...

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