(Also read: "A 'Precious' Night at the Spirits?")
The host of Friday night’s Film Independent Spirit Awards, British comedian and actor Eddie Izzard, has made more big-budget studio films than low-budget indies. But it’s not his acting resume that makes him an unlikely host for the 25th edition of the show, which has moved to a late-night, downtown Los Angeles location after years of being a Saturday afternoon beach soiree.
Rather, what makes his choice unusual is that Izzard has never before hosted an awards show. With a loose, anarchic, rapid-fire comedic style that depends to a great degree on improvisation and was inspired by the likes of Monty Python, he may be a bit unhinged for most Hollywood kudofests. If the Spirit Awards are trying to prove they can still be the fun, irreverent alternative to the Oscars, however, he could be just the ticket.
Documentary “Believe – The Eddie Izzard Story” was released on DVD this week. On the eve of its release, Izzard was still trying to figure out exactly how this Spirit Awards gig is going to work.
(Photo by Charley Gallay/Getty Images)
Where do you stand on the awards show rehearsal issue? Are you going to rehearse a lot, the way they do for the Oscars, or not at all, like Ricky Gervais?
I don’t know how to rehearse, really. Apparently this show is loose and relaxed, but there’s got to be some sort of rehearsal, I suppose. I don’t know. I haven’t done an awards show before, and I won’t do one again.
So why do this one?
Well, they needed someone. Somebody died, I think. Someone blew up, or their leg fell off. And I like the spirit of independence, which is what America was built of in the first place. The massive making of money was not the key thing in that 1776 declaration, I don’t think. It was all about people being equal and stuff … except for Jefferson’s slaves. And with President Obama, one feels that that’s been put to bed slightly.
So it’s that spirit that I like. I try to work in a very independent way, so I’ll do this for them.
Awards shows are always a tough audience, because you’re facing a crowd of nominees who are worried about whether they’re going to win, and what they’re going to say if they do win.
So they’re not listening. Yeah. It’s not a gig that one should do. No one’s paying attention, and my stuff needs full attention.
The worst ones, actually, are music awards. That’s just a lot of guys in suits who are looking around for who they can shag that night, and a whole bunch of young kids screaming because someone told them to scream. And then no one can hear because they don’t even mike it up. At least this one they will be able to hear. But they’ll be at their tables talking. “Hey, how are you doing?” “What did he say?” “I don’t know.”
