‘Downton Abbey’ Season 4: The British Reviews Are In

'Downton Abbey' Season 4: The British Reviews Are In

Critics call the British premiere “a glowing success” with Julian Fellowes’ writing at his best

“Downton Abbey” returned to British TV screens Sunday for the premiere of the drama's fourth season.

Considering how season 3 left off, with the sudden automobile accident of Matthew Crawley (Dan Stevens) — picking up where the show left off promised to be a doozy. According to most reviews, episode one delivered on that guarantee. Those us in the United States will have to wait a few more months to draw our own conclusions, but in the interim, this is what our friends from across the pond are saying:

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Serena Davies of The Telegraph called the Downton Abbey series 4, episode 1 “a glowing success.” She praised the performance of Michelle Dockery as mourning widow Lady Mary: “Here she was back to her frigid best, all hooded eye-lids, chiseled profile, cadaverous frame shrouded in jet black silks: a beautiful raven.” But it was not just Dockery who made a splash in the comeback episode, Maggie Smith and Penelope Wilton held their own as well, Davies said.

Sam Wollaston of The Guardian mostly wanted to know what happened to the dog in the opening credits. When it came to the episode itself, Wollaston, who did not appreciate the episode nearly as much as other critics, was in the negative minority. He wrote, “It's not the most auspicious of openers to the new season of the posh soap. There's a dustiness and a mustiness about the place, a sense of same-old, same-old. Downton Drabbey. Even Dame Maggie's withering one-liners aren't as sharp as they once were. Dan Stevens‘s absence leaves an unfilled hole, just as Jessica Brown Findlay's did before.”

See video: ‘Downton Abbey’ Clip: Lady Mary on ‘Poor Little Orphan’ George

Tom Sykes of The Daily Beast called the return on British Screens “a rather wonderful return to form.” He added, “What this opening episode really succeeded at was taking Downton back from an over reliance on massive, melodramatic plot points – car crashes, deaths, murders and so on – to the compelling minutiae of aristocratic British life of the period both above and below stairs.”

Caroline Frost of The Huffington Post UK cites “doom and delight” in the series four opener. She says that in the premiere, “writer Julian Fellowes‘ pen has made a cracking return to form.”

Owen Jones of The Independent says, “The first installment of Downton's fourth season justifies its status as an iconic British drama.” Jones touts the “beautifully shot backdrop” and music, which “gives a constant sense of drama, even when nothing much is happening.”

Season 4 of “Downton Abbey” premieres in the U.S. on PBS Jan. 5, 2014.

  • rsf3612

    thank goodness for the internet. Those of us in the U.S. don't HAVE to wait. Marvelous first show of the new season. This is, without doubt, the finest program ever produced.

    • leeann

      Really? I thought the premiere was soapier than ever and the acting quite wooden by comparison to past seasons.

      And the plot lines are so damned repetitive.

      I think the UK reviewers are being paid to prop up the tourism industry by overpraising this show.

      it deserved to get shut out at the Emmys.

      • TeeTime

        Lemon for your tea?

      • The Flobbit

        It really was – it was sentimental and cheesy and unrealistic. I really liked the first seasons so I tried hard to find this anything other than dull, dark, and unabashedly soapy…

        Boo hoo to me.

    • Samuel Needleman

      how do Americans get to see it before Jan 5?

      • rsf3612

        the internet!

        • Frank

          Hey rsf3612…we know the internet…but which website specifically? Thanks in advance…

  • ds

    One thing I hope for is that Downton does not become trashy like the American soaps. If it ever does, bye bye….

    • zippy


  • sandyds

    Bring back the original music and opening theme for the opening credits!!!

  • Mimi

    A show seems to lose it's creativity when it needs to depend on one tragedy after another. Previous seasons were very entertaining. So far its too disturbing to enjoy. There was a story line in the past. Now it's shock factor. I'm not feeling the love.


      Matthew's death can't be blamed on “tragedy-seeking-to-replace-cleverness” though; the actor wanted to leave the show that doesn't leave writers with a lot of options.