IFC will handle North American distribution for Im Sang-soo's "The Taste of Money," a drama about sexual desires and power struggles in a rich Korean family

International critics' association FIPRESCI honors "In the Fog," "Beasts of the Southern Wild" and "Hold Back"; Eucumenical Jury goes for "The Hunt"

Day 11: It's (almost) all over but the voting, and the two frontrunners in the Palme d'Or race appear to be the quiet, emotional "Amour" and the loud, crazy "Holy Motors"

Anti-Defamation League applauds cancellation of Cannes market screenings for film featuring "grotesque anti-Semitism"

Alec Baldwin pulls out of his onstage appearance at the amfAR gala but makes up with Harvey Weinstein after publicly blasting the mogul earlier in the festival

Day 10: Steven Spielberg shows "Jaws" and says sharks have been very good for him, but audiences get unruly, and Pete Doherty talks frankly about making a movie on heroin

Some critics think Lee Daniels' steamy Southern potboiler is so bad it's good, but most say it's just plain awful

Day 9: The festival winds down with baffling movies, a Roman Polanski short and a giddy Kim Kardashian

Day 8: The wild and weird "Holy Motors" provides a shot of adrenaline, and Ken Loach doesn't want to watch his language

"Killing Them Softly" juxtaposes Obama's rhetoric with grim violence, but Brad Pitt tells Cannes press conference it's not a slap at the president

Day 7: Three movies that weren't ready in time for Cannes steal the spotlight from the movies that did make it to the festival

Cannes had promised a new film from controversial director Roman Polanski, but they didn't say it would be a fashion ad