Amanda Knox Acquittal Retrial: Injustice, Italian Style

March, 26, 2013 1:50 pm | Comments On #acquittal, Amanda Knox, Annals of Unsolved Crime, edward jay epstein, Media

The Court of Cassation, Italy's highest court of appeal, overturned the acquittal of Amanda Knox. The comely Knox was a 20-year-old American exchange student in Perugia when her British flat-mate Meredith Kercher was murdered in 2007. Initially, she was convicted on the basis of demonstrably flawed DNA evidence but then acquitted after the appeal court found that the charges against her were "not corroborated by any objective element of evidence."

Getty ImagesAs I show in The Annals of Unsolved Crime, there was not a scintilla of evidence that placed her at the murder scene. Nor was there a witness. The case proceeded from a...

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Five New Ways That Hollywood Is Making Money

July, 08, 2012 1:01 pm | Comments On #DVD, Movies, Television, VOD

The ways that Hollywood loses money is the red meat of news reporting on the industry.

The headlines screamed in early 2012: “Movie attendance falls to 16-year low,” “Hollywood in turmoil as DVD sales drop,” and “John Carter Financial Disaster For Disney.”

What goes largely unreported, however, is that the studio have found other ways to make money. Despite all the hand-wringing in the press over losses, the 6 major studios  made record profits. Consider Disney for example. Despite the “John Carter” fiasco, the studio made record profit in fiscal 2012. How is this possible?

The studios have found new ways of making money.

1. They are licensing to new media. Since 2010, there has been an explosive growth in license fees for studio-owned TV series, both still-on-the-air and older ones...

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We're All Worker Ants in Facebook's Ad Scheme

May, 25, 2012 2:00 pm | Comments On #advertising, Facebook, Mark Zuckerberg, Media, Social Network

The brilliance of Facebook is its ability to beguile its 900 million-odd users into building digital heaps. Some of them are called “fan pages” and are devoted to celebrities, TV programs, political causes, commercial products, and so on. (Brands do this as well, but that’s another column.) 

Getty Images

While people may believe this merely builds a social network containing real-world friends and virtual like-minded ones, we’re actually just worker ants in Facebook’s ingenious business model, clicking and getting friends to click “like” buttons on these and other pages.

A page created by an Angelina Jolie fan, for example, has some 2.1 million “...

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How the Pirates of the Internet Are Killing Hollywood's Golden Goose

January, 19, 2012 9:45 pm | Comments On #CHris Dodd, internet, Movies, piracy, sopa

Now we learn why Christopher Dodd, the retired Senator from Connecticut, is receiving over $1.5 million a year to head the Motion Picture Association of America.

The MPAA, the trade organization for the Hollywood studios, is financed by Warner Bros., Fox, Universal, Disney, Sony and Paramount. Each provides about $10 million per year. Aside from efforts to suppress digital piracy, it lobbies Congress and regulatory agencies.

Its crucial job here is to protect the Big Six’s crown jewels: their intellectual properties. Without their libraries of movies, animated shorts and TV series, they couldn’t survive.

...

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The Enduring Lessons of 'Tinker, Tailor, Soldier, Spy'

January, 12, 2012 10:31 am | Comments On #Cold War, iran, John Le Carre, Movies, Tinker Tailor Soldier Spy

Whether or not it wins an Oscar, the movie adaptation of John Le Carre's 1974 novel "Tinker, Tailor, Soldier, Spy" demonstrates the power of the classic spy story about the struggle of a fallen intelligence officer to uncover a high-level mole.

The obstacle to finding the mole is the intelligence service itself, which attempts to rid itself of the mole hunter. It doesn't want to admit that it has been gulled—a story that's all too rooted in reality.

Consider, for example, the findings of an internal CIA investigation in 1995. After the Soviet Union collapsed, the CIA's inspector general examined how in the late 1980s and early 1990s the CIA had incorporated Russian disinformation into its own reporting.

He discovered that over those years the KGB had dispatched at least a half-...

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Why Financiers -- Not Commies -- Are the New Movie Villains

October, 12, 2011 3:10 pm | Comments On #Movies

It is hardly surprising that pop culture protesters in zombie-masks are now intent on occupying Wall Street.

For the past decade, Hollywood has been casting financiers as the villains of society. In the multiplexes, businessmen have even replaced terrorists as villains. In the Warner Bros. political thriller, “Syriana,” for example, the villain is not al Qaeda, an enemy state, the Mafia, or even a psychotic serial killer.

Rather, it’s the big oil companies who manipulate terrorism, wars...

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Netflix's Content Gap: Will Subscribers Wait 8 Years to Stream Movies?

September, 08, 2011 1:51 pm | Comments On #Movies, Netflix, Starz, streaming

As I predicted in TheWrap, Netflix has hit a brick wall with its expiring contract with John Malone’s Starz: On Sept. 2, Starz announced it would not renew it.  

Through the deal, Netflix had sub-licensed electronic transmission rights of Disney and Sony that Starz had itself licensed in its output deals for its pay-TV channel. This deal allowed Netflix to stream a large number of newer movies to its subscribers.  

Netflix got these sub-rights for the bargain-basement price of $30 million per year, because in 2008 when Starz made the deal, streaming was a new technology of such little monetary value...

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How Hollywood Cheapened Its Product

June, 14, 2011 7:10 pm | Comments On #Blockbuster, DVD, Movies, Netflix, Redbox, rentals, revenue sharing, sumner redstone

In 1997, Sumner Redstone warned Hollywood studios that the video store business was going into the toilet if it didn't get some help. His company, Viacom, then not only owned Paramount, but Blockbuster Entertainment as well. Rentals from Blockbuster's 6,000 stores put $3.9 billion dollars in the six major studios' pockets, and he argued that studios “can't live without a video rental business. We are your profit."

As a result, the studios agreed to share the cost of stocking Blockbuster's stores in return for a share of its rental revenues.

He won that battle, but lost the war.

Thirteen years later, two-thirds of America's video stores have closed and Blockbuster has gone bust. In April 2011, Dish Network bought it out of a bankruptcy auction with plans to convert what remains of its rental store business to streaming a...

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Hollywood Is Slitting Its Own Throat With DirecTV's Premium VOD

April, 19, 2011 1:34 pm | Comments On #DirecTV, Television, Video on Demand

Since Hollywood is now run by former television executives, it is hardly surprising that the studios are about to carve out for themselves a new video-on-demand window from what had been the exclusive realm of the movie theaters.

Called “Home Premiere,” and costing $30 a movie, beginning Thursday it will beam into couch potatoes’ homes a movie in high-definition just eight weeks after it opens in the multiplexes. This will allow the home audience to see a movie in the comfort of their home months before it is available in the video stores, vending machines or at Netflix.

Also read: ...

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Studio Marketers Target 11% of the Population

April, 13, 2011 4:39 pm | Comments On #box office, frequent moviegoers, marketing, Movies, MPAA

The latest market research by the MPAA carries a clear message to the marketing arms of the studio: Target the young.

This is important to what we see because the six major studios rarely, if ever, greenlight a project unless it is certified as “marketable” in America. What makes a movie “marketable” is that the marketing arm finds that it contains the action, stars, visual effects or other elements that it needs to put in 30-second television ads to activate millions of people on a particular weekend to go to the opening of a movie at thousands of screens across the country.

This operation is extremely costly. The average ad budget was $32 million for wide-released movie in 2010. But even with such huge budgets, given the cost of TV advertising, studios usually can only afford seven times coverage, which means hitting the same television...

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Description

Edward Jay Epstein studied government and received a Ph.D from Harvard in 1973. His master's thesis on the search for political truth ("Inquest: The Warren Commission and the Establishment of Truth" and doctoral dissertation ("News From Nowhere") were both published as books. He has now written 15 books, including "The Big Picture" and "The Hollywood Economist" about the money considerations behind the movie business.

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