Shins Review: 'Port of Morrow' Bogs Down in Studio Splendor
March, 20, 2012 8:42 pm | Comments On #album review, Chris Willman, indie rock, music, reviews, ShinsJames Mercer, the self-proclaimed auteur behind the Shins, must really, really hate “Garden State.” (Or should.)

That, you may recall, was the 2004 movie in which writer-director Zach Braff had Natalie Portman promise his character that listening the band would “change your life.” Every time a Shins record has come out since then (which has been all of twice), a passel of once favorably inclined fans and critics has rushed to render judgment: Not life-changing enough.
If you’re willing to set the bar just a little lower for “Port of Morrow,” which Mercer has recorded with an all-new...
Read MoreEsperanza Spalding Review: 'Radio' Heralds Jazz's First Music-Video Star
March, 20, 2012 12:03 pm | Comments On #album review, Chris Willman, Diana Krall, Esperanza Spalding, Grammys, Jane Monheit, jazz, Joni Mitchell, Justin Bieber, music, oscars, reviewsIf you wondered who the woman with the vintage Afro singing “What a Wonderful World” on the Oscars was, you’re no Justin Bieber fan. If you were, you’d recognize Esperanza Spalding as the jazz singer who brazenly stole the best new artist Grammy from under Bieber’s nose in 2011, making her No. 1 on the tween-Interpol public-enemy chart.

But Spalding has more in common with Bieber than we might at first have assumed. It turns out the jazz usurper is a music video star, too – or at least should be, on the basis of her new album, “Radio Music Society,” which comes with an hour-length DVD or...
Read More'Hunger Games' Album Review: NPR-ish Teen Angst From Taylor Swift, Maroon 5, Arcade Fire
March, 20, 2012 9:53 am | Comments On #adam levine, album review, Arcade Fire, Chris Willman, Civil Wars, Decemberists, glen hansard, Hunger Games, Kid Cudi, Maroon 5, music, reviews, soundtracks, Suzanne Collins, T Bone Burnett, Taylor SwiftListening to the T Bone Burnett-produced “Hunger Games” album, you might think you’ve stumbled across the Americana hour on NPR instead of obvious catnip for teenaged Katniss fans.

Then again, the album’s emphasis on quiet, mostly acoustic melancholia isn’t as counterintuitive as it initially seems. Maybe you were expecting pulse-pounding electronic dread, in the style of Trent Reznor. But does anything scream “adolescence angst” better than songs about societal oppression, alienation, survival, rebellion, and love in the face of death … even if mandolins are involved?
Also...
Read More'Once' Review: Cast Album Not the Real Swell Season, But An Incredible Simulation
March, 13, 2012 6:07 pm | Comments On #album review, Broadway, Chris Willman, glen hansard, music, Once, reviews, Swell Season“Once” was not enough, as a movie. So a Broadway adaptation of the 2006 film officially opens next week, preceded by a soundtrack that has a pair of actors stepping into the vocal parts created so indelibly on screen by the duo the Swell Season.
But is the new release a cast recording, covers album, or both?

It’s a bit disconcerting, if you’re a fan of Glen Hansard -- the auteur behind the Swell Season as well as the Irish band the Frames -- to hear a seasoned and inevitably slicker thespian take over what amounted to nearly a full album’s worth of Hansard lead vocals. Whatever other concessions have been made for the theater, this “score” still...
Read MoreMagnetic Fields Review: Anything Comedic Goes on Hilarious 'Love at the Bottom of the Sea'
March, 06, 2012 9:28 am | Comments On #album review, Chris Willman, Magnetic Fields, music, Pet Shop Boys, reviews, Stephen Merrit, Stephen Sondheim, synth popIf they gave the Grammys for comedy albums to musical comedy albums, the Magnetic Fields would have next year’s award all sewn up with “Love at the Bottom of the Sea,” which embeds one riotous rim-shot couplet after another in an ocean of dreamy synth-pop.

Stephen Merrit’s band may have been a darling of the indie-rock crowd since the early ‘90s (especially with their landmark opus, “69 Love Songs”), but “Sea” is worthy of the Great White Way set, too, given the songwriter’s way of arriving at some of the least likely rhymes in recent pop history.
Merrit waits till the...
Read MoreBrad Pitt, George Clooney in All-Star Gay Marriage Play '8' (Video)
March, 04, 2012 10:02 am | Comments On #Brad Pitt, Chris Colfer, Chris Willman, gay rights, George Clooney, Jane Lynch, John C. Reilly, Kevin Bacon, Martin Sheen, media video, movie video, Movies, Proposition 8, Television, YouTubeOn one side, in the all-star play “8,” which was live-streamed from Los Angeles Saturday night, you had George Clooney and Martin Sheen in the heroic roles of the pro-gay-marriage attorneys… not to mention Brad Pitt as a judge so sympathetic to the cause, he might as well have been starring in a buddy picture with the aforementioned leading men.
Also read: GLAAD Rips Kirk Cameron For Remarks on Homosexuality, Gay Marriage
On the other side, portraying a noted anti-gay-marriage advocate, you had Jane Lynch at her scenery-chewing best; think Sue Sylvester with a very specific reason for hating musicals. Then there was John C. Reilly as the bumbling lone “expert” to take the stand on the pro-Prop-8 side, looking...
Read MoreDavy Jones Appreciation: 'Monkees' Star Wore the Mantle of Teen Idol Effortlessly
February, 29, 2012 2:31 pm | Comments On #Chris Willman, davy jones, Monkees, music

Davy Jones was the wanna-be that every girl wanted to be with. The Monkees may have been created as a Beatles knock-off, destined to always play second banana, at best, to the band in whose image they’d been created.
But under all that pressure to create another Fab Four, Davy Jones never let ‘em see him sweat. He wore the mantle of teen idol effortlessly, as if he’d been to the moptop manor born.
Jones, who died Wednesday at the age of 66, never seemed to publicly chafe at any of the restraints placed upon him as a musician or personality. Did anyone ever seem less concerned about being typecast as the goofy-...
Read MoreCarve Out Some 'Wall' Space for Pink Floyd's Brick of a 7-Disc Box
February, 29, 2012 10:33 am | Comments On #Alan Parker, album review, Chris Willman, David Gilmour, music, Pink Floyd, reviews, Roger Waters, The WallRemember that triumphant moment when Pink Floyd’s “The Wall” won Album of the Year at the 1981 Grammys?
If so, you'd better get checked out for false memory syndrome, since Floyd lost that year to the then-unstoppable juggernaut that was Christopher Cross’ debut. Now there’s a seven-disc boxed set devoted to expanding upon the real best album of 1979-80 -- and, needless to say, “Sailing” isn’t on it.

Priced at over $100, “The Wall – Immersion Edition” is practically a brick unto itself, and not necessarily for fair-weather Floydians just looking to sing along...
Read MoreLyle Lovett Makes Writer's Block Work for Him, Again, in 'Release Me'
February, 28, 2012 10:21 am | Comments On #album review, albums, Americana music, blues music, Chris Willman, country music, Curb Records, Lyle Lovett, Martin Luther, music, music review, Texas musicHow happy is Lyle Lovett to be wrapping up his 26-year tenure with Curb Records? Clues abound, not just in the telling title of his new album, “Release Me,” but the cover art, which has Lovett bound neck-to-ankle in a lariat.

One might also take a hint from the fact that he only wrote two of the album’s 14 tunes, which smacks of a “Contractual Obligation Album” (as Monty Python once titled a record). Then again, Lovett has been releasing more covers albums than not in recent years; since 1996, he’s only put out two collections of primarily original material, making him possibly America's...
Read MoreChieftains Get the T Bone Burnett Treatment on Guest-Filled Anniversary Album
February, 21, 2012 6:26 pm | Comments On #album review, bon iver, Chieftains, Chris Willman, Civil Wars, Decemberists, music, Pistol Annies, reviews, T Bone BurnettThe Chieftains have arrived with one of the best country albums of the year – the country in question, of course, being just a bit east of the U.K., where Ireland’s traditional music can sound awfully darned Appalachian, when it comes down to it.

On “Voice of Ages,” the album commemorating their 50th anniversary, producer T Bone Burnett doesn’t take the Chieftains anywhere in the vicinity of Nashville, but he does play matchmaker between them and a slew of Americana-leaning indie acts, underscoring the parallel evolutionary links between their old-school music and our hillbilly roots.
Hence, we got Bon Iver, the...
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Description
Chris Willman has been a frequent contributor to TV Guide, New York magazine, the Los Angeles Times, Rolling Stone, Spin, Billboard, Parade and other publications. In a long run at Entertainment Weekly, he penned more than 20 cover stories as a senior writer before becoming the magazine’s chief music critic. His recent essay about Bob Dylan for New York magazine was selected for the latest edition of De Capo's’ "Best Music Writing" book series. Advertising Age’s media columnist included Willman in a short list of “the entertainment world’s sharpest critics.”
His book "Rednecks & Bluenecks: The Politics of Country Music" was praised by Stephen King, who said, “You won’t read a better book about American music this year — or, probably, a better one about American political thought.”
During his time at EW, meanwhile, he received the ultimate celebrity accolade from Kanye West, who famously blogged (in response to a B+ review), “Kill yourself, Chris Willman!” Failing to heed that advice, Willman has survived to live, live-blog, and grade another day.
