Cannes: Magnolia Acquires Kurt Russell Western 'Bone Tomahawk' 5 hours ago
Magnolia Pictures had acquired U.S. rights to S. Craig Zahler's Western "Bone Tomahawk," which will be fully financed by 2929...
By Jeff Sneider
Ebert's last act -- reinventing himself as a digital ninja at a time when his peers were retiring, getting fired and relegated to the past -- was his most extraordinary
Paul Newman and Joanne Woodward are at their most glamorous
"The Great Gatsby" will bring Leonardo DiCaprio back to Cannes for the first time since 2007
Machinima, the online video heavyweight, launches an Interactive Festival on Friday
Michael Haneke's "Amour" is considered a front-runner for a Best Foreign Film Oscar
Michael Haneke's quiet, emotional story of aging and dying, "Amour," takes top prize; "Reality" and "The Angels' Share" are runners-up, but English-language films are nearly shut out
Sundance Selects picks up U.S. rights to former Palme d'Or winner Abbas Kiarostami's "Like Someone to Love"
Leos Carax's "Holy Motors," one of the festivals most acclaimed but divisive films, goes to the Indomina Group on the eve of the Cannes awards ceremony
Oscilloscope plans 2013 release for "Reality," story about reality television starring an actor serving prison time for murder
IFC will handle North American distribution for Im Sang-soo's "The Taste of Money," a drama about sexual desires and power struggles in a rich Korean family
Michel Franco's Mexican drama "Despues de Lucia" takes top award from jury headed by Tim Roth; Emile Dequenne and Suzanne Clement win acting awards
International critics' association FIPRESCI honors "In the Fog," "Beasts of the Southern Wild" and "Hold Back"; Eucumenical Jury goes for "The Hunt"
Day 11: It's (almost) all over but the voting, and the two frontrunners in the Palme d'Or race appear to be the quiet, emotional "Amour" and the loud, crazy "Holy Motors"
Wrap editor Sharon Waxman and columnist Steve Pond discuss the buzz at the august film festival
Chilean film "No," starring Gael Garcia Bernal, is among prize-winners in Cannes' Directors Fortnight section
Anti-Defamation League applauds cancellation of Cannes market screenings for film featuring "grotesque anti-Semitism"
Student films from Russia, the United States and Cuba are selected by Cannes' Cinefondation jury headed by Jean-Pierre Dardenne
Alec Baldwin pulls out of his onstage appearance at the amfAR gala but makes up with Harvey Weinstein after publicly blasting the mogul earlier in the festival
Arclight Films sells rights to Chinese romantic drama "Dangerous Liaisons"
"Cosmopolis" star Robert Pattinson struggles to explain the David Cronenberg movie set largely in a limousine cruising New York streets
Day 10: Steven Spielberg shows "Jaws" and says sharks have been very good for him, but audiences get unruly, and Pete Doherty talks frankly about making a movie on heroin
IFC/Sundance have worked with Loach on three prior projects, one of which won the Palme d'Or
Antonio Mendez Esparza's "Aqui y alla" has won the Grand Prize in the festival's Critics Week section
Some critics think Lee Daniels' steamy Southern potboiler is so bad it's good, but most say it's just plain awful
“It’s the autobiography of something that didn’t happen,” the director with one of Hollywood's most specific visual idioms tells TheWrap in an interview
Nicole Kidman says she gave herself over to the graphic scenes in Lee Daniel's pulpy "The Paperboy," which has become the talk of the Croisette
Christine White was the woman next to William Shatner in "Nightmare at 20,000 Feet"