Hollywood Needs Start-Up Incubators for Entertainment

March, 26, 2012 10:15 am | Comments On #Media

Should there be an incubator for start-ups in the entertainment industry? It’s a question brought into focus by a recent post from IndieWire editor Dana Harris: "8 Film Startups You Should Know from SXSW.”

"Film, to put it mildly, is not a priority for tech people," says Ms. Harris, reporting from the floor of Austin’s interactive conference. Eight film start-ups in a sea of technology suggested that more could be done to address the needs of our industry.

Her bold suggestion: “A startup incubator entirely devoted to problem-solving for the entertainment industry."

Maybe that’s what we need: a year-round community of tech, creative and business innovators who tackle the pain points and create innovation (and disruption) in the entertainment business.

(Note: I spent 11 years nurturing the AFI...

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Beckinfield -- the Haunted Town Where the Audience Creates the Story

February, 20, 2012 7:42 pm | Comments On #Media

Residents of the fictional town of Beckinfield have a lot going on, what with all the ghosts and other supernatural intercessions that keep popping up. 

But the townspeople are nowhere near as busy as some visitors to "Beckinfield,"  a website that presents an ongoing sci-fi series about the town in a format unlike any TV you've ever seen.

That's because the story is told entirely by means of first-person video diaries -- in-character performances created by users and upload to the site.

The Beckinfield story unfolds...

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What the Transmedia Movement Has to Teach (And to Learn)

November, 20, 2011 2:05 pm | Comments On #hollyblogs, Media, Nick DeMartino, Transmedia

 

If nothing else, last week's Story World Conference in San Francisco affirmed the reality of a new creative movement devoted to transmedia storytelling.

After years of building connections via online sharing and various ad-hoc collaborations, this gathering of the tribes of transmedia will certainly accelerate the movement, invigorate a cadre of practitioners and theorists, and generate buzz among many content creators. 

It's a big tent that has been pitched, sheltering artists, theorists, academics, vendors, allies -- with conflicting values and beliefs. (Don't expect a manifesto any time soon.) 

And yet, after listening to three days worth of panels, speeches, workshops,  (with 2,000-plus tweets) it's possible to extract some...

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Your Virtual Self: Who Owns It and What’s It Worth?

November, 14, 2011 2:42 pm | Comments On #hollyblog, Media, Nick DeMartino

Each one of us generates vast amounts of data -- email, phone calls, social networking, photos, text messages, videos, browsing, purchasing and more. 

Our data create a new form of identity, what you might call a virtual self -- a concept that will determine the future of the web.

This virtual identity, and all of the bits of data that comprise it, has become an incredibly valuable form of currency -- it’s the way the web exchanges value. 

Companies aggregate your data in order to deliver advertising, commerce, content, and services to you -- worth billions of dollars. 

But who owns this data? Who owns your virtual self? 

Right now, the identity wars are dominated by Facebook, Twitter, and Google -- firms that have become what...

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Why Marshall McLuhan Would Dig Transmedia and DIY Distribution

October, 16, 2011 3:10 pm | Comments On #Media

Marshall McLuhan's pronouncement that "the medium is the message" was revolutionary back in its day. 

Nearly 50 years later, McLuhan's influence survives, with many of his ideas serving as memes for wave upon wave of new media. Not for nothing did Wired Magazine anoint McLuhan as patron saint at the dawn of the Internet! 

Digital hipster Doug Coupland even published a McLuhan book subtitled” You Know Nothing of My Work” that riffed on the old gent’s ironic appearance in that Woody Allen flick.

McLuhan asserted that the container (the medium itself) mattered more than its actual content. Or something like that. Pissed a LOT of people off back then, especially people making the actual content. 

...

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The Annals of the Interactive Emmy on its 10th Anniversary

September, 15, 2011 7:59 am | Comments On #Emmys, hollyblogs, Nick DeMartino, Television

Lost amid the old-school rituals of last Saturday’s Creative Arts Emmys -- the first of the TV Academy’s two Emmy awards galas -- was a tiny signpost of change, an Emmy for “Outstanding Creative Achievement in Interactive Media,” marking the 10th year since the primetime Emmys first recognized “interactivity” as a legitimate part of the television business.

The Emmy went to ABC’s “Oscar Digital Experience,” one of several nominees that leveraged social media and second-screen apps.

By itself, the award made barely a ripple inside the hall, overshadowed as it was by dozens of other awards.

Indeed, the entire Creative Arts Awards itself is the red-headed step-child of the main Emmy...

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The Difference Between Connected TV, Social TV and Expanded TV

August, 22, 2011 3:01 pm | Comments On #Media

With television moving onto different platforms, it seems like nowadays we can watch TV everywhere. What is the ultimate future for television in a world that expects more from their screens?

The tech world is rife with trend-mongering, much of which winds up as wishful thinking or downright wrong. The future of television technology is no exception. (Remember Web TV, Intercast and interactive set-top boxes?) Prognostication is a mug's game.

And, so it is with great caution that I approach the latest trio of trends -- Connected TV, Social TV and Expanded TV. Whether these jargony trends hurl us into the future, they reflect the challenge that every content creator (and distributor) faces today:

Consumers expect more from all of their screens. 

Herein I break down these three big trends, along with their odds for future...

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Tracking Transmedia

July, 11, 2011 2:30 pm | Comments On #Media

Tracking transmedia developments as they unfold will be complicated, in part because this new entertainment format covers so much ground.

It is a world “where old and new media collide, where grassroots and corporate media intersect, where the power of the media producer and the power of the media consumer interact in unpredictable ways,” says USC professor Henry Jenkins in his book “Convergence Culture.”

To track transmedia, follow the people, suggests author Frank Rose. “The people who are most eager to experiment with new forms of storytelling are for the most part the creators,” says Rose, an editor of Wired Magazine and author of “The Art of Immersion” which makes engaging sense...

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Many Paths to Audience Participation for Transmedia Talent

July, 08, 2011 10:24 am | Comments On #Media, Transmedia

Second of three parts.

Leading transmedia talent has emerged from a wide array of disciplines, including technology, indie film, fantasy games, marketing, comic books, videogames, advertising, brand advertising, television production, theme parks, academia, and, of course, the Internet.

What sets each apart is a willingness to embrace meaningful audience participation in the transmedia projects that capture their passion.

“I think that the idea of participation is one of the key things we are all wrestling with, both fans and authors, movie directors or whatever kind of creative person we’re talking about, says author Frank Rose.

Also read: Transmedia: Why It's Catching On...

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Transmedia: Why It's Catching On

July, 06, 2011 10:25 am | Comments On #Media, Transmedia

First of three parts.

"Isaac Newton didn't discover gravity, he just named it," one TV writer-producer quipped during a recent conversation about transmedia.

And so it would seem, despite a testy flame war over the term transmedia—or perhaps because of it—the transmedia movement is catching on across the media business.

"Transmedia" is shorthand for a grab bag of production and distribution practices and audience engagement techniques that have emerged over the past decade, and when taken together, promise a new kind of media experience.

Along the way, practitioners and pundits have applied many terms to describe this type of...

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Nick DeMartino consults with companies on their content and distribution strategies, deals and marketing initiatives. Previously he served as Senior Vice President, Media & Technology at the American Film Institute. Find him on Twitter @nickdemartino and on the web. For links related to this story, check out his Delicious account.

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