“For me the experience was totally real,” says Nev Schulman, the subject of this year’s most enigmatic documentary, “Catfish.”
Schulman was responding to claims questioning the authenticity of “Catfish,” at a Q&A following a showing of the controversial documentary Thursday night at the ArcLight Sherman Oaks. Part of TheWrap’s ongoing Awards Screening series, the discussion was hosted by TheWrap's Dominic Patten. (Photograph by Jonathan Alcorn)
“Catfish” chronicles an intense on-line relationship between Schulman and a woman in rural Michigan named Megan. Over several months, as the relationship grew increasingly intimate, clues began to emerge that indicated Megan might not be who she said she was.
Eventually, Schulman and the film's directors -- his brother, Ariel and their friend Henry Joost -- decided to pay a surprise visit to Megan -- only to discover they were the ones in for a surprise.
The comely blond in the photos Schulman had been gazing at for all those months was a model named Amy Gonzalez -- the woman Schulman met in Ishpeming was an overweight fortysomething named Angela.
“As talented as my brother and Henry are, they’re not that good. They’re just not smart enough to write this movie.”
See Also: Wrap Video: Nev Shulman from 'Catfish'
“It never occurred to me it would end up being a movie,” Schulman maintained. “It was just me having a friendship and then that sort of turning into a weird relationship and that turning into this mystery and what you saw.”
The truth will likely come out in court, as Threshold Media is suing the filmmakers for lying about the veracity of their movie in order to avoid paying for music rights.
“First of all, Angela knew we were filmmakers,” Schulman said. “I don’t really think it’s an accident that she connected with us.” So if there is an element of fraud to the film, he suggested it might have been Angela’s doing.
Angela, on the other hand, is the one who created Amy Gonzalez and all her Facebook friends. “The truth is, she is a kind of an incredible writer,” Schulman said. “She wrote this movie, in a weird way.” He added that her only regret upon seeing the film was that her other characters didn’t make the final cut. “She misses all of those other people that she created.”
Upon his return to New York, Schulman began the process of grieving. “When you break up with someone they’re still there,” he said. “In this case it was like my girlfriend had just vanished, just totally disappeared.”
It was then the trio decided there could be a compelling feature film within the countless hours of footage they shot.
They began by telling friends and family the story on camera and recording their reactions.
