Alan Horn presided over a studio that was never the flashiest or sexiest in town, but was certainly the steadiest, usually the most prolific and often the top grossing.
On Friday, the 68-year-old Horn spends his last day as president and COO of Warner Bros. He leaves (or, rather, assumes a consultancy) after 12 years atop the company, with a track record that includes two Best Picture winners ("Million Dollar Baby" and "The Departed") along with "The Dark Knight," "Inception," "Ocean's Eleven" and a number of movies from the filmmaker he reluctantly singles out as his favorite, Clint Eastwood.
But of all the films with which Horn has been associated, the ones that have left the strongest mark on Warners' bottom line are the eight movies in the "Harry Potter" series, which began with "Harry Potter and the Sorcerer's Stone" in 2001 and will come to a close this summer as the most successful franchise in motion picture history, topping even the James Bond series with a total gross of $6 billion and counting.
"It took a huge emotional and financial investment from Alan to get the franchise off the ground," "Potter" producer David Barron told TheWrap. "He was always our biggest champion, and it was never about ego with Alan. For such a huge and powerful person in Hollywood, he was ever the gentleman."
Also see slideshow: 'Potter' to 'Dark Knight' to 'Inception': The Legacy of Alan Horn
To salute Horn on his final day in office, the "Potter" franchise's executive producer David Heyman told TheWrap about a decade's worth of experiences with the executive who was not betting on a sure thing when he first optioned a book about a boy wizard:
I think it's safe to say that "Harry Potter" would not be what it is without Alan Horn. Alan is decent, loyal, straightforward and is a Harry Potter fan -- in fact, not just a fan, a maniacal fan. He gave us the support, the resources and the independence that we needed to make the films we did the way we did.
When the first Harry Potter book was optioned, it wasn't a big bestseller. People forget about that. I read the book before it was published, and I sent it to my friend Lionel Wigram, who was a vice president at the studio. And I think mostly out of a feeling of "let's give Heyman a shot," they optioned it.
It was not a big option, it was an inexpensive option, and I don’t think anybody read the book for a while. But over time, as Alan read the books and became more involved in them, he was someone I could always go to. You knew was looking out for the books' interest, and the films' interest.
The Harry Potter films were not inexpensive films. Yes, they did well, but it was risky at times.
