'Ginger & Rosa' Review: Affecting Portrait of Girls on the Verge

March, 14, 2013 1:42 pm | Comments On #alessandro nivola, Alice Englert, annette bening, Christina Hendricks, Elle Fanning, ginger and rosa, Movies, Oliver Platt, Sally Potter, timothy spall

Growing up is hard to do, as countless coming-of-age movies have shown, some more affectingly than others.

With “Ginger & Rosa,” British avant-garde filmmaker Sally Potter (“Orlando”), offers up a strong entry into the field with what is by far her most appealingly mainstream film to date.

An intimate character study, “Ginger & Rosa” is set in England in 1962. It’s told mainly from the viewpoint of Ginger (Elle Fanning), a 16-year old budding poet growing up in post-WWII England alongside her best friend, Rosa (Alice Englert, the daughter of director Jane Campion). The two were born on the same day, in the same hospital, and have been BFFs ever since.

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'Dead Man Down' Review: As Plastic as Isabelle Huppert's Tupperware

March, 07, 2013 12:02 pm | Comments On #Colin Farrell, dead man down, Leah Rozen, Movies, reviews

“Thank you for returning my Tupperware.”

Somehow, that’s not a line you ever thought you’d hear French actress Isabelle Huppert say. But she murmurs exactly that, in her husky, Gallic-accented voice, in “Dead Man Down.”

Pairing Huppert with Tupperware is only the beginning of what this misbegotten revenge thriller gets wrong.

The actress, known for playing daring roles in provocative films, is cast here as a loving French mother in a humble, New York City high-rise who constantly pushes home-baked cookies and other treats, packed up in plastic Tupperware containers, on visitors.

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'Jack the Giant Slayer' Review: Fee-Fie, Ho-Hum

February, 28, 2013 12:30 pm | Comments On #jack the giant slayer, Leah Rozen, movie reviews, Movies

Fee-fie, ho-hum.

“Jack the Giant Slayer” is only incrementally more fun than a spate of other recent action-fantasy movies based on classic fairy tales. It has too much of a whiff of the familiar to stand very tall.

This 3D “Jack” follows in the once-upon-a-time footsteps of “Red Riding Hood” (2011), “Snow White and the Huntsman” (2012) and last month’s “Hansel & Gretel: Witch Hunters,” as well as “The Hobbit: An Unexpected Journey” (2012).

It, too, offers a variation on an oft-told tale and peoples it with a mix of live actors and computer-generated digital monsters. (“Jack” was originally slated for a June 2012 release but was pushed back to 2013 early last year.)

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'Snitch' Review: Dose of Depth Elevates Dwayne Johnson Drug Trade Tale

February, 22, 2013 9:01 am | Comments On #Dwayne Johnson, Movies, Snitch

In a recent interview in New York magazine, director Steven Soderbergh lambasted critics for praising movies he felt weren’t, as he sniffed, “up to snuff.”

“I don’t grade on a curve,” Soderbergh said, implying that movie reviewers do.

Guilty as charged. When looking at the curve for all Dwayne Johnson movies, “Snitch” belongs a little over the hump on the side of the better, more ambitious efforts.

Also read:...

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'Safe Haven' Review: The Location Should Have Top Billing

February, 13, 2013 11:08 am | Comments On #Leah Rozen, movie review, Movies, Nicholas Sparks, Safe Haven

One either sparks to Nicholas Sparks, finding his melodramatic love stories to sigh over, or one doesn’t.

Sparking to “Safe Haven,” the latest film based on one of the bestselling author’s swoony novels, requires a high tolerance for a mighty sappy love story and the ability not to see a mile ahead for the supposedly surprise plot points, though they’re as obvious as bright red buoy markers bobbing in the water.  

None of which seems to have hurt the box office appeal of seven previous film adaptations of Sparks’s books, including “The Notebook,” “Nights in Rodanthe,” “A Walk to Remember.” There’s a reason this movie is opening on Valentine’s Day.

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'Lore' Review: Nazi Devastation Is Backdrop for Nuanced Coming-of-Age Tale

February, 07, 2013 12:16 pm | Comments On #'The Dark Room', Kate Shortland, Lore, movie reviews, Movies, Rachel Seiffert, Saskia Rosendahl

Coming of age is never easy, but the adolescent protagonist of this impressionistic and nuanced film has to do it amidst the devastation in a crumbling Germany at the end of World War II.

“Lore” is based on “The Dark Room,” a 2001 Booker Prize-nominated novel by British author Rachel Seiffert. The movie’s title character is Hannalore (Saskia Rosendahl) -- Lore is the diminutive -- the eldest daughter of a mother and father who are staunch Nazis.

Lore’s dad is an officer in the SS and her mom is a true believer who, when Hitler kills himself in the final days of the war, mournfully tells Lore, “It’s the end.”

Soon, Lore and her four younger siblings, including an infant, are left to fend for themselves in the midst of the Bavarian woods after their father is captured and their mother surrenders to the...

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'The Gatekeepers' Review: Israel Through the Prism of Shin Bet

January, 31, 2013 5:05 pm | Comments On #Israel, Leah Rozen, movie reviews, Movies, The Gatekeepers Shin Bet

The  classic Jewish joke asks, “Why does a Jew always answer a question with a question?”

The answer: “Why not?”

There are lots of questions and more questions, along with some answers, in “The Gatekeepers,” a thought-provoking new Israeli documentary about Shin Bet, the nation’s secret service.

Director Dror Moreh (“Sharon”) convinced all six former heads of Shin Bet to appear on camera for solo interviews in which they discuss the agency’s role in the nation’s history and reflect on its, and their own, successes and failures.

What they have to say is, by turns, fascinating, provocative and sure to reverberate both in Israel and...

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'Warm Bodies' Review: Zombified 'Romeo & Juliet' Lurches With Life

January, 31, 2013 10:54 am | Comments On #Leah Rozen, movie reviews, Movies, Nicholas Hoult, Warm Bodies

 

Not every movie has to homer it out of the park. 

“Warm Bodies,” a surprisingly genial and clever little zombie-teen romance mash-up, qualifies as a solid base hit. And that’s plenty good enough for a release during the winter of every moviegoer’s discontent.

Based on a 2011 novel of the same name by Isaac Marion, this tale of star-crossed teenage lovers, one of whom is inconveniently a member of the walking dead, is very loosely based on Shakespeare’s “Romeo and Juliet.”

When we first meet R (Nicholas Hoult), our teen hero, he’s lurching through an...

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'Hansel and Gretel: Witch Hunters' Review: A Bloody Grimm Mess

January, 24, 2013 10:58 pm | Comments On #Hansel and Gretel: Witch Hunters, jeremy renner, Leah Rozen, movie reviews, Movies

 

There are mash-ups -- and there’s just mashed.

“Hansel & Gretel: Witch Hunters” is the latter, a squashed-together mess that tries to cram too many different types of movies into one and instead ends up as a pointless, steaming pile of cinematic detritus.

It must have sounded good at the pitch meeting. Take the Grimm Brothers’ classic tale about a brother and sister who are taken prisoner by a witch after nibbling on her candy house and cross it with a really badass action picture. Have the siblings grow up to become skillful bounty hunters who save medieval towns from marauding witches. Give the pair some seriously cool weapons, including giant hulking automatic guns and crossbows, with which to mow down the witches in as bloody a fashion as possible. ...

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'Mama' Review: Guillermo del Toro's Maternal Malevolence Fitfully Captivates

January, 17, 2013 2:15 pm | Comments On #Guillermo del Toro, Jessica Chastain, mama, Movies

The fact that Guillermo del Toro is an executive producer of “Mama” is a tip-off that this won’t be just another horror film with misbehaving and soon-to-be-dismembered teenagers or a drooling, slime-soaked monster. 

And it’s not. But neither is it “Pan’s Labyrinth” (2006), the producer-director’s brilliant, politically aware gothic fairytale.

“Mama” is a fitfully involving supernatural tale of parents and parental figures both good and bad.  The feature film debut of director-co writer Andrés Muschietti, it opens with a distraught and possibly criminal father (Nikolaj Coster-Waldau) grabbing his two young daughters and driving with them deep into the wintery woods in the Northwest. He leads the girls on foot to an isolated cabin where, soon after their arrival, a large, black-clad apparition...

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Description

Leah Rozen was the film critic at People Magazine for thirteen years, until she decided that seeing six to eight movies a week was cruel and unusual punishment. She has also written for the New York Times and such still lamented though long departed publications as Spy, Manhattan Inc. and New York Woman.

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