'Killer Joe' Review: A Down-and-Dirty Drama That Revels in Its Own Sleaze

July, 26, 2012 3:37 pm | Comments On #culture, Killer Joe, Matthew McConaughey, Movies, theater, William Friedkin

There’s a reason Matthew McConaughey’s character wears a black Stetson in “Killer Joe,” a self-knowingly sleazy crime drama that’s simultaneously repellant and enjoyable.

His is no white-hat role, and both he and the movie are the better for it.

McConaughey is in the midst of a career revival, leaving behind the brainless, lightweight charmers he played in a string of flimsy romantic comedies to portray more complicated, morally challenged, middle-aged guys in films like “Magic Mike” and “The Lincoln Lawyer.”

He takes on his darkest role yet in “Joe,” playing with mesmerizing authority the title character, Killer Joe Cooper, a Dallas police detective who moonlights as a hit man.

“Killer Joe” is set deep in trailer-park territory. Chris Smith (Emile Hirsch), a would-be drug dealer...

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'The Queen of Versailles' Review: The Irresistible Spectacle of Ambition Gone Gaudily Awry

July, 19, 2012 2:18 pm | Comments On #David Siegel, documentary, Jackie Siegel, Lauren Greenfield, Movies, The Queen of Versailles

All hail “The Queen of Versailles.”

This irresistible documentary, about the effects of the 2008 economic collapse on a free-spending, über-wealthy couple, gives viewers an up-close-and-personal look at the gaudy weirdness that is the American Dream – in reverse.

“Versailles,” directed and produced by Lauren Greenfield (“Thin”), focuses on David and Jackie Siegel, who in 2006 broke ground on their 90,000-square-foot dream house in Windermere, Florida. They named it 'Versailles' and, upon completion, it would have been the largest private residence in the U.S.

Today, their hulking Versailles stands half-finished, a potent symbol for the nation’s economic collapse and the consequences on the housing market.

Greenfield began filming the couple in 2007, when they were still flying high (both...

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'Easy Money' Review: Don't Miss This Sharp, Snappy, Scorsese-Approved Dazzler

July, 12, 2012 10:23 am | Comments On #Easy Money, Martin Scorsese, Movies, Snabba Cash, The Weinstein Company

It’s easy to see why Martin Scorsese was willing to Velcro his name to “Easy Money,” a sharp-eyed Swedish crime drama.

This dazzler of a movie is right in his wheelhouse, given that it’s about urban criminals with moral codes and strong ethnic identities, plus there’s plenty of violence.

His credit, which flashes at the start of the movie, reads “Presented by Martin Scorsese.” The “Hugo” director only came aboard earlier this year; The Weinstein Co. bought U.S. distribution rights for “Easy Money”– its Swedish title is “Snabba Cash”– back in 2010 after its premiere at the Berlin Film Festival.

During the more than...

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'The Do-Deca-Pentathlon' Review: Amusing Fare From the Duplass Brothers

July, 05, 2012 2:16 pm | Comments On #DVD review, Jay and Mark Duplass, Movies, The Do-Deca Pentathlon

When I was a kid and would fight with one of my five siblings and then go crying to my mother, she would tell me to get over it and make up with them.

“She’s your sister and she’s going to be your sister for the rest of your life, so you had better learn to live with her,” Mom always said (or, alternatively, “He’s your brother and …”).

Her parental wisdom -- it turns out, Mom was right -- came rushing back while watching “The Do-Deca-Pentathlon,” an amusing and perspicacious comedy about two adult brothers locked in near mortal combat while each trying to vanquish the other in a made-up athletic competition.

“Do-Deca” is yet another low-...

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'People Like Us' Review: Good People Aren't Enough to Save This Maudlin Tale

June, 28, 2012 10:07 am | Comments On #Alex Kurtzman, Chris Pine, elizabeth banks, Leah Rozen, Movies, olivia wilde, People Like Us

 

In the same way that one can support the troops but hate the war, or love the player but hate the game, one can appreciate actors even while disliking the movie in which they’re working their tails off.

That would be the case with “People Like Us,” a maudlin comic drama about a feckless young man who discovers as an adult that his recently deceased father also secretly had a daughter with another woman. 

Chris Pine plays Sam, a fast-talking salesman who relies on charm and a gift for schmoozing to get by in life. The movie’s opening scenes, in which we watch him verbally hustle clients, have an energy and offhandedness...

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'The Woman in the Fifth' Review: He's Tripping, and It's Worth Watching

June, 21, 2012 4:19 pm | Comments On #Ethan Hawke, Kristin Scott Thomas, Movies, Paris, the woman in the fifth

When a character wears thick glasses throughout a movie, there’s usually a reason above and beyond scoring 20/20 on an eye test. It’s to suggest that the character is meek, an intellectual or is attempting, like Clark Kent, to disguise his true self.

In the case of Tom Ricks (Ethan Hawke), the troubled American novelist who is the protagonist of this absorbing psychological drama set in Paris, the glasses are a symbolic tip-off. Moviegoers see the film through Tom’s perspective but come over time to understand that his view may not be entirely reliable.

Tom, who taught at a university and hasn’t been able to write since...

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'Abraham Lincoln: Vampire Hunter' Review: Give This Historical Remix a Seat at Ford's Theater

June, 21, 2012 10:30 am | Comments On #Abraham Lincoln: Vampire Hunter, Movies, president, Twilight

Honestly, Abe, they done you wrong.

The 16th president, the man who kept the Union together and freed the slaves, deserves better than to be turned into a not-especially-charismatic action hero in a mundane 3D mash-up movie that’s an uneasy mix of history, horror and special effects.

“Abraham Lincoln: Vampire Hunter” would have been a great comedy-show sketch. In fact, it already sort of was in “Abe Lincoln and His Time Machine,” a 1992 skit from a primetime “Saturday Night Live” spinoff special.

...

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'Safety Not Guaranteed' Review: A Time-Traveling Trip Worth Taking

June, 07, 2012 2:15 pm | Comments On #indie film, movie review, Movies, safety not guaranteed

“Quirky” is one of those overused words that can damn with faint praise, especially when paired with “indie movie.”

To call the endearing “Safety Not Guaranteed” quirky, however, is an honest attempt to convey in a single word this indie dramedy’s many beguilements. Simultaneously loose-jointed and carefully constructed, it’s a heartfelt charmer about an eccentric guy planning to time-travel.

Early on, Jeff (Jake Johnson of TV’s “The New Girl”), a seasoned reporter at Seattle magazine, suggests to his dictatorial editor (Mary Lynn Rajskub, in an amusing cameo) that he track down the author of a classified ad which reads: “WANTED: Someone to go back in time with me. This is not a joke. … You’ll get paid after we get back. Must bring your own weapons. Safety not guaranteed. I...

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'For Greater Glory' Review: Sunday School, Anyone?

May, 31, 2012 2:43 pm | Comments On #catholic church, for greater glory, Mexico, Movies, Religion

“For Greater Glory” wears both its heart and its cross on its sleeve.

The movie glorifies the Catholic fighters and cause behind Mexico’s Christeros War (1926-29), a conflict that pitted the government against defenders of the Church.

The war started after Mexico’s democratically elected president, Plutarco Elias Calles, began enforcing provisions in the 1917 Constitution intended to separate church and state. His overzealous enforcement led to government troops persecuting Catholics, killing priests and missionaries, and destroying churches.

What began as an anti-government economic boycott by Catholics eventually turned into an armed rebellion in the name of religious freedom....

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'The Intouchables' Review: Feel-Good French Import Condescends

May, 24, 2012 12:41 pm | Comments On #movie review the intouchables, Movies, the intouchables

Not since Julia Roberts has a movie star had a smile so wide and so ingratiating as Omar Sy, the likable lead of “The Intouchables.” When this French actor smiles, between his white teeth glistening and the edges of his eyes crinkling, his face lights up with the bright wattage of the Las Vegas strip.

Sy is one of the costars of “The Intouchables,” a French comic drama that has been a huge commercial hit in its native country. Sy won a César award (the Gallic Oscar equivalent) for his performance and the film was nominated in eight additional categories.

That he is a magnetic performer holds true no matter how one feels about the movie itself. This well-meaning, feel good, would-be inspirational tale of a friendship that crosses racial lines is bound to receive a more mixed reception Stateside than it did in France.

Also...

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Description

Leah Rozen was the film critic at People Magazine for thirteen years, until she decided that seeing six to eight movies a week was cruel and unusual punishment. She has also written for the New York Times and such still lamented though long departed publications as Spy, Manhattan Inc. and New York Woman.

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