Peter Facinelli had plenty of passion and determination but not much in the way of craft when, as a stiff New Yorker with a “My Cousin Vinny” accent, he enrolled at NYU and threw himself into a drama career. Now co-starring in Showtime’s “Nurse Jackie” and heading up the Cullen vampire clan in the “Twilight” series -- his next film, “New Moon,” opens Nov. 20 -- Facinelli is a nonstop working actor with a wide range and a long resume in film and television.
He spoke with Eric Estrin about how he lost his Queens swagger, the value of not having a Plan B, and Dick Wolf’s tradeoff.
When I was in third grade, I was in the school library and I picked up a picture biography book on Robert Redford. I started reading about him and the things he did, and I thought, "That’s a fun occupation to do."
Then I saw “Butch Cassidy and the Sundance Kid” not too long after that, and I thought, "That’s what I want to do."
So I told my parents when I got a little older that I want to be an actor, but to them it was like saying I wanted to go to Mars. They kind of just laughed at it. The next time they asked, I said I wanted to be a lawyer, because I got a lot of oohs and aahs in the family.
For a long time I kind of convinced myself I wanted to be a lawyer. I never did any plays in high school. I was quite shy actually.
And then I went to one year at St. John's University, and I’m studying pre-law, and I take an acting 101 class and I love it.
I remember there was a kid in the class and he said, "This is fun, but what are the chances of us actually ever being an actor?" I kind of got mad at that, and that’s when I made the decision that I was gonna be an actor, and I said, "I don’t care if it takes me six years to start getting work." I was just that passionate about actually doing it, and I didn’t like the fact that this kid said that we couldn’t.
I knew a manager who kind of found me through friends, and his name is Mark Amitin. Mark steered me in the right direction. On his advice, I transferred into NYU to study acting.
For a whole year I was going up on stuff and I was probably really terrible. Every time I walked out of the room, I had this great high, like I was doing what I wanted to be doing, and I was really excited that I was able to go out on things. I was getting some really crappy feedback, but for some reason, my agent stuck with me.
I was horrible. They were saying, "This kid can’t act, he’s terrible." But you know, it was a great learning curve for me.
