‘Need for Speed’ Review: Aaron Paul Can't Get This Vehicle Off the Lot

'Need for Speed' Review: Aaron Paul Can't Get This Vehicle Off the Lot

The miscasting of the “Breaking Bad” star is just one of the many problems of this aggressively-idiotic video game adaptation

Star vehicles are not a one-size-fits-all proposition. Certain lines of dialogue, characterizations, even camera angles that might be fitting for one actor will be thoroughly ridiculous for another.

The many, many problems of “Need for Speed” can't be blamed on the miscasting of Aaron Paul in the lead role — and, in fact, there's not an actor out there who could have saved the thing — but Paul's presence in the film certainly isn't helping.

A memorable and eccentric presence on “Breaking Bad,” Paul feels awkward and uncomfortable here: his round, baby face doesn't loan itself to the intensity that director Scott Waugh (“Act of Valor”) is clearly desperate to achieve, and perhaps it might have occurred to someone that an actor best known for playing a manic motormouth might not have been the best choice for a character who's supposed to be haunted and brooding.

See video: Aaron Paul Breaks Bad in ‘Need for Speed’ Trailer

In this idiotic adaptation of the popular video game, Paul stars as Tobey Marshall, a talented driver currently trying to keep the doors open on his late pop's garage, a body shop so generically vintage that it looks like a feature of the “Cars” section of Disneyland. Tobey's having a hard time paying the mortgage, despite the fact that he and his ethnically-diverse crew have both a slew of vintage racers and any number of high-tech tracking devices (including, no kidding, an airplane) used to monitor their local drag races.

needforspeed531579127c4a2When the dastardly Dino Brewster (Dominic Cooper) comes back to town after having raced at Indy, offering big money to Tobey and his guys to create a one-of-a-kind Ford Mustang, Tobey takes the gig. (The movie goes from a handshake to a completed car without a montage or even a wipe in between. If only the 130-minute “Need for Speed” had always stuck to such economical storytelling.)

When Tobey shows up Dino by getting the Mustang up to 190 mph, Dino challenges Tobey to a street race that winds up costing Tobey's pal (and Dino's girlfriend's brother) Pete (Harrison Gilbertson) his life. It's in this first, deadly drag race that “Need for Speed” makes us appreciate the “Fast and the Furious” franchise that it is trying so hard to emulate; in the “Fast” movies, there may be some close calls, but we don't find ourselves actively concerned about the well-being of any nearby pedestrians.

All the drivers in “Need for Speed” — heroes and villains alike — are total jerks on the road, oblivious to the welfare of homeless people, bicyclists, commuters, even school buses, either ignoring or even, in some cases, chuckling over the destruction they leave in their wake. It's hard to root for such patently irresponsible creeps.

Also read: ‘Need for Speed's’ Harrison Gilbertson to Star in YA Adaptation ‘Fallen’ (Exclusive)

Anyway, Dino frames Tobey for Pete's death, Tobey goes to jail for two years, and when he gets out, he swears revenge, which involves racing Dino in a big annual illegal race where the winner gets to take home all of his opponents’ high-priced cars. (It doesn't seem like that great of a prize, since apparently all the vehicles wind up either wrecked or impounded by the cops by the time it's over, but hey, whatever.)

Entering the race involves Tobey getting the crew back together, driving cross-country and unconvincingly falling in love with car expert Julia (Imogen Poots) and attracting the attention of eccentric rich race organizer, Monarch (Michael Keaton, who apparently pocketed a big check for sitting in a room and giving us a third-rate impersonation of Cleavon Little in “Vanishing Point”).

Car fetishists will undoubtedly enjoy the many loving shots of some of the world's most expensive automobiles, but they're about the only demographic that's going to come away from “Need for Speed” satisfied.

The racing scenes are uninspired, screenwriter George Gatins’ dialogue is flat and the performances are forgettable. Waugh's only innovation is to strap a Go-Pro camera onto cars that are flipping over — but after the first two or three of these loop-de-loop POV shots, the effect loses its charm.

Also read: ‘Fast & Furious 7' Producers Considering Scrapping Production, Starting Over in Wake of Paul Walker's Death (Exclusive)

Based on his star-making TV work, Paul has a career ahead of him as an actor, but this role represents a complete miscalculation of his talents and the kind of films he should be pursuing. Also spinning her wheels here is Imogen Poots, a talented comic performer who deserves better than movies like this and “That Awkward Moment.”

“Fast and the Furious” fans have one more year to wait before Jason Statham tears up the streets of Tokyo looking for Vin Diesel, but “Need for Speed” fails as a place-keeper — or, for that matter, as a possible usurper — of that other, better franchise.

  • Andrew William Zoeller

    despite od this review of”Need For Speed”..i still wanna see this movie!

  • http://theotherfilms.blogspot.com/ Julius Kassendorf

    Mainly agree, but I think that Michael Keaton adds more fun to the proceedings for his unhinged nature, and the street racing is also actually filmed well (even if you are almost as worried (if not more) about the fake pedestrians.

    Of note: the geography of Detroit, I believe, gets screwed up a little.

    The things that really hurt the movie for me are:
    - the casual racism (who is the thief of their outfit? The black dude. Who, other than the drivers, ends up in jail? The black dude.)
    - Aaron Paul's imitation of Bale's Batman performance
    - the predictability of the plot
    - the telegraphing of every story line
    - the airlifting of the structure (wholesale) from The Farrelly Brothers’ Kingpin
    - the logic of Keaton commenting on a race (in full detail) where there are no cameras
    - the apolitical nature of the film (especially when it's about excess, greed, and 1%ers…and especially compared to Vanishing Point)
    - the lack of personal growth on a road movie
    - the lack of either Vin Diesel or The Rock
    - Imogen Poots terrible acting
    - etc etc.

    But the pretty cars going fast portion wasn't bad.

    Also, from a gamer-specific criticism, EA needs to be boycotted for horrendous consumer practices.

  • ferrarimanf355

    As soon as I saw Alonso's name on the byline, this wasn't going to be a pretty review. I'm still going to see this though, not every film has to be highbrow Oscar bait.

    • http://theotherfilms.blogspot.com/ Julius Kassendorf

      But it could strive to be as good as The Fast and the Furious.

  • Seannie5

    I feel like you have never seen Breaking Bad if you think that Aaron Paul can't do brooding or haunted????? What?
    Imogen Poots is a terrible actress.
    It looks like harmless fun.