L.A.'s No Place to Experience the Depression

L.A.'s No Place to Experience the Depression

Published: March 25, 2009 @ 3:32 pm
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By Peter Mehlman

For people who grew up hearing tales of the Great Depression over dinner, the current economic crisis is pretty disappointing. With things this bad, you expect to look out your window and see that the whole world is in black and white.

It's not. Not here in hi-def Santa Monica: Lilac yoga mats still bounce off the buff, brown shoulders of a fifth tri-mester women hopping out of black cherry Escalades so huge they should come with a fireplace standard.

Really, this is no place to experience a depression. No matter what bleak news you hear on NPR, L.A. sedates the crisis. Your 401K turns into a 201K but you spot Jessica Alba at the Farmer's Market. Unemployment hits record highs but the next joyously dumb license plate you see reads FLM EXEC. You ask a bunch of your friends if they'd take $50,000 to see "He's Just Not That Into You" and they all decline, no hesitation.

Everything seems pretty fine.

As the attention-seeking capital of the world, L.A. tries to sync up with America's miseries but never quite gets there. When the 9/11 terrorists chose New York and Washington, L.A. felt vaguely left out. What, the Hollywood Sign's not good enough for you? To compensate, studio security measures were so over-the-top, any siege
mentality gave way to giggles when the same security guard who yawned your admittance everyday for years was suddenly flipping through the pages of your pilot looking for anthrax. Okay, the script has problems but it's not lethal.

Now the financial meltdown has L.A. flailing to feel part of the United States of America. While CNN does features on Kansans dipping deep into their savings to get by, you can barely go a day in L.A. without hearing someone say, "It's scary: I'm practically living off my residuals." Writing teams who used to rent office space now set up shop at The City Bakery which, in turn, is rumored to be going under.

While subprimed Floridians on CNBC report on the decimation of their credit ratings, L.A. newsradio reports that the rents that people charge families for guest houses have nose-dived from exorbitant to merely pricey.

While NPR reports on slashed city services from another city everyday, the most stinging deprivation here is CAA's massive roll-back on parking validations. If you're still viable enough to merit face time with an agent, you have to either pay $20 to
park for an hour in the building or park in the Century City Mall and walk (by foot) to Avenue of the Stars.

And that whole AIG mess. A company behaving like that when they have as fine an actor as Alison Janney voicing their commercials ... it's unconscionable.

Not that L.A. isn't battered like everyone else. Subprime evil has stories wafting Westward about nuclear family squatters co-opting unsellable, over-built, voluptuously ugly townhouses in the San Gabriel Valley. Lay-offs are so massive that when you meet someone who still has one of those gossip-for-a-living job titles within some production company that seems to never produce anything, it's fairly shocking.

Tags: economic crisis, Hollywood, layoff
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After graduating from the University of Maryland, Peter Mehlman started his career as a writer for the Washington Post. He slid from print journalism to television when, from 1982 to 1984, he wrote for and produced the television series, “SportsBeat” with Howard Cosell. For the next five years he returned to writing full sentences as a freelance writer in New York. His byline appeared in numerous national publications including the New York Times magazine, GQ, Esquire and every women’s magazine imaginable... 

 

In 1989 he moved to Los Angeles where he bumped into Larry David, whom he'd met twice in New York.  David, was developing “a little show with Jerry Seinfeld”, and invited Mehlman to submit a sample script. Having never written a script, Mehlman sent a humor piece he had written for the New York Times Magazine. Jerry Seinfeld loved it and gave Mehlman a writing assignment, out of which came the series’ first freelance episode, “The Apartment.” Mehlman was hired for the first full season of “Seinfeld” (1991-92) and wrote 23 episodes during the next six years and became an executive producer. 

 

Mehlman is most famous for his “Yada Yada” episode, and he is also the author of such now classic Seinfeld-isms as “spongeworthy” and “shrinkage” and “double-dipping.” 

 

In 1997, Mehlman joined DreamWorks and created “It’s like, you know...,” a scathing look at Los Angeles. In recent years, he has continued creating TV shows, writing screenplays and humor pieces for NPR, Esquire, The New York Times, Washington Post and LA Times while also appearing on-camera for TNT Sports and his own web program “Pete Mehlman’s Narrow World of Sports."

 

 

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