She's got the eye of the tiger, but appeared to have the timing of a tone-deaf cub
The story of Josef Mengele's time in Argentina was titled "Wakolda" when it screened at Cannes
Abu-Assad recently won the Jury Prize at Cannes for 'Omar'
The Italian hitman drama took home the top prize during the 2013 Cannes Film Festival's International Critics’ Week
Complaints from citizens offended by imagery have led to posters being removed from two Paris suburbs
It was a sprawling, soggy, sexy 12-day extravaganza, and here are the keys
Japanese drama examines two families whose 6-year-old sons were switched at birth
"Inside Llewyn Davis" and "Like Father, Like Son" win second and third-place awards; Bruce Dern and Berenice Bejo take acting honors
The Palme d'Or race hasn't been this murky in years, but you can probably count out the new Roman Polanski and Jim Jarmusch films
As deliberations get underway for the Palme d'Or, the actress reveals her approach to choosing the winner
"Omar," "Stranger by the Lake," "La Jaula de Oro" and "Fruitvale Station" also win jury awards
Three-hour drama, which received attention for its graphic sex scenes, was named the fest's best film by international film critics' organization
Jim Jarmusch's vampire movie "Only Lovers Left Alive" wins over the critics, but can it possibly be as entertaining as the marketplace title "FDR American...
Film financiers reported a strong market at Cannes this year
The period drama is either a wrenching masterpiece or a gloomy melodrama, depending on who you ask
Cannes: Nicolas Winding Refn defends the heavily criticized film saying, "Art is meant to divide"
Clio Barnard's "The Selfish Giant" also wins prize in independent section at Cannes
Top award in student film competition goes to "Needle"; Jane Campion's jury also chooses shorts from Romania and the Czech Republic
Alexander Payne's "Nebraska" Jerry Lewis likes his comics male and "Blue Is the Warmest Color" gets the critics all hot and bothered
Clio Barnard fable premiered at Directors’ Fortnight
As the rain starts up again, Redford gets a lengthy ovation for J.C. Chandor's wordless lost-at-sea drama
The company's third Cannes pickup is a sexy coming-of-age tale
Redford gives a moving performance as a man lost at sea in J.C. Chandor's almost dialogue-free follow-up to "Margin Call"
"Drive" director Nicolas Winding Refn indulges in one bloody killing after another, and practically licks the knife afterwards
Mila Kunis, Zoé Saldana, and Marion Cottilard co-star
As the festival moves into its final five days, Steven Soderbergh's HBO movie joins the Coen brothers and Asghar Farhadi as the best in show
Ronald Harwood ("The Pianist") is writing the script for producer Mike Medavoy
In competition at the festival, Soderbergh's honest, authentic rendering of the passionate, sometimes silly love affair between Liberace and Scott Thorson is his best film...
There's only one film directed by a woman in the main competition – and the critics weren’t kind to that film, “A Castle in Italy”
Here at the bar there’s a disproportionately large number of Hollywood power players, temporarily taking the place of the Russian oligarchs