It's been quite a first year for Fox's shouldn't-have-happened musical hit.
Bringing down the curtain Tuesday night on its first season, "Glee" -- which launched on May 19, 2009 -- has had great ratings, a slew of Top 10 hits, Golden Globe nominations, SAG and Peabody wins, guest stars lining up like sophomores for try-outs, a Hot Topic tour, sold-out shows at Radio City Music Hall and appearances at the Super Bowl, the White House Easter Egg hunt and “Oprah.”
Not bad for a show about a bunch of singing high-school misfits that stars some Broadway staples, the guy who played Attila the Hun in the “Night at the Museum” feature films and a journeywoman actress best known for playing the strict Granny in “Talladega Nights.”
So why does “Glee” work? Perhaps it's because of a secure Midwestern sense of self and a catalog that ranges from Bacharach to Beyoncé and beyond. Perhaps because it never tries to be better than the sum of its parts – instead, it embraces them.
Perhaps because of this:
1. THE TIMING
Sure, the “Once More, With Feeling” musical episode of “Buffy the Vampire Slayer” was a commercial and critical success back in November 2001. But that was just one episode. The landscape is littered with musical series that barely made it through one season, from Steven Bochco's terribly titled "Cop Rock" to the more recent resuscitation of "Fame."It helps that "Glee" was planted in extremely fertile soil -- soil tilled by “American Idol,” now “Glee’s” lead-in on Fox on Tuesday nights, and “High School Musical.” It doesn't hurt that "Idol's" group sings feel grossly amateurish by comparison.
But most important, the nation has dramatically shifted in its diversity in the last few years -- and “Glee” successfully reflects the country back to itself. To quote Barack Obama’s career-making speech before the 2004 Democratic National Convention, “We coach little league in the blue states and, yes, we've got some gay friends in the red states,” and "Glee" mixes stereotypes galore.
It might be a bit too saccharine for some, but when 12.4 million viewers watch every week, they see and hear themselves.
2. THE HOMAGES
From Madonna -- who had a whole show dedicated to her on May 25 -- to Lady Gaga to Kiss, "Glee" seems to have never met a makeup-slathered icon it didn't want to emulate. In fact, it has rarely encountered a winning formula from which it didn't beg, borrow or steal.Jane Lynch’s shot-by-shot replication of the Material Girl’s “Vogue” video was a hilarious and loving homage. The in-the-round rendition of Kiss’ “Beth” reeked of a ripoff of Extreme’s early '90s video of “More Than Words,” and Matthew Morrison’s Will Schuester is nothing if not a veiled version of Justin Timberlake’s older and slightly geekier brother.
Call it plagiarism if you want, but reaching back time and time again to what's worked so well before, the producers prove week after week that “good artists borrow, great artists steal.”
