Drew Taylor is a senior film reporter at TheWrap, writing broadly across topics including blockbuster films, production, animation and with a side passion for Hollywood’s theme parks. Before joining the site in 2021, Drew was a film journalist with a keen interest in animation and Disney history. Drew has been covering film, television and theme parks for 15 years, writing for the New York Times, the New York Daily News, Time Out New York, Collider, The Playlist, Polygon, Vulture, Box Office Magazine, AOL Travel and Syfy.
Experience:
Resides In:
Toluca Lake, California
Education:
Drew received his Bachelor of Arts degree in Literary Studies from Eugene Lang College of Liberal Arts at The New School in New York, New York.
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Lady Gaga Confirms ‘Joker 2’ Role With Teaser Video
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Netflix and Dark Horse Extend Partnership, Announce Idris Elba Film Directed by David Leitch
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Tom Cruise and Christopher McQuarrie Set Their Sights on ‘Gnarlier’ Movie After ‘Mission: Impossible 8’
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Netflix’s ‘Lost Ollie’ Trailer Imagines If Terrence Malick Remade ‘Toy Story’ (Video)
Peter Ramsey, one of the directors of ‘Spider-Man: Into the Spider-Verse,’ directs
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‘Everything Everywhere’ Filmmakers Daniel Kwan and Daniel Scheinert Sign Exclusive 5-Year Pact with Universal Pictures
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Cradle to Grave: Inside Hollywood’s Push Into Preschool Programming
Batman for toddlers? Studios are realizing the importance of getting fans hooked on their biggest franchises when they’re young
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‘Light & Magic’ Director Lawrence Kasdan Explains Why He Made a Docuseries About the History of VFX
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“House of Gucci,” “The Bob’s Burgers Movie” and many more are coming to your home
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How the ‘Nope’ Sets Became a Universal Studios Attraction
Jordan Peele’s latest nightmare has already become a tourist destination
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Ti West’s ‘Pearl’ Trailer Explores the Origins of ‘X’ (Video)
A24’s latest horror offering, starring and co-written by Mia Goth, is out this fall
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In an Emotional Comic-Con Return, Marvel Showed Fans Its Future | Analysis
Marvel Studios’ Kevin Feige commanded Hall H once again, but this time with a surprisingly emotional undercurrent
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