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Jason Clark

Jason Clark

Position

Awards Reporter

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Experience:

Jason joined TheWrap’s Awards team in 2021, concentrating on celebrity profiles, below-the-line and crafts stories and occasional commentary on Awards-related matters.

He has 25 years in the entertainment and media industry covering film, television and stage. He began his editorial career at Premiere magazine, where his now-editor Steve Pond’s legendary Oscar coverage first took shape. After Premiere, Jason has worked at many of the leading magazines and websites nationally in both editing and writing capacities, including Entertainment Weekly (where he wrote for nearly every section of the publication, especially Stage, where he worked as an editor as well), TV Guide Magazine, Vulture, The Village Voice, All-Movie Guide and Slant Magazine, among many others.

He has appeared on various Sirius XM shows as a guest for Entertainment Weekly’s radio channel, served as an awards nominator for various organizations, and covered various film festivals including the Toronto International Film Festival and Poland’s Camerimage, which celebrates the work of the world’s leading cinematographers. He is also an extensive traveler, and has worked as a manager on several high-profile Broadway touring productions, where he has also freelanced simultaneously as a writer over many years.

Resides In:

Pittsburgh, PA

Education:

Clark received his Bachelor of Fine Arts degree in Cinema Studies from New York University.

  • How ‘The Mosquito Coast’ Achieved That Hyperreal Cinematic Visual Style

    TheWrap awards magazine: Cinematographer Alex Disenhof discusses the challenges of desert filming and the reason he never wanted the Apple TV+ series to “feel clean”

    By

    Jason Clark
    June 21, 2021 @ 1:42 PM
    Awards
    1:42 PM
    How ‘The Mosquito Coast’ Achieved That Hyperreal Cinematic Visual Style
  • ‘The Mandalorian’ Visual Effects Head on Tussling With a Krayt Dragon and Why ‘Star Wars’ Endures

    TheWrap awards magazine: “One thing the show does very well is reintroduce characters seen in the background of the original movies,” said Richard Bluff

    By

    Jason Clark
    June 21, 2021 @ 11:56 AM
    Awards
    11:56 AM
    ‘The Mandalorian’ Visual Effects Head on Tussling With a Krayt Dragon and Why ‘Star Wars’ Endures
  • ‘The Crown’: What Went Into Finding Princess Diana and Margaret Thatcher

    Casting director Robert Sterne offers commentary on the “very special” Emma Corrin and “transformative” Gillian Anderson

    By

    Jason Clark
    June 19, 2021 @ 3:57 PM
    Awards
    3:57 PM
    ‘The Crown’: What Went Into Finding Princess Diana and Margaret Thatcher
  • From ‘Ratched’ to ‘Halston’: One Editor’s Literal Double Take

    Editing vet Shelly Westerman talks to TheWrap about her history with Ryan Murphy, and why women in the editing field are seeing a much-needed renaissance

    By

    Jason Clark
    June 18, 2021 @ 6:00 PM
    Awards
    6:00 PM
    From ‘Ratched’ to ‘Halston’: One Editor’s Literal Double Take
  • ‘Pride’ and Joy: How the FX Docuseries Examines LGBTQ+ Life Through the Decades

    “There were many times that I got emotional and cried [at work],” editor Rosella Tursi says

    By

    Jason Clark
    June 18, 2021 @ 5:14 PM
    Awards
    5:14 PM
    ‘Pride’ and Joy: How the FX Docuseries Examines LGBTQ+ Life Through the Decades
  • Why Kooky Cakefest ‘Nailed It!’ Decided to Double Down on Contestants for Season 5

    The series EPs explain how the beloved Netflix got even more creative during COVID

    By

    Jason Clark
    June 18, 2021 @ 9:22 AM
    Awards
    9:22 AM
    Why Kooky Cakefest ‘Nailed It!’ Decided to Double Down on Contestants for Season 5
  • Why Evan Peters Relished His ‘More Grounded’ Role in ‘Mare of Easttown’

    TheWrap awards magazine: The “American Horror Story” vet talks to the TheWrap about his unusually heartfelt role in the HBO miniseries

    By

    Jason Clark
    June 16, 2021 @ 1:43 PM
    Awards
    1:43 PM
    Why Evan Peters Relished His ‘More Grounded’ Role in ‘Mare of Easttown’
  • ‘Girls5Eva’: How Choreographer James Alsop Lived Out Her Girl-Group Fantasies Through the Peacock Series

    The Beyoncé-“Run the World” vet talks Tina Fey, her key influences and why she was thrilled to see Sara Bareilles transform into a “pop girl”

    By

    Jason Clark
    June 16, 2021 @ 8:33 AM
    Awards
    8:33 AM
    ‘Girls5Eva’: How Choreographer James Alsop Lived Out Her Girl-Group Fantasies Through the Peacock Series
  • ‘The Queen’s Gambit’: Behind the Scenes of the Climactic Chess Showdown

    TheWrap awards magazine: The series’ production designer, editor, costume designer and composer all weigh in on crafting the heart-racing finale

    By

    Jason Clark
    June 15, 2021 @ 4:18 PM
    Awards
    4:18 PM
    ‘The Queen’s Gambit’: Behind the Scenes of the Climactic Chess Showdown
  • ‘Made for Love’: How VFX Infuses a Swimming Pool Dolphin Into the HBO Max Comedy Series (Video)

    Visual effects chief Peter Crosman thanks “the gift of YouTube” for perfecting ZELDA, the show’s signature water mammal

    By

    Jason Clark
    June 15, 2021 @ 12:56 PM
    Awards
    12:56 PM
    ‘Made for Love’: How VFX Infuses a Swimming Pool Dolphin Into the HBO Max Comedy Series (Video)
  • ‘Derek DelGaudio’s In & Of Itself’: Why the TV Film Proves That Human Beings Are the True Conduits of Magic

    “I saw the show 70-plus times and cried every single time”, says producer and designer Glenn Kaino

    By

    Jason Clark
    June 15, 2021 @ 11:42 AM
    Awards
    11:42 AM
    ‘Derek DelGaudio’s In & Of Itself’: Why the TV Film Proves That Human Beings Are the True Conduits of Magic
  • Why ‘City So Real’ Docu-Series Director Steve James Went Back to Chicago to Shoot One More Episode in 2020

    TheWrap magazine: “Television needs to play a role in connecting people more to the world we live in,” the award-winning filmmaker says

    By

    Jason Clark
    June 15, 2021 @ 10:01 AM
    Awards
    10:01 AM
    Why ‘City So Real’ Docu-Series Director Steve James Went Back to Chicago to Shoot One More Episode in 2020
  • Why ‘Big Mouth’ Needed to Embrace Anxiety and Concerns of the LGBTQ+ Community in Season 4

    “We always wanted to be listening to and reaching back to criticisms of the show”, says art director Nathan Rico

    By

    Jason Clark
    June 14, 2021 @ 2:27 PM
    TV
    2:27 PM
    Why ‘Big Mouth’ Needed to Embrace Anxiety and Concerns of the LGBTQ+ Community in Season 4
  • What ‘Zoey’s Extraordinary Playlist’ Choreographer Mandy Moore Would Love to See if There’s a 3rd Season

    “I think we’ve barely scratched the surface of what you could do with dance on camera, so I’d love to get another shot at that,” Moore says

    By

    Jason Clark
    June 14, 2021 @ 1:57 PM
    Awards
    1:57 PM
    What ‘Zoey’s Extraordinary Playlist’ Choreographer Mandy Moore Would Love to See if There’s a 3rd Season
  • ‘Queer Eye’: How the Fab 5 Landed in the City of Brotherly Love for Season 5

    Casting directors Pamela Vallarelli and Ally Capriotti Grant tell TheWrap why Philadelphia “ticked all the boxes”

    By

    Jason Clark
    June 14, 2021 @ 12:38 PM
    Awards
    12:38 PM
    ‘Queer Eye’: How the Fab 5 Landed in the City of Brotherly Love for Season 5
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