‘Master of None’ Cinematographer Thimios Bakatakis Explains Why Season 3 Looks So Different
TheWrap awards magazine: The acclaimed lenser sheds some light (literally) on the Netflix series’ pivot to old-fashioned celluloid
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‘Lovecraft Country': How the Show’s Designers Invented Ardham, Kept Those Costumes Crisp and Recreated the Tulsa Massacre
TheWrap awards magazine: HBO’s horror drama was shot on more than 160 sets and had 4,500 costumes
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How ‘The Mosquito Coast’ Achieved That Hyperreal Cinematic Visual Style
TheWrap awards magazine: Cinematographer Alex Disenhof discusses the challenges of desert filming and the reason he never wanted the Apple TV+ series to “feel clean”
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‘The Mandalorian’ Visual Effects Head on Tussling With a Krayt Dragon and Why ‘Star Wars’ Endures
TheWrap awards magazine: “One thing the show does very well is reintroduce characters seen in the background of the original movies,” said Richard Bluff
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‘The Crown': What Went Into Finding Princess Diana and Margaret Thatcher
Casting director Robert Sterne offers commentary on the “very special” Emma Corrin and “transformative” Gillian Anderson
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From ‘Ratched’ to ‘Halston’: One Editor’s Literal Double Take
Editing vet Shelly Westerman talks to TheWrap about her history with Ryan Murphy, and why women in the editing field are seeing a much-needed renaissance
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‘Pride’ and Joy: How the FX Docuseries Examines LGBTQ+ Life Through the Decades
“There were many times that I got emotional and cried [at work],” editor Rosella Tursi says
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Why Kooky Cakefest ‘Nailed It!’ Decided to Double Down on Contestants for Season 5
The series EPs explain how the beloved Netflix got even more creative during COVID
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Why Evan Peters Relished His ‘More Grounded’ Role in ‘Mare of Easttown’
TheWrap awards magazine: The ”American Horror Story“ vet talks to the TheWrap about his unusually heartfelt role in the HBO miniseries
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‘Girls5Eva’: How Choreographer James Alsop Lived Out Her Girl-Group Fantasies Through the Peacock Series
The Beyoncé-“Run the World” vet talks Tina Fey, her key influences and why she was thrilled to see Sara Bareilles transform into a “pop girl”
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‘The Queen’s Gambit': Behind the Scenes of the Climactic Chess Showdown
TheWrap awards magazine: The series’ production designer, editor, costume designer and composer all weigh in on crafting the heart-racing finale
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‘Made for Love’: How VFX Infuses a Swimming Pool Dolphin Into the HBO Max Comedy Series (Video)
Visual effects chief Peter Crosman thanks “the gift of YouTube” for perfecting ZELDA, the show’s signature water mammal
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‘Derek DelGaudio’s In & Of Itself': Why the TV Film Proves That Human Beings Are the True Conduits of Magic
“I saw the show 70-plus times and cried every single time”, says producer and designer Glenn Kaino
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Why ‘City So Real’ Docu-Series Director Steve James Went Back to Chicago to Shoot One More Episode in 2020
TheWrap magazine: ”Television needs to play a role in connecting people more to the world we live in,“ the award-winning filmmaker says
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Why ‘Big Mouth’ Needed to Embrace Anxiety and Concerns of the LGBTQ+ Community in Season 4
“We always wanted to be listening to and reaching back to criticisms of the show”, says art director Nathan Rico
