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Mel Brooks Turns 95: All of His Movies Ranked, From ‘Blazing Saddles’ to ‘Spaceballs’ (Photos)
Which of his 11 films reigns supreme?
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‘Shadow and Bone’: Behind All That Era-Skewing, Embroidery-Centric Attire
Costume designer Wendy Partridge: “It’s definitely a multicultural show, and that will be in evidence even more in Season 2”
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The Women of HBO’s ‘Perry Mason’: A Costume Deep Dive
Costume designer Emma Potter talks to TheWrap about all things 1930s fashion
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How ‘Search Party’ Created That All-Felt Basement Apartment for Season 4
TheWrap awards magazine: Production designer Danica Pantic explains how a 12-person crew spent two months to create plush new digs for the HBO Max comedy
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‘Dickinson’: Inside the Opera Houses and Drawing Rooms of the Hit AppleTV+ Comedy
TheWrap awards magazine: “I inherited a really, really gorgeous show,” production designer Neil Patel says
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‘Master of None’ Cinematographer Thimios Bakatakis Explains Why Season 3 Looks So Different
TheWrap awards magazine: The acclaimed lenser sheds some light (literally) on the Netflix series’ pivot to old-fashioned celluloid
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‘Lovecraft Country': How the Show’s Designers Invented Ardham, Kept Those Costumes Crisp and Recreated the Tulsa Massacre
TheWrap awards magazine: HBO’s horror drama was shot on more than 160 sets and had 4,500 costumes
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How ‘The Mosquito Coast’ Achieved That Hyperreal Cinematic Visual Style
TheWrap awards magazine: Cinematographer Alex Disenhof discusses the challenges of desert filming and the reason he never wanted the Apple TV+ series to “feel clean”
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‘The Mandalorian’ Visual Effects Head on Tussling With a Krayt Dragon and Why ‘Star Wars’ Endures
TheWrap awards magazine: “One thing the show does very well is reintroduce characters seen in the background of the original movies,” said Richard Bluff
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‘The Crown': What Went Into Finding Princess Diana and Margaret Thatcher
Casting director Robert Sterne offers commentary on the “very special” Emma Corrin and “transformative” Gillian Anderson
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From ‘Ratched’ to ‘Halston’: One Editor’s Literal Double Take
Editing vet Shelly Westerman talks to TheWrap about her history with Ryan Murphy, and why women in the editing field are seeing a much-needed renaissance
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‘Pride’ and Joy: How the FX Docuseries Examines LGBTQ+ Life Through the Decades
“There were many times that I got emotional and cried [at work],” editor Rosella Tursi says
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Why Kooky Cakefest ‘Nailed It!’ Decided to Double Down on Contestants for Season 5
The series EPs explain how the beloved Netflix got even more creative during COVID
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Why Evan Peters Relished His ‘More Grounded’ Role in ‘Mare of Easttown’
TheWrap awards magazine: The ”American Horror Story“ vet talks to the TheWrap about his unusually heartfelt role in the HBO miniseries
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‘Girls5Eva’: How Choreographer James Alsop Lived Out Her Girl-Group Fantasies Through the Peacock Series
The Beyoncé-“Run the World” vet talks Tina Fey, her key influences and why she was thrilled to see Sara Bareilles transform into a “pop girl”
