Matthew Creith is a movie and TV critic based in Denver, Colorado. He’s a member of the Critics Choice Association and GALECA: The Society of LGBTQ Entertainment Critics. He can be found on Twitter: @matthew_creith or Instagram: matineewithmatt. He graduated with a BA in Media, Theory and Criticism from California State University, Northridge. Since then, he’s covered a wide range of movies and TV shows, as well as film festivals like SXSW and TIFF.
Experience:
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‘Onwards and Sideways’ Review: Laura Linney and Rhys Ifans Are Devastatingly Great in Parkinson’s Disease Tearjerker
TIFF 2026: Director John Madden’s latest is an affecting look at Parkinson’s disease through the eyes of two people living with it at the same time
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‘Evil Genius’ Review: Patricia Arquette Is Killer in Courteney Cox’s Twisted True Crime Tale
TIFF 2026: David Harbour and Michael Chernus round out a cast directed by Cox
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‘The Stunt Driver’ Review: Jay Baruchel Delivers a Knockout Performance as Daredevil Ken Carter
TIFF 2026: Reteaming with director Michael Dowse, Baruchel plays a real-life stuntman committed to the ultimate jump that could either label him a hero or see him die trying
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‘Girl Group’ Review: Rebel Wilson’s Underwhelming Ode to Female Empowerment Falls Flat
Toronto International Film Festival 2026: Wilson writes, directs and stars as a washed-up pop star forced to confront new beginnings
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‘Ted Lasso’ Season 4 Review: Jason Sudeikis Charms in a Return to Form for the Apple Comedy
The AFC Richmond squad starts anew with a Kansas City visit and a women’s team to take to the stars
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‘Louis C.K.: Ridiculous’ Review: Comedian Skips Cancellation Talk in Self-Deprecating Netflix Special
After years of clawing his way out of cancel culture purgatory, Louis C.K. emerges victorious in a hilarious set aimed at his older, loyal viewers
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‘Dreams of Violets’ Review: An AI-Generated Movie Is Worrisome for All the Right Reasons
Tribeca 2026: Writer-director Ash Koosha’s answer to modern filmmaking lands at Tribeca with a thud rather than a revolutionary bang
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‘Maximum Pleasure Guaranteed’ Review: Tatiana Maslany Is in Over Her Head in Gripping Suburban Tale of Cyber Murder
The Emmy winner continues to earn her television stripes in an Apple series that thrusts divorce, soccer moms and sex work into a complicated love triangle
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‘Hacks’ Season 5 Review: Deborah Vance’s Hilarious Swan Song Earns Its Emotional Punchlines
Jean Smart and Hannah Einbinder return for one more trip around the Las Vegas sun in the nostalgic final season
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‘Something Very Bad Is Going to Happen’ Review: Twisted Netflix Mystery Is Unnerving
The lead up to a lavish wedding is plagued by a lackluster resolution in this horror series from Haley Z. Boston and the Duffer Brothers
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‘Love Story’ Review: Ryan Murphy Delights Without Scandalizing Real JFK Jr. Tragedy
Sarah Pidgeon and newcomer Paul Anthony Kelly breathe new life into two central figures of 1990s New York fashion and politics
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‘Taylor Swift: The End of an Era’ Review: Docuseries Puts Singer’s Humanity at the Heart of Monumental Tour
The singer-songwriter known for poetic lyrics and undeniable stage presence takes viewers behind the scenes of the tour that broke practically every record
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‘The American Revolution’ Review: Ken Burns’ Sluggish but Poignant PBS Docuseries Charts the Fight for Independence
Fellow directors Sarah Botstein and David P. Schmidt and an all-star voice cast complement Burns’ vision of how the late 1700s inform present-day cultural conflict
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‘Monster: The Ed Gein Story’ Review: Charlie Hunnam Impresses, but Serial Killer Story Gets Bogged Down in Shock Value
The third installment of Ryan Murphy and Ian Brennan’s Netflix series goes heavy on “Psycho” and “Texas Chain Saw Massacre”
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‘Love+War’ Review: Harsh Realities of War and Family Center an Enlightening Documentary
TIFF 2025: “Free Solo” directors Elizabeth Chai Vasarhely and Jimmy Chin’s latest presents the two worlds that make up photojournalist Lynsey Addario’s existence
