-
‘Linda Vista’ Broadway Review: Tracy Letts Delivers a Great TV Pilot Before Getting Nasty
Men can be jerks, and Ian Banford plays one of the biggest in Lett’s new play, which is half sitcom, half dirge
-
‘The Wrong Man’ Theater Review: Joshua Henry Is Falsely Accused but to the Right Music
Songwriter Ross Golan makes a major musical-theater debut. What he needs is a new book writer for his sophomore effort
-
‘Heroes of the Fourth Turning’ Theater Review: It’s Donald Trump v. Pat Buchanan
Will Arbery exposes a wild Roman Catholic cult in his bizarre and very messy new play
-
‘Sunday’ Theater Review: ‘Harry Potter’ and ‘King Kong’ Playwright’s New Drama Is Just Awful
Jack Thorne’s follow-up play manages to give young people, as well as Anne Tyler, a bad name
-
‘Derren Brown: Secret’ Broadway Review: When Distraction Is Magic
The British showman is the William Castle of illusionists
-
‘American Moor’ Theater Review: An Actor Confronts Othello – and a Fraught History With White Directors
in his fiery new play, Keith Hamilton Cobb unleashes on everything when told how to play Othello
-
‘Betrayal’ Broadway Review: Tom Hiddleston Gives a Master Class in Minimalism
The actor takes the play’s big moments and makes them explode by underplaying them in this revival of the Harold Pinter classic
-
‘Make Believe’ Theater Review: Why Childhood Isn’t for Sissies
The kids are not all right in Bess Wohl’s arresting new play
-
‘Sea Wall/A Life’ Broadway Review: Jake Gyllenhaal and Tom Sturridge Go Solo Together
Revivals of minor plays by Nick Payne and Simon Stephens get the star treatment
-
‘Bat Out of Hell’ Theater Review: How to Turn a Musical Into Meat Loaf
Jim Steinman’s long-touring musical makes a summer pit stop in New York City
-
‘Moulin Rouge!’ Broadway Review: Director Alex Timbers Is No Baz Luhrmann
The director continues not to impress with his latest movie-to-stage musical after “Rocky” and “Beetlejuice”
-
‘Broadway Bounty Hunter’ Theater Review: Annie Golden Plays a Badass Annie Golden to Perfection
The “Orange Is the New Black” actress survives drug lords and gunfire, as well as her material
-
‘Moscow Moscow Moscow Moscow Moscow Moscow’ Theater Review: It’s Funny Funny Funny
Halley Feiffer and director Trip Cullman go burlesque with updated version of “The Three Sisters”
-
‘Mojada’ Theater Review: Euripides’ Medea Now Lives and Murders in Queens
Luis Alfaro continues his provocative exploration of the classics by turning a spurned mother into a desperate Mexican woman
-
‘The Rolling Stone’ Theater Review: The Fight Goes on for Gay Ugandans
Chris Urch’s drama examines extreme homophobia in Africa, only to find that family is more important than freedom
