‘Illyria’ Theater Review: Joe Papp’s Company Presents a Warts-and-All Look at the Man
Richard Nelson’s new play is a must-see for anyone who cares about the theater. Just make sure you rent a listening device
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‘M. Butterfly’ Broadway Review: Clive Owen Falls for Peking’s Victor/Victoria
The actor breaks through the revamped play’s straight-face problems to deliver a riveting, tortured portrayal
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‘People, Places & Things’ Theater Review: Great Acting Is the Best Kind of High
Drug withdrawal becomes a trip through a malfunctioning disco in Duncan Macmillan’s new play
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‘The Portuguese Kid’ Theater Review: Even John Patrick Shanley’s Trump Jokes Don’t Land
Jason Alexander finds himself caught between a cartoon character and a real midlife crisis in Shanley’s new play
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‘Oedipus el Rey’ Theater Review: What Happens When Sophocles Takes His Viagra
Incest is naked and center stage in Luis Alfaro’s riveting new adaptation of the Greek tragedy
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‘The Last Match’ Theater Review: Tennis Without the Suspense or Drama
Two women play second fiddle to their tennis-star mates in Anna Ziegler’s new play. Who did they think they were screwing? An accountant?
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‘Time and the Conways’ Broadway Review: Elizabeth McGovern Slams the Door on “Downton Abbey”
Director Rebecca Taichman turns a forgotten play into a guilty pleasure worth watching
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‘Discord’ Theater Review: It’s Bill Maher’s ‘Religulous’ for the Thinking Man
Scott Carter of “Real Time With Bill Maher” conjures up a seance with Dickens, Tolstoy and Jefferson to shred the Bible
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‘Prince of Broadway’ Review: Tribute to a Great Theater Producer and Director
This revue showcases some great songs exceptionally well sung. But the talent of Harold Prince goes largely unexplored
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‘The Terms of My Surrender’ Broadway Review: Michael Moore Visits Trump’s Hometown
The two men have so much in common, including a need for self-aggrandizement, victimhood and worshipful applause from their respective political bases
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‘A Parallelogram’ Theater Review: Bruce Norris Gives Nihilism a Good Name
This gentle comedy is like the Midas Touch, teaching us how our fondest dream can turn into a living nightmare
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‘Hamlet’ Theater Review: Oscar Isaac Strips to His Skivvies in Earthy Revival
Keegan-Michael Key co-stars in Sam Gold’s radical re-interpretation of the Bard’s classic drama
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‘Pipeline’ Theater Review: Dominique Morisseau Shows How School Can Be Hell on Earth
The co-producer of Showtime’s “Shameless” writes a riveting portrait of a teacher on the verge of a nervous breakdown
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Tony Awards 2017 Predictions: Who Will Win, Who Should Win – From ‘Oslo’ to ‘Hello, Dolly!’
Kevin Spacey will host this Sunday’s show celebrating the best of Broadway
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‘Cost of Living’ Theater Review: But Who’s Taking Care of the Caretakers?
Martyna Majok’s new play explores the lives of those underpaid people who care for others and, in turn, have no one to care for them
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‘Animal’ Theater Review: Rebecca Hall Endures an Extraordinary Journey
Despite a “Snake Pit” ending, Clare Lizzimore’s drama turns one woman’s mental descent into a theatrical tour de force
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‘The End of Longing’ Theater Review: Matthew Perry Recycles as Both Playwright and Star
What begins as a sexy, trite sitcom turns into the kind of treacly TV drama that populated the major networks before cable came to the rescue
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‘Building the Wall’ Theater Review: A View of Post-Trump America Both Powerful and Preposterous
Just when you think the revelations in Robert Schenkkan’s new play can’t get any darker, they turn a deeper shade of black
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‘Can You Forgive Her?’ Theater Review: Amber Tamblyn Copes With Extreme Student Debt
Her character finds a sugar daddy, played by Frank Wood, who steals the show (after it’s almost over)
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‘The Whirligig’ Theater Review: Zosia Mamet Climbs a Tree on Guilt Trip
Hamish Linklater’s new play about substance abuse in old New England often leaves its fine young cast grasping for big effects
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‘Derren Brown: Secret’ Theater Review: When Distraction Is Magic
The British showman is the William Castle of illusionists
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‘Arlington’ Theater Review: Enda Walsh Revisits a Few Dystopian Classics
The playwright conjures up ideas and images from “1984,” “Mara and Dann,” and “Blade Runner”
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‘Pacific Overtures’ Theater Review: Stephen Sondheim Survives the Scissors
John Doyle’s staging has humor, thanks to the inspired casting of Ann Harada. But why trim Sondheim’s score?
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Tony Award Nominations Predictions: Hello, Bette Midler and ‘Dear Evan Hansen’
The nominations for the 2016-17 Broadway season will be announced Tuesday. Since fewer than 40 shows are eligible, the competition is not always fierce
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‘A Doll’s House, Part 2’ Broadway Review: Laurie Metcalf, Chris Cooper Revisit a Troubled Marriage
Lucas Hnath’s fine script calls for the actors to take very different approaches under master director Sam Gold
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‘Bandstand’ Broadway Review: Dance, Soldiers, Dance! Singing Is Another Story
Director-choreographer Andy Blankenbuehler shines with his dancing but this swing-era musical runs into problems with its book, score, and lead performances
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‘Six Degrees of Separation’ Broadway Review: Allison Janney, Corey Hawkins Get Very Close
John Guare’s comedy easily retains its place as one of the great American plays of the late 20th century in this often-raucous revival
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‘Anastasia’ Broadway Review: A Muddled, Pro-Czarist Russia Musical for the Trump Era
Is she or isn’t she the royal daughter? In the end it doesn’t matter for a musical that gives kleptocracy a good name
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‘Charlie and the Chocolate Factory’ Broadway Review: Christian Borle to the Rescue
It’s a long first act before Willy Wonka arrives. Borle makes it worth the wait
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‘Hello, Dolly!’ Broadway Review: Bette Midler Returns as Red Hot Jewish Mama
She delivers, of course! More surprising is the talented and very quirky ensemble around her, including David Hyde Pierce
