
TheWrap Screening Series: ‘The Rocket’ Director Kim Mordaunt on Dodging Bombs and Casting Street Kids
“Their imaginations were so pure, so alive, that I thought, if I make another film, I want it to be about these kids”
“Their imaginations were so pure, so alive, that I thought, if I make another film, I want it to be about these kids”
The themes of revenge and redemption feel muddled as Josh Brolin fights his way though an uninspired retooling of the Park Chan-Wook original
Frank Pavich’s documentary chronicles the rise and fall of “the greatest film never made”
Director Alex Gibney approaches his subject with the same sort of emotional detachment that Armstrong brings to his confessions
“Ender’s Game” is a rare example of filmmaking with a scalpel at a scale that usually demands a hatchet
Payne’s latest meets at an unexpectedly powerful crossroads between hazy optimism and clear-eyed nostalgia
Mikael Hafstrom movie hints at bigger ambitions but is impossible to take seriously
Bill Condon’s film offers a complex but ultimately one-sided portrait of charismatic Wikileaks founder Julian Assange
Adapted with unironic earnestness by Julian Fellowes, the latest adaptation of Shakespeare’s classic stage play effectively chronicles young love but doesn’t transcend it
The French director’s latest film combines quirky visuals and raw emotion to tell an imaginative, powerful love story
Terry Gilliam’s latest asks complicated questions about human existence, and hides the answers in plain sight
The “Kung Fu Hustle” director’s follow up is the “result of a virtuoso working at the absolute peak of his talents”
Unfortunately, Roth’s abundant gore fails to either offend or exhilarate
Reeves’ goofily charming directorial debut has visceral energy and immediacy but lacks the substance to follow through on its martial-arts mysticism
Director Nimrod Antal pays tribute to the band with an epic concert film, but feeble fiction