‘300: Rise of An Empire’ Review: More of the Same, But Slightly Less
Eva Green stands out in a film that’s otherwise a similar second serving of slo-mo ultraviolence and showy camera work
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‘3 Days To Kill’ Review: Kevin Costner Thriller Is Ambitious Disaster Trying to Be Both Action and Comedy
Director McG’s latest suggests the director wasn’t kidding when he named his last movie “This Means War”
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‘About Last Night’ Review: Kevin Hart and Regina Hall Steal This Mixed-Doubles Rom-Com
This reworking of the 1986 comedy gets so much right about love and relationships that you’ll forgive the occasional cliché in the screenplay by Leslye Headland (“Bachelorette”)
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‘Vampire Academy’ Review: A YA Adaptation With More Hormones Than Brain Cells
More “Meaningless” than “Mean Girls,” Mark Waters’ vampire-themed thriller drowns overprivileged teens in an overcomplicated mythology
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‘Best Night Ever’ Review: Anti-Funny Ruins Your Memories of Movies From Which it Stole
Ultimately, “Best Night Ever” feels more like “worst movie ever”
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‘Knights of Badassdom’ Review: A Cultural Phenomenon Edited Down to a One-Note Joke
Producers reportedly took over director Joe Lynch’s celebration of live-action roleplaying and reduced it to a repetitive punchline
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‘Devil’s Due’ Review: Found-Footage Horror Conceit Is Visually Ambitious – And That’s Not a Compliment
A needless multicamera setup becomes a trap for a promising idea and a pair of gifted filmmakers
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‘The Legend Of Hercules’ Review: Kellan Lutz’s Beefcake Saga is One Messy Myth (Video)
This retelling of Hercules’ mythology doesn’t feature 12 labors, but 99 — one for each minute the audience has to sit through
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‘Justin Bieber’s Believe’ Review: Portrait of an Artist Who’s No Longer a ‘Baby’
Growing pains and the price of fame take center stage in this tour-documentary follow-up to “Never Say Never”
