Awards
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The Big Design Challenge for ‘Licorice Pizza’: Find 1970s L.A. in the 2020s
TheWrap magazine: “We were looking for pockets where people hadn’t demolished their ranch houses to build white modern monstrosities,” production designer Florencia Martin says
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‘Cyrano’ Director Joe Wright Explains Why the Movie Musical Is Better Without ‘The Nose’ (Video)
TheWrap Screening Series: Wright scrubbed Cyrano’s trademark prosthetic proboscis to highlight the character’s fear of intimacy in less literal ways
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‘No Time to Die’ Editors on Cutting a Bond Movie That’s Epic in Time – and Emotion
TheWrap magazine: Editors Tom Cross and Elliot Graham discuss putting together the Bond film’s tearjerking ending
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‘Eternals’: How the Visual Effects Team Created the Deviant Kro
TheWrap magazine: The extraterrestrial villain Kro “needed to be subtle and sympathetic,” explains Weta Digital VFX maestro Matt Aitken
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‘Spider-Man: No Way Home’ Finally Busts Into the Oscar Voters’ Screening Room
And here are the 150-plus other films available to Academy members as nomination voting approaches
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‘Spencer’ Costume Designer Raves About Kristen Stewart: ‘Do People Not Realize She’s One of the Great Actresses?’
TheWrap magazine: “Kristen is not recognized enough for what daring choices she makes,” says two-time Oscar winner Jacqueline Durran
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WGA Awards TV Nominees Include ‘Hacks,’ ‘Loki’ and ‘Only Murders in the Building’
Winners will be announced at March 20 ceremony
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Oscar Contenders in Black and White, From ‘Belfast’ to ‘The Tragedy of Macbeth’
The filmmakers behind four acclaimed films — “Belfast,” “C’mon, C’mon,” “Passing” and “The Tragedy of Macbeth” — discuss the magic of shooting in the old-fashioned format
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‘Passing’: How Classic Hitchcock Thrillers Influenced the Dreamy Black-and-White Look
TheWrap magazine: “What could be better than black-and-white when it comes to the core of light and darkness?” cinematographer Eduard Grau says
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Why ‘Belfast’ Cinematographer Added Splashes of Color to the Movie’s Black-and-White World
TheWrap magazine: For his eighth collaboration with Kenneth Branagh, Haris Zambarloukos talks about black-and-white is a “more lucid way of capturing emotion”
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Why ‘The Tragedy of Macbeth’ Cinematographer Grew Superstitious While Making the Black-and-White Drama
TheWrap magazine: Five-time Oscar nominee Bruno Delbonnel explains how Shakespeare’s prose justified the film’s black-and-white photography
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‘C’mon, C’mon’ Director on Why the Joaquin Phoenix Film ‘Had to Be in Black-and-White’
TheWrap magazine: Director Mike Mills talks about how cinematographer Robbie Ryan crafted an “al dente, not overworked, use of black-and-white” for the relationship drama
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Producers Guild Postpones 33rd Awards to March 19 Due to Omicron Surge
Hopeful that the spring will be safer for in-person events, the PGA has scrapped its original date of Feb. 26
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Critics Choice Awards to Air Live on The CW and TBS on March 13
Taye Diggs and Nicole Byer will host this year’s show, which was delayed due to omicron
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‘King Richard’ Editor Explains Why Most Footage From Sports Movies Is Unusable
TheWrap magazine: “When you choreograph tennis, it doesn’t always go as planned,” Oscar nominee Pamela Martin says