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Mumford & Sons Guitarist Winston Marshall Quits Band to ‘Speak My Mind’ About Politics
”Who in their right mind would willingly walk away from this? It turns out I would,“ guitarist writes
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VFX Oscar Nominees Reveal Biggest Challenges on ‘Star Wars,’ ‘Ex Machina,’ ‘The Martian’ (Video)
Visual artists spill secrets in new episode of ”Eyes & Ears on the Oscars“ in partnership with Dolby
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Oscar Nominees Reveal Secrets About ‘Revenant’ Bear, Hidden Cat in ‘Star Wars: The Force Awakens’ (Video)
Four of this year’s contenders for sound mixing discuss their work in new edition of ”Eyes & Ears on the Oscars“ in partnership with Dolby
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Eyes and Ears on the Oscars: Sound and Effects Nominees Sound Off (Video)
Sound editors and visual effects specialists reflect on their work in a new edition of ”Eyes & Ears on the Oscars“ in partnership with Dolby
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‘The Revenant’ Cinematographer on Violence, Bear Attacks and Those Brutal Locations
”We knew we were getting into something really complicated and physically tough,“ Emmanuel Lubezki says in new edition of ”Eyes & Ears on the Oscars“ presented by Dolby
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‘Unbroken’ Sound Mixers Find Delicacy in a War Movie
The final film in our Ears on the Oscars series challenged its mixers to honor the truth of Louis Zamperini’s story
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‘Birdman’ Sound Mixers Take a Wild Trip, With ‘Bumps and Bruises’ to Show for it
In our Ear on the Oscars series, mixers talk drums, fantasies and that deep Birdman voice
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‘Whiplash’ Sound Mixers on Making Music Fast & Cheap: ‘Fear Is a Great Motivator’
All that jazz is the topic of the third installment of TheWrap’s Ear on the Oscars series
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‘American Sniper’ Sound Team: Why Chris Kyle’s Gun Didn’t Have to Be the ‘Biggest and Baddest’
In TheWrap’s series on Oscar-nominated sound mixers, the ‘American Sniper’ teams talks of Clint Eastwood’s desire for natural battle sounds
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‘Interstellar’ Mixers Tackle Glacier, Corn Field, Spaceship Sounds: ‘We Started to Cry During Some of the Scenes’
In our series on the Oscar-nominated sound mixers, team ‘Interstellar’ talks about the particular challenges of working with Chris Nolan
