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  • VFX Oscar Nominees

    VFX Oscar Nominees Reveal Biggest Challenges on ‘Star Wars,’ ‘Ex Machina,’ ‘The Martian’ (Video)

    By Matt Donnelly | February 19, 2016 @ 8:22 AM

    Visual artists spill secrets in new episode of “Eyes & Ears on the Oscars” in partnership with Dolby

  • Dolby sound editors Oscar

    Oscar Nominees Reveal Secrets About ‘Revenant’ Bear, Hidden Cat in ‘Star Wars: The Force Awakens’ (Video)

    By Wrap Staff | February 16, 2016 @ 8:11 AM

    Four of this year’s contenders for sound mixing discuss their work in new edition of “Eyes & Ears on the Oscars” in partnership with Dolby

  • dolby

    Eyes and Ears on the Oscars: Sound and Effects Nominees Sound Off (Video)

    By Wrap Staff | February 3, 2016 @ 11:28 AM

    Sound editors and visual effects specialists reflect on their work in a new edition of “Eyes & Ears on the Oscars” in partnership with Dolby

  • Emmanuel Lubezki on the set of The Revenant

    ‘The Revenant’ Cinematographer on Violence, Bear Attacks and Those Brutal Locations

    By Steve Pond | February 3, 2016 @ 10:05 AM

    “We knew we were getting into something really complicated and physically tough,” Emmanuel Lubezki says in new edition of “Eyes & Ears on the Oscars” presented by Dolby

  • Unbroken trailer Jack O'Connell

    ‘Unbroken’ Sound Mixers Find Delicacy in a War Movie

    By Scott Bowles | February 6, 2015 @ 10:00 AM

    The final film in our Ears on the Oscars series challenged its mixers to honor the truth of Louis Zamperini’s story

  • Michael Keaton in Birdman

    ‘Birdman’ Sound Mixers Take a Wild Trip, With ‘Bumps and Bruises’ to Show for it

    By Steve Pond | February 5, 2015 @ 10:00 AM

    In our Ear on the Oscars series, mixers talk drums, fantasies and that deep Birdman voice

  • "Whiplash"

    ‘Whiplash’ Sound Mixers on Making Music Fast & Cheap: ‘Fear Is a Great Motivator’

    By Scott Bowles | February 4, 2015 @ 10:00 AM

    All that jazz is the topic of the third installment of TheWrap’s Ear on the Oscars series

  • ‘American Sniper’ Sound Team: Why Chris Kyle’s Gun Didn’t Have to Be the ‘Biggest and Baddest’

    By Scott Bowles | February 3, 2015 @ 10:00 AM

    In TheWrap’s series on Oscar-nominated sound mixers, the ‘American Sniper’ teams talks of Clint Eastwood’s desire for natural battle sounds

  • ‘Interstellar’ Mixers Tackle Glacier, Corn Field, Spaceship Sounds: ‘We Started to Cry During Some of the Scenes’

    By Steve Pond | February 2, 2015 @ 10:00 AM

    In our series on the Oscar-nominated sound mixers, team ‘Interstellar’ talks about the particular challenges of working with Chris Nolan

Dolby Eyes & Ears on the Oscars

Presented by Dolby
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