2020 Creative Arts Emmys Winners List, Night 3: Scripted
Disney+ picks up first Emmys for “The Mandalorian”
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Anthony Carrigan’s 40-Pound Robot Suit in ‘Bill & Ted Face the Music’ Felt Like a ‘Silicone Oven’
“But honestly, it was a small price to pay for being part of something so special,” the “Barry” star says of being in the film
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How Female Directors Overcame Years of Bias to Score Record Number of Emmy Nominations
TheWrap Emmy magazine: “There’s only so many years you can go into a meeting and hear, ‘We hired a woman once, and it didn’t work,'” Lesli Linka Glatter says
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How ‘Handmaid’s Tale’ Team Built a Ruined Washington, DC During a Government Shutdown (Video)
“There were a ton of limitations that the [National] Mall put on us,” VFX producer Stephen Lebed tells TheWrap
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Why ‘The Morning Show’ Director Mimi Leder Found a Cinematic Look for a Show About TV
TheWrap Emmy magazine: “I really wanted to shoot the women on this show very much the way men are shot,” Leder says.
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How ‘Homeland’ Director Lesli Linka Glatter Navigated the ‘Landmines’ of the Series Finale
TheWrap Emmy magazine: “‘Homeland’ started out with a traitor masquerading as a hero, and it ended with a hero masquerading as a traitor,” Glatter says
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What the Emmys Learned From Previous Makeovers (Including Rod Serling’s 1965 Disaster)
TheWrap Emmy magazine: This year’s coronavirus-caused Emmy makeover isn’t the first time the Television Academy has overhauled its show
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How ‘Watchmen’ Director Nicole Kassell Set Show’s Tone With the ‘Opposite of a Superhero Opening’
TheWrap Emmy magazine: “When you have adults dressing in costumes, you really have to … make sure it stays grounded and doesn’t get absurd or silly,” Kassell says
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How ‘Modern Family’ Director Gail Mancuso Tackled Series’ Final Scene: ‘There Were Real Tears’
TheWrap Emmy magazine: “When they were hugging each other, that was the last thing we shot, and I needed one more take,” Emmy-nominated director says
