Cannes Report
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‘The Wild Pear Tree’ Film Review: Cannes Competition Ends With Exasperating, Talky Drama
Cannes 2018: Nuri Bilge Ceylan’s “Winter Sleep” won the Palme d’Or in 2014, but his new “The Wild Pear Tree” has plenty of the former’s verbose sprawl with little of its gravitas and heft
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Ben Croll -
Cannes Report, Day 10: What Will Win the Palme d’Or?
Cannes 2018: Cate Blanchett’s jury will have the chance to make a statement about women or race or international politics or just cinema
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Troll Sex Movie ‘Border’ Wins Top Prize in Cannes’ Un Certain Regard Section
Cannes 2018: Sergei Loznitsa wins best-director award for “Donbass,” while Viktor Polster takes acting prize for “Girl”
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Magnolia Pictures Pinches Japanese Drama ‘Shoplifters’
Cannes 2018: Hirokazu Kore-eda’s new film premiered this week at the French festival
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‘Capharnaum’ Film Review: Nadine Labaki’s Searing Drama Brings Tears, Ovations
Cannes 2018: Film about undocumented boy is a kind of “Slumdog Millionaire” scrubbed of empty flash and infused with blistering geopolitical resonance
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Ben Croll -
‘Whitney’ Cannes Review: Beyond the Bombshells Is a Straightforward Music Documentary
Cannes 2018: Where the Oscar-winning “Amy” was a full-on record, Kevin Macdonald’s Whitney Houston doc is more of a greatest hits compilation
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Ben Croll -
Gasper Noe’s Polarizing ‘Climax’ Wins Top Prize at Cannes Directors’ Fortnight
Cannes 2018: A24 will distribute Noe’s macabre odyssey into a dance troupe’s drug-fueled breakdown
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Cannes Report, Day 9: Lars von Trier Responds to Criticism, ‘Burning’ Has Critics Fawning
“The House That Jack Built” director says he’s “never killed anyone myself. If I do, it will probably be a journalist”
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‘At War’ Film Review: Vincent Lindon Improvises His Way to the Front of the Cannes Best Actor Race
Cannes 2018: Lindon stars in French director Stephane Brize’s escalating tale of futile anger and post-globalized doom
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Ben Croll -
Cannes Report, Day 8: Andrew Garfield’s New Movie Divides, But Critics Are Unanimous About John Travolta’s ‘Gotti’
“Low-rent sideshow,” one review says of Travolta’s mafia film
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John Travolta, Spike Lee and 31 More Portraits From TheWrap’s Studio at The Girls’ Lounge Cannes (Exclusive Photos)
Cannes 2018: Mads Mikkelsen, Topher Grace, Kelly Preston and more show off their new projects on the Croisette
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Photographed by Geneviève Caron for TheWrap -
The Scene at TheWrap and The Female Quotient’s Cannes Panel on Gender Equity (Photos)
Cannes 2018: Top industry figures lead discussion on “Changing Hollywood: The Road to 50/50 by 2020”
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Photographed by Genevieve Caron -
Cannes Report, Day 7: Spike Lee Curses Trump; Lars von Trier Sparks Walkouts; Chewbacca Storms Croisette
Kristen Stewart also stages small rebellion on red carpet
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Nicolas Cage Thriller ‘Between Worlds’ Heads to Saban Films
Cannes 2018: This marks the fifth acquisition out of the festival for the distributor
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Willem Dafoe’s Vincent van Gogh Biopic ‘At Eternity’s Gate’ Framed by CBS Films
Cannes 2018: Director Julian Schnabel’s film is currently in postproduction