Cannes Report
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‘The Most Precious of Cargoes’ Review: Michel Hazanavicius’ Animated Holocaust Drama Struggles With Restraint
Cannes 2024: This flawed yet fascinating film is best when it’s poetically delicate
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Cannes Day 10: Netflix Spends Big on Jacques Audiard’s ‘Emilia Pérez’
Also: Kelly Rowland explains her red carpet drama and more reviews
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‘The Seed of the Sacred Fig’ Review: Profoundly Brave Film Captures the Struggle of Iran’s People
Cannes 2024: Blazing with sober force and white-hot rage, it leaves little room for subtlety in unsubtle times
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‘All We Imagine as Light’ Review: An Intimate Peek Into the Grind of Big-City Mumbai Life
Cannes 2024: The film marks the first from an Indian filmmaker to compete for the Palme d’Or in three decades
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‘Beating Hearts’ Review: Gilles Lellouche’s Melodramatic Romance Epic Loses the Magic
Cannes 2024: Adèle Exarchopoulos stars in a film that starts strong before going off a cliff
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Cannes Recap Day 9: Sean Baker Talks Sex Work, Mohammad Rasoulof Escapes to Cannes
Plus: more acquisitions!
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‘Santosh’ Review: Shahana Goswami Commands the Screen in Story About Indian Policing
Cannes 2024: Sandhya Suri’s feature debut subverts the standard police procedural
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‘Motel Destino’ Review: Karim Aïnouz’s Erotically Charged Thriller Has Plenty of Visual Spark But Fizzles Out
Cannes 2024: Though its colors often pop off the screen, its direction, writing and performances remain disappointingly flat
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Me Too? Harvey Weinstein’s Friend Thanks Cannes Chief Thierry Frémaux for Invite | Exclusive
Actress Alexandra Vino, who was once known as Weinstein’s “girlfriend,” has friends in powerful places in Cannes
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‘Megalopolis’ Scores Additional Distribution in European Territories Following Cannes Debut
Francis Ford Coppola’s epic is still seeking domestic distribution
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Cannes Recap Day 8: Sean Baker’s ‘Anora’ Dazzles, A24 Pins ‘Robin Hood’
Also: David Cronenberg has some interesting thoughts on AI
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‘Armand’ Review: Renate Reinsve Is Riveting in Fearsome Chamber Drama
Cannes 2024: Though she won Best Actress at the festival for her performance in 2021’s ‘The Worst Person in the World,’ Reinsve’s latest is her best work to date
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Women Recoil in Cannes as Harvey Weinstein Still Looms, While a Sexist System Persists
Only four of the 22 films in the main competition this year — less than 20% — were made by women filmmakers
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Cannes Report
Available to WrapPRO members
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‘Parthenope’ Review: Paolo Sorrentino Whips Up More Great Beauty in Melancholic Tale
Cannes 2024: Gary Oldman has a small but essential role in another languorous romance from the Italian director
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Cannes Day 7: Donald Trump Pic ‘The Apprentice’ Stirs Up Controversy
Also: David Cronenberg returns and movies get acquired
