‘Liberte’ Film Review: An Exploration of Dangerous Sex in Revolutionary France (NSFW)
Cannes 2019: Film by Spanish writer-director Albert Serra is a contemplation of Libertinism
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‘Too Old to Die Young’ Review: Miles Teller Embraces Slow Nihilism in Nicolas Winding Refn Series
Cannes 2019: Director Nicolas Winding Refn flirts dangerously with violence for its own sake
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‘Port Authority’ Film Review: Searching for Family in New York’s LGBT Ball Scene
Cannes 2019: Danielle Lessovitz’s debut feature is a rough but vital film for the age of “Pose” and “RuPaul’s Drag Race”
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‘The Climb’ Film Review: For a Change, Cannes Does Comedy
Cannes 2019: Director Michael Angelo Covino wrings genuine surprise from some of the staples of modern American humor
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Amazon Studios Buys ‘Les Misérables’ For $1.5 Million Following Cannes Premiere
Cannes 2019: Film is inspired by the 2005 Paris riots
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Cannes Report, Day 3: ‘Rocketman’ Gets Standing Ovation, Mati Diop’s ‘Atlantics’ Is ‘Dazzling’
Plus, “Sorry We Missed You” premiered at the festival on Thursday
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‘I Lost My Body’ Film Review: Bizarre Animated Film Finds Graphic Poetry in a Severed Hand
Cannes 2019: The story of a hand trying to find the body it once belonged to could nudge director Jeremy Clapin toward the top rank of film animators
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Taron Egerton’s ‘Rocketman’ Debuts to Huge Applause at Cannes
“Boy you are in for a treat,” one festival-goer says of Elton John biopic
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The Last 10 Years of Cannes: From ‘Up’ to Gaga to ‘Persona Non Grata’ Lars Von Trier
TheWrap Cannes magazine: For as long as TheWrap has existed, we’ve been coming to Cannes. Here are selections from our coverage over the last 10 festivals
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Cannes Report, Day 2: ‘Les Miserables’ and ‘Bacurau’ Start Strong, John Carpenter Takes a Bow
Todd Haynes also brings his Velvet Underground documentary to the marketplace
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Sharon Waxman and Steve Pond Reflect on 10 Years of TheWrap, and 10 Years of Cannes (Video)
TheWrap Cannes magazine: As TheWrap turns 10, its founder and awards editor share stories from the first decade
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How Antonio Banderas Learned to Relax and Play His Old Friend (and Director) Pedro Almodóvar
TheWrap Cannes magazine: “I don’t know how many times people have worked performing a character that not only exists but is directing you,” says Banderas of his eighth movie with Almodóvar, “Pain and Glory”
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Cannes Report, Day 1: ‘The Dead Don’t Die’ Star Bill Murray Calls Fest ‘Frightening’
Jim Jarmusch’s opening night film receives mixed reviews
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10 Best Cannes Films of the Last 10 Years, From ‘Melancholia’ to ‘Amour’ (Photos)
TheWrap Cannes magazine: Our critics reflect on the best of what they’ve seen at the French festival in the decade TheWrap has attended
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Cannes Market Preview 2019: What Are Buyers Looking for This Year?
TheWrap Cannes magazine: “In Cannes, there is a thriving but very selective market for movies that are, I would say, the indie version of events,” Neon’s Jeff Deutchman says
