-
How the ‘Mass’ Cast Navigated an Intense School-Shooting Drama – and Is Still Bickering About It
TheWrap magazine: Ann Dowd, Jason Isaacs, Martha Plimpton and Reed Birney talk (and argue) about the art of ensemble acting
-
Independent Spirit Awards Nominations Analysis: Voters Had No Choice But to Get Really Independent
With most Oscar contenders ineligible for the Spirit Awards, the nominations turned to smaller films that could use the exposure
-
Inside ‘Zátopek’ Director’s 15-Year Journey to Spotlight a Forgotten Czech Olympic Hero
TheWrap magazine: ”People say to me, ‘He must have been a star when you were young,’ but nobody spoke of him,“ director David Ondricek says of runner Emil Zátopek
-
How Sparks Followed a Hit Documentary by Messing With Movie Musicals in ‘Annette’
TheWrap magazine: ”I don’t want to sound arrogant, but we’re trying to reinvent the modern movie musical,“ Ron Mael says of their work on ”Annette“
-
Why ‘Drive My Car’ Director Rewrote Haruki Murakami for His Surprise NY Film Critics Winner
TheWrap magazine: ”There wasn’t enough material to fill a two-hour film,“ director Ryusuke Hamaguchi says of the celebrated Japanese novelist’s short story he adapted
-
‘Belfast,’ ‘West Side Story’ Lead Critics Choice Awards Nominations
The two films land 11 nominations each, one more than ”Dune“ and ”The Power of the Dog“
-
‘Street Gang’ Film Review: Documentary Celebrates How ‘Sesame Street’ Changed the World
Let’s face it, blooper reels in which Muppets blow their lines and curse will always be priceless
-
Kenneth Branagh on How the Story of ‘Belfast’ Echoes Today, From Brexit to Washington
TheWrap magazine: ”This position of ‘Either with us or you’re against us’ doesn’t allow for understanding or movement,“ the writer-director says
-
Golden Globes Analysis: If an Awards Show Announces Nominations But Nobody Cares, Have They Really Voted?
The Hollywood Foreign Press took time out from their self-improvement push to release nominations that aren’t likely to have any impact on this awards season
-
How Finnish Oscar Entry ‘Compartment No. 6’ Rewrote the Ending After a Surprise Snowstorm
TheWrap magazine: ”Our catering tent flew away to the sea. It was a crazy moment,“ director Juho Kuosmanen says
-
Why Tilda Swinton Headed to the Colombian Jungle to Make Her Weirdest Movie Ever
TheWrap magazine: ”It was a place where we could build a dreamscape,“ says Swinton of ”Memoria,“ her collaboration with Thai visionary Apichatpong Weerasethakul
-
‘Ascension,’ ‘Flee’ and ‘Summer of Soul’ Land Producers Guild Documentary Nominations
”In the Same Breath“ and ”The First Wave“ are also on the list of eight nominees
-
How Rufus Wainwright Wrote a Sexy Song About Nuns – That’s Now an Oscar Contender
TheWrap magazine: ”It’s a seductive call to go out and be a part of humanity,“ the singer-songwriter says of ”Secret Sister“ from the documentary ”Rebel Hearts“
-
How Ariana Grande, Kid Cudi and Team Wrote a Love Song for the End of the World in ‘Don’t Look Up’
TheWrap magazine: “It’s a time capsule kind of song,” lyricist Taura Stinson says of the lush doomsday ballad ”Just Look Up“ from Adam McKay’s film
-
Director of Oscar Entry ‘Hive’ Explains Why Kosovo Has Become a Hotbed for Strong Female Filmmakers
TheWrap magazine: ”It’s a case of being inspired by one another,“ says Blerta Basholli, the third woman in four years to represent the country at the Oscars
