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  • Nothing Compares

    ‘Nothing Compares’ Film Review: Heartbreaking Sinead O’Connor Documentary Is Sadly Timely

    By Steve Pond | January 21, 2022 @ 6:45 PM

    Sundance 2022: Kathryn Ferguson paints a strong portrait of O’Connor’s initial rise and fall, but leaves out her long, curious second act

  • Andrew Garfield

    How Andrew Garfield Went From Jonathan Larson to Jim Bakker to Spider-Man in One Crazy Year

    By Steve Pond | January 21, 2022 @ 11:45 AM

    TheWrap magazine: ”It was a very mystical, profound thing, a kind of storytelling ritual of grief and even gratitude,“ says Garfield of his role in ”tick, tick…BOOM!“

  • Guillermo del Toro

    Guillermo del Toro on ‘Nightmare Alley’: No Monsters, No Problem

    By Steve Pond | January 21, 2022 @ 6:53 AM

    TheWrap magazine: ”In my movies, the real monster is man, and it was about time to try it without any fantastical elements,“ says the director

  • Oscars illustration

    How Oscar Voters Could Make the Best Picture Category Even Weirder This Year

    By Steve Pond | January 21, 2022 @ 6:30 AM

    Expanding the category to 10 nominees could increase variety, but only if voters take advantage of the opportunity they’ve been given

  • When You Finish Saving the World

    ‘When You Finish Saving the World’ Film Review: Jesse Eisenberg’s Indie Drama Wants You to Cringe

    By Steve Pond | January 20, 2022 @ 6:10 PM

    Sundance 2022: Eisenberg’s understated directorial debut stars Julianne Moore and Finn Wolfhard as a mother and son who just can’t communicate

  • My Sunny Maad

    ‘My Sunny Maad': Making an Animated Film That Doesn’t Feel Like Animation

    By Steve Pond | January 20, 2022 @ 11:30 AM

    TheWrap magazine: “I wanted to make a film where people would forget it’s animated,” says Czech director Michaela Pavlatova

  • Pedro Almodovar and Penelope Cruz

    Pedro Almodovar and Penelope Cruz on Pain, Friendship and Sexy Mothers

    By Steve Pond | January 20, 2022 @ 8:56 AM

    TheWrap magazine: “When Penélope arrived in the Spanish cinema, let’s just say that housewives and mothers became much more attractive,” says Almodovar

  • the tragedy of macbeth

    Shakespeare Shares Scripter Award Nomination With Joel Coen for ‘The Tragedy of Macbeth’

    By Steve Pond | January 19, 2022 @ 10:00 AM

    The Bard finally gets recognition for Hollywood awards

  • Stellan Skarsgard Dune

    ‘Dune,’ ‘Encanto,’ ‘Loki’ Top Visual Effects Society Award Nominations

    By Steve Pond | January 18, 2022 @ 8:00 AM

    Other films with multiple nominations include ”Spider-Man: No Way Home“ and ”Shang-Chi and the Legend of the Ten Rings“

  • The Morning Show

    ‘The Morning Show’ Design Problem: Go Around the World Without Leaving L.A.

    By Steve Pond | January 18, 2022 @ 7:47 AM

    TheWrap magazine: Production designer Nelson Coates had to stage scenes set in China, New York, New Orleans and Italy, all in Southern California

  • Cyrano

    The Hardest Costume Design Challenge on ‘Cyrano’ Had Nothing to Do With the Lead Character

    By Steve Pond | January 17, 2022 @ 10:16 AM

    TheWrap magazine: ”They are the aliens of the 1700s,“ says costume designer Massimo Cantini Parrini of the characters that caused him ”a great deal of suffering“

  • THE HARDER THEY FALL

    ‘The Harder They Fall’ Wins Top Prize at African American Film Critics Association Awards

    By Steve Pond | January 17, 2022 @ 7:30 AM

    Jeymes Samuel’s Western wins four awards, and ”King Richard“ takes another four

  • Licorice Pizza

    The Big Design Challenge for ‘Licorice Pizza': Find 1970s L.A. in the 2020s

    By Steve Pond | January 14, 2022 @ 10:39 AM

    TheWrap magazine: ”We were looking for pockets where people hadn’t demolished their ranch houses to build white modern monstrosities,“ production designer Florencia Martin says

  • 'Spider-Man: No Way Home'

    ‘Spider-Man: No Way Home’ Finally Busts Into the Oscar Voters’ Screening Room

    By Steve Pond | January 14, 2022 @ 7:15 AM

    And here are the 150-plus other films available to Academy members as nomination voting approaches

  • French Dispatch design

    How ‘The French Dispatch’ Designer Created Wes Anderson’s New World

    By Steve Pond | January 12, 2022 @ 3:08 PM

    TheWrap magazine: ”My first reaction was sort of a slight panic,“ production designer Adam Stockhausen says of the sheer number of designs he needed to create

Page 6 of 222 « First ‹ Previous 2 3 4 5 6 7 8 9 10 Next › Last »

Steve Pond

Steve Pond's inside look at the artistry and insanity of the awards race, drawn from more than three decades of obsessively chronicling the Oscars and the entertainment industry.
DOWN TO THE WIRE COVER 3/14

Photographed by Austin Hargrave for TheWrap

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