Wrap Magazine
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Why Making ‘Nomadland’ Left Chloe Zhao ‘Emotionally Drained’
TheWrap magazine: “I wasn’t used to going into a place, getting attached to it and to people and then leaving it behind,” says the writer-director whose next film will be Marvel’s “The Eternals”
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Vanessa Kirby Watched a Woman in Labor for 8 Hours to Prepare for ‘Pieces of a Woman’ Birth Scene
TheWrap magazine: The actress also spoke with real mothers who had lost babies at different stages of pregnancy
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How ‘Minari’ Star Yeri Han Came to Sing the Lullaby-Like Closing Tune (Video)
TheWrap Awards magazine: Composer Emile Mosseri praises the actress’ “beautiful, poetic vocal performance”
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‘MLK/FBI’ Director: ‘America Has Reached a Tipping Point’
TheWrap magazine: “Let’s hope that the fact that communities are being galvanized can make progress toward a change in the American psyche,” Sam Pollard says
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Iranian Oscar Entry ‘Sun Children’ Cries Out Against Child Labor
TheWrap magazine: “If we don’t make the kids’ lives easier, we are destroying our own future,” says director Magid Magidi
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Why ‘Beginning’ Director Filmed Sexual Assault Scene Quietly, From a Distance
TheWrap magazine: “Everyone can feel the terror of this moment, and I thought as a director I don’t need to emphasize anything,” says director Dea Kulumbegashvili
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Caleb Landry Jones’ Brother Told Him to Take ‘The Outpost’ Role: ‘You’re Doing This One’
TheWrap magazine: Jones recounts how his brother, an ex-Marine and combat veteran, read the script to Rod Lurie’s immersive Afghanistan drama and made the choice for him
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Why Cristin Milioti Never Liked Calling ‘Palm Springs’ Just a Romantic Comedy
“It was this beautiful allegory for depression and anxiety and the inability to escape yourself,” actress says
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Sienna Miller on the ‘Wander Darkly’ Scenes She Found ‘Really Difficult to Execute’
“I don’t know that I’m capable of much more vulnerability in a scene than I showed in that,” actress says
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How India Whipped Up the Year’s Wildest, Craziest Oscar Entry With ‘Jallikattu’
TheWrap magazine: “I wanted you to compare the film to what the world actually is,” says director Lijo Jose Pellisserry of his film that descends in rampaging chaos
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‘Charlatan’ Director Explains Why Films Need to Deal With Politics
TheWrap magazine: “We have so many challenges and dangers with authoritarian and totalitarian regimes, and filmmakers cannot pretend that it is not going on,” says Agnieszka Holland
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From Battling Brain Cancer to Directing an Oscar Contender: Maria Sodahl’s Dramatic Journey to ‘Hope’
TheWrap magazine: “I hate sentimental cancer movies, and I didn’t want to do something like that,” Sodahl says of turning her own diagnosis into art
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How a Severed Hand Led to Taiwan’s Oscar Contender ‘A Sun’
TheWrap magazine: “I imagined that the incident happened on a rainy day, and the hand dropped into a hot pot,” says director Chung Mong-hong
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Elisabeth Moss on How Her ‘Thoughtful’ Career Choices Led Her to ‘Invisible Man,’ ‘Shirley’
TheWrap magazine: “I am interested in playing everything from superhero women to antiheroes,” the actress tells TheWrap
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Orion Lee’s Secret to Becoming a Leading Man in ‘First Cow’: Take It One Scene at a Time
TheWrap magazine: “I’d never played a lead before on screen, but I knew I could do scenes,” says the actor in Kelly Reichardt’s quiet drama