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Pedro Almodovar and Penelope Cruz on Pain, Friendship and Sexy Mothers
By Steve Pond | January 20, 2022 @ 8:56 AMTheWrap magazine: “When Penélope arrived in the Spanish cinema, let’s just say that housewives and mothers became much more attractive,” says Almodovar
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How ‘Belle’ Created a Great Animated Scene by Holding a Single Shot (Video)
By Drew Taylor | January 19, 2022 @ 12:10 PMTheWrap magazine: Director Mamoru Hosoda breaks down the movie’s most unforgettable sequence
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How ‘Passing’ Star Tessa Thompson Explored the Many Layers of Identity
By Missy Schwartz | Photographs by Matt Sayles | January 19, 2022 @ 10:00 AMTheWrap Magazine: She’s been in franchises from ”Creed“ to ”Thor,“ but Tessa Thompson found herself in new territory with her latest film
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‘Passing’ Star Tessa Thompson Covers TheWrap Magazine (Exclusive Photo Gallery)
By Photographed by Matt Sayles for TheWrap | January 19, 2022 @ 9:55 AMThe actress glams up for exclusive portraits for TheWrap
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‘Encanto': How ‘Dos Oruguitas’ Was Brought to Life
By Drew Taylor | January 19, 2022 @ 6:59 AMTheWrap magazine: The filmmakers behind the Disney hit say the touching number was originally part of the prologue
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‘The Morning Show’ Design Problem: Go Around the World Without Leaving L.A.
By Steve Pond | January 18, 2022 @ 7:47 AMTheWrap magazine: Production designer Nelson Coates had to stage scenes set in China, New York, New Orleans and Italy, all in Southern California
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How a Bathroom Break Was a Key to the Design of ‘The Green Knight’
By Steve Pond | January 17, 2022 @ 12:26 PMTheWrap magazine: Designer Jade Healy says she’s thankful for what the film’s D.P. found when he took a leak in the woods
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The Hardest Costume Design Challenge on ‘Cyrano’ Had Nothing to Do With the Lead Character
By Steve Pond | January 17, 2022 @ 10:16 AMTheWrap magazine: ”They are the aliens of the 1700s,“ says costume designer Massimo Cantini Parrini of the characters that caused him ”a great deal of suffering“
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The Big Design Challenge for ‘Licorice Pizza': Find 1970s L.A. in the 2020s
By Steve Pond | January 14, 2022 @ 10:39 AMTheWrap magazine: ”We were looking for pockets where people hadn’t demolished their ranch houses to build white modern monstrosities,“ production designer Florencia Martin says
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Oscar Contenders in Black and White, From ‘Belfast’ to ‘The Tragedy of Macbeth’
By Joe McGovern | January 13, 2022 @ 11:09 AMThe filmmakers behind four acclaimed films — ”Belfast,“ ”C’mon, C’mon,“ ”Passing“ and ”The Tragedy of Macbeth“ — discuss the magic of shooting in the old-fashioned format
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‘Passing': How Classic Hitchcock Thrillers Influenced the Dreamy Black-and-White Look
By Joe McGovern | January 13, 2022 @ 10:55 AMTheWrap magazine: ”What could be better than black-and-white when it comes to the core of light and darkness?“ cinematographer Eduard Grau says
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Why ‘Belfast’ Cinematographer Added Splashes of Color to the Movie’s Black-and-White World
By Joe McGovern | January 13, 2022 @ 10:40 AMTheWrap magazine: For his eighth collaboration with Kenneth Branagh, Haris Zambarloukos talks about black-and-white is a ”more lucid way of capturing emotion“
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Why ‘The Tragedy of Macbeth’ Cinematographer Grew Superstitious While Making the Black-and-White Drama
By Joe McGovern | January 13, 2022 @ 10:25 AMTheWrap magazine: Five-time Oscar nominee Bruno Delbonnel explains how Shakespeare’s prose justified the film’s black-and-white photography
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‘C’mon, C’mon’ Director on Why the Joaquin Phoenix Film ‘Had to Be in Black-and-White’
By Joe McGovern | January 13, 2022 @ 10:15 AMTheWrap magazine: Director Mike Mills talks about how cinematographer Robbie Ryan crafted an ”al dente, not overworked, use of black-and-white” for the relationship drama
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How They Did It: Denis Villeneuve and the Making of ‘Dune’
By Steve Pond and Brian Welk | January 11, 2022 @ 11:30 AMIt took an army to put Denis Villeneuve’s epic Dune on screen; here are stories from the director and some of his soldiers