Wrap Magazine
-
Martin Scorsese on Why He Never Fit in Hollywood: ‘I Was Always an Outsider’
TheWrap magazine: “I wanted to belong, but I never belonged,” the “Killers of the Flower Moon” director says of the studio system
-
Cillian Murphy on the Brain-Drain of Playing Oppenheimer: ‘Being That Brilliant Is a Burden’
TheWrap magazine: “Hyper-intelligent people see the world in different dimensions than we do,” says the Golden Globe-winning actor
-
Emma Stone’s ‘Poor Things’ Journey: Why a Stripped-Down Approach Was Key to the Strangest Role She’s Played
TheWrap magazine: “She doesn’t shy away from any life experiences, whether it’s food, or politics, or philosophy, or sex, or dancing, or travel or science,” Stone says
-
Why the Success of ‘The Boy and the Heron’ May Lead to Another Miyazaki Movie
TheWrap magazine: “If this film becomes a major hit, then he may make another film,” says producer Toshio Suzuki
-
With ‘Oppenheimer,’ ‘Maestro’ and ‘Killers of the Flower Moon,’ This Is the Year of Female Editors
TheWrap magazine: It’d be only the third time in Oscar history for three female editing nominees
-
‘Ferrari,’ ‘Society of the Snow’ and ‘The Killer’ Deliver the Sound of Trouble
TheWrap magazine: The sound teams on those three movies had to conjure up car wrecks, a plane crash and some assassinations
-
Meet the Teenage Actors Who Make Italian Oscar Entry ‘Io Capitano’ So Powerful
TheWrap magazine: “It was a big pleasure and pride to represent what immigrants go through,” says Moustapha Fall, who joins Seydou Sarr in Matteo Garrone’s brutal drama
-
The Sound of ‘Barbie’: Authentic, Artificial and Sparkly
TheWrap magazine: “Greta (Gerwig) would say things to us like, ‘Put a little sparkle on it,’ and at first I didn’t get what she was saying,” says re-recording mixer Kevin O’Connell
-
Greta Gerwig Says Her Goal With ‘Barbie’ Was to ‘Write the Greatest Script Nobody Ever Makes’
TheWrap magazine: “It felt like the exact kind of idea I like, which is just on the edge of ‘how is this even possible?’” says Gerwig
-
How to Shoot All That Pink and Other Lessons in ‘Barbie’ Cinematography
TheWrap magazine: “The first day on the set, I discovered that it was really a problem,” says cinematographer Rodrigo Prieto
-
How One ‘Barbie’ Dance Song Turned Into a Giant Job for Mark Ronson and Andrew Wyatt
TheWrap magazine: “Everything influenced everything else,” Mark Ronson says of the film’s mixture of songs, score and dance numbers
-
How an Existential Crisis Led to Singaporean Oscar Entry ‘The Breaking Ice’
TheWrap magazine: “When you’re stuck, you look to find a new direction,” says director Anthony Chen of the movie that came out of his pandemic melancholia
-
Sterling K. Brown Says ‘American Fiction’ Flexes How He’s ‘Much Sillier Than People Give Me Credit For’
TheWrap magazine: Brown, who won Emmys for “This Is Us” and “The People v. O.J. Simpson,” says “I guess I fool them into thinking that I am a serious actor
-
How Estonian Documentary ‘Smoke Sauna Sisterhood’ Helped a Broken Woman Heal
TheWrap magazine: “I could wash my shame off and accept my vulnerability, my imperfections,” says first-time director Anna Hints
-
Kôji Yakusho Describes His Journey From Japanese Star to Janitor for ‘Perfect Days’
TheWrap magazine: “After the shoot, the Tokyo Toilet Project told me, ‘Hey, you can start working at our company tomorrow,’” says Yakusho
