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  • Pedro Almodovar and Penelope Cruz

    Pedro Almodovar and Penelope Cruz on Pain, Friendship and Sexy Mothers

    By Steve Pond | January 20, 2022 @ 8:56 AM

    TheWrap magazine: “When Penélope arrived in the Spanish cinema, let’s just say that housewives and mothers became much more attractive,” says Almodovar

  • How ‘Belle’ Created a Great Animated Scene by Holding a Single Shot (Video)

    By Drew Taylor | January 19, 2022 @ 12:10 PM

    TheWrap magazine: Director Mamoru Hosoda breaks down the movie’s most unforgettable sequence

  • Tessa Thompson Awards Magazine

    How ‘Passing’ Star Tessa Thompson Explored the Many Layers of Identity

    By Missy Schwartz | Photographs by Matt Sayles | January 19, 2022 @ 10:00 AM

    TheWrap Magazine: She’s been in franchises from ”Creed“ to ”Thor,“ but Tessa Thompson found herself in new territory with her latest film

  • Tessa Thompson Social image

    ‘Passing’ Star Tessa Thompson Covers TheWrap Magazine (Exclusive Photo Gallery)

    By Photographed by Matt Sayles for TheWrap | January 19, 2022 @ 9:55 AM

    The actress glams up for exclusive portraits for TheWrap

  • Encanto

    ‘Encanto': How ‘Dos Oruguitas’ Was Brought to Life

    By Drew Taylor | January 19, 2022 @ 6:59 AM

    TheWrap magazine: The filmmakers behind the Disney hit say the touching number was originally part of the prologue

  • The Morning Show

    ‘The Morning Show’ Design Problem: Go Around the World Without Leaving L.A.

    By Steve Pond | January 18, 2022 @ 7:47 AM

    TheWrap magazine: Production designer Nelson Coates had to stage scenes set in China, New York, New Orleans and Italy, all in Southern California

  • The Green Knight - Dev Patel

    How a Bathroom Break Was a Key to the Design of ‘The Green Knight’

    By Steve Pond | January 17, 2022 @ 12:26 PM

    TheWrap magazine: Designer Jade Healy says she’s thankful for what the film’s D.P. found when he took a leak in the woods

  • Cyrano

    The Hardest Costume Design Challenge on ‘Cyrano’ Had Nothing to Do With the Lead Character

    By Steve Pond | January 17, 2022 @ 10:16 AM

    TheWrap magazine: ”They are the aliens of the 1700s,“ says costume designer Massimo Cantini Parrini of the characters that caused him ”a great deal of suffering“

  • Licorice Pizza

    The Big Design Challenge for ‘Licorice Pizza': Find 1970s L.A. in the 2020s

    By Steve Pond | January 14, 2022 @ 10:39 AM

    TheWrap magazine: ”We were looking for pockets where people hadn’t demolished their ranch houses to build white modern monstrosities,“ production designer Florencia Martin says

  • black and white cinematography

    Oscar Contenders in Black and White, From ‘Belfast’ to ‘The Tragedy of Macbeth’

    By Joe McGovern | January 13, 2022 @ 11:09 AM

    The filmmakers behind four acclaimed films — ”Belfast,“ ”C’mon, C’mon,“ ”Passing“ and ”The Tragedy of Macbeth“ — discuss the magic of shooting in the old-fashioned format

  • passing

    ‘Passing': How Classic Hitchcock Thrillers Influenced the Dreamy Black-and-White Look

    By Joe McGovern | January 13, 2022 @ 10:55 AM

    TheWrap magazine: ”What could be better than black-and-white when it comes to the core of light and darkness?“ cinematographer Eduard Grau says

  • belfast

    Why ‘Belfast’ Cinematographer Added Splashes of Color to the Movie’s Black-and-White World

    By Joe McGovern | January 13, 2022 @ 10:40 AM

    TheWrap magazine: For his eighth collaboration with Kenneth Branagh, Haris Zambarloukos talks about black-and-white is a ”more lucid way of capturing emotion“

  • the tragedy of macbeth

    Why ‘The Tragedy of Macbeth’ Cinematographer Grew Superstitious While Making the Black-and-White Drama

    By Joe McGovern | January 13, 2022 @ 10:25 AM

    TheWrap magazine: Five-time Oscar nominee Bruno Delbonnel explains how Shakespeare’s prose justified the film’s black-and-white photography

  • C'mon, C'mon - Joaquin Phoenix, Woody Norman

    ‘C’mon, C’mon’ Director on Why the Joaquin Phoenix Film ‘Had to Be in Black-and-White’

    By Joe McGovern | January 13, 2022 @ 10:15 AM

    TheWrap magazine: Director Mike Mills talks about how cinematographer Robbie Ryan crafted an ”al dente, not overworked, use of black-and-white” for the relationship drama

  • Dune - Denis Villeneuve and collaborators

    How They Did It: Denis Villeneuve and the Making of ‘Dune’

    By Steve Pond and Brian Welk | January 11, 2022 @ 11:30 AM

    It took an army to put Denis Villeneuve’s epic Dune on screen; here are stories from the director and some of his soldiers

Page 3 of 54 ‹ Previous 1 2 3 4 5 6 7 Next › Last »

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