TheWrap Oscar magazine: “Our county, Germany, has been at the center of every craziness, of every madness, of every abomination of the 20th century,” says director Florian Henckel von Donnersmarck
TheWrap magazine: Who’s up, who’s down and who are the hot newcomers in TheWrap’s third annual ranking of the top U.S. schools for filmmaking, dealmaking and new media
TheWrap Emmy magazine: “Quality and quantity are not mutually exclusive,” says Cindy Holland, Netflix’s head of original programming
TheWrap Emmy magazine: ‘When you’re old you have to be funny,” the veteran actress says of her role in the web series “Break a Hip”
TheWrap Emmy magazine: “I wouldn’t mind the level of material or the quantity of material if it didn’t have such adverse effects on people’s lives,” says the Emmy-nominated “Daily Show” host
TheWrap Emmy magazine: “I never bought that I was a movie star,” the star of “The Looming Tower” and “Godless” says of his award-worthy second act on the small screen
TheWrap Emmy magazine: “It’s hard to differentiate between the comedic and the dramatic,” the actor-director says
TheWrap Emmy magazine: “‘We’re definitely going to write a klezmer jazz song where you play the violin,” Justin Paul remembers telling actress Ana Gasteyer
TheWrap Emmy magazine: “It’s a thing we as a society are trying to navigate,” showrunner Lisa Joy says
TheWrap Emmy magazine: “I think we were equally surprised,” says Jenrette after she and her husband mounted long-shot campaigns for recognition
TheWrap Emmy magazine: “He fills my head and my monologue and my prescriptions, all at once — he’s omnipresent,” says Kimmel of the president
TheWrap Emmy magazine: “The costumes were very heavy. But beautiful,” the Danish actor says
TheWrap Emmy magazines: “If I say something that Steve thinks is too mean, I’ll take it out,” Martin Short says
TheWrap Emmy magazine: “Something good has got to come out of all the shame and the embarrassment,” Foy says about much-publicized pay disparity with her co-star
TheWrap Emmy magazine: “”All my references are from the ’60s and ’70s,” host of “At Home With Amy Sedaris” says
TheWrap Emmy magazine: “It is probably the greatest challenge for him,” Harbour says of his character’s relationship with Millie Bobby Brown’s telekinetic teen, Eleven
Emmy-nominated actor stops by StudioWrap for an interview and photo session
TheWrap Emmy magazine: The host and creator of “Full Frontal” also discusses the difference between President Trump (not funny) and Donald Trump Jr. (funny)
TheWrap Emmy magazine: “We want our show to be a variety show in its truest sense,” Corden tells TheWrap of a show that ranges from Carpool Karaoke to a bit of politics
TheWrap Emmy magazine: “At that time I had great legs. So I thought, ‘I don’t care,” actor says of his meme-generating scene from “Happy Days” in 1977
TheWrap Emmy magazine: “It’s important for me to try to make this character as relatable as possible, even though she’s despicable,” says first-time Emmy nominee Strahovski
Emmy-nominated actress stops by StudioWrap for an interview and photo session
TheWrap Emmy magazine: “We’re talking about traumas and abuses, and everyone is laying it out, so this gave us a bit of lightning in a bottle,” says Biel of the USA Networks limited series
TheWrap Emmy magazine: “There is still a lot more to learn about the man,” says Ventimiglia of the character whose trials made him the centerpiece of the show’s Season 2
The Emmy-nominated actor stops by StudioWrap for an interview and photo session
TheWrap Emmy magazine: “It’s 2018 — come on, people,” Amy Sherman-Palladino says
The musician turned show creators stops by StudioWrap for an interview and photo session
TheWrap Emmy magazine: “I realized that ‘Portlandia’ was a way I processed phenomena,” the star and co-creator of the IFC variety series says
TheWrap Emmy magazine: “Culture wars and divisiveness and cynicism and mistrust came forth in a violent way during Vietnam, and we’ve never gotten past it,” Novick says
TheWrap Emmy magazine: “If you had a cast that was a little less enthused, it would be hard,” says Sherman-Palladino of her long, unbroken takes and fast-paced dialogue
