TheWrap Emmy magazine: “It’s important for me to try to make this character as relatable as possible, even though she’s despicable,” says first-time Emmy nominee Strahovski
Emmy-nominated actress stops by StudioWrap for an interview and photo session
TheWrap Emmy magazine: “We’re talking about traumas and abuses, and everyone is laying it out, so this gave us a bit of lightning in a bottle,” says Biel of the USA Networks limited series
TheWrap Emmy magazine: “There is still a lot more to learn about the man,” says Ventimiglia of the character whose trials made him the centerpiece of the show’s Season 2
The Emmy-nominated actor stops by StudioWrap for an interview and photo session
TheWrap Emmy magazine: “It’s 2018 — come on, people,” Amy Sherman-Palladino says
The musician turned show creators stops by StudioWrap for an interview and photo session
TheWrap Emmy magazine: “I realized that ‘Portlandia’ was a way I processed phenomena,” the star and co-creator of the IFC variety series says
TheWrap Emmy magazine: “Culture wars and divisiveness and cynicism and mistrust came forth in a violent way during Vietnam, and we’ve never gotten past it,” Novick says
TheWrap Emmy magazine: “If you had a cast that was a little less enthused, it would be hard,” says Sherman-Palladino of her long, unbroken takes and fast-paced dialogue
TheWrap Emmy magazine: “It’s a very performance-oriented, visually arresting show, and that is the sweet spot for me in my work,” says the director of four of this season’s episodes
TheWrap Emmy magazine: “Eventually all the cool kids tell their friends and it becomes a thing – but we’re still talking about drag here,” creator and host says
TheWrap Emmy magazine: “Maybe I’ll think about it after, but I’m not gonna think about it now,” says the actress of her shot at becoming only the third actress to win an Oscar and an Emmy in the same calendar year
TheWrap Emmy magazine: In case she loses, the “An Emmy for Megan” creator says she already has a press release ready to go accusing the Russians of interfering with Emmy voting
TheWrap Emmy magazine: “When I was young, certain kids didn’t want to play with other kids because everything is separated by gender,” show creator Rebecca Sugar says
TheWrap Emmy magazine: “We’re not the new kids on the block anymore,” producer Stephen Glover says
TheWrap Emmy magazine: “I feel like someone let me into a place that I shouldn’t be,” first-time performing nominee Bryant says
TheWrap Emmy magazine: “When you’re shooting things out of order that are already written out of order, just keeping the timeline in your head was a big challenge,” says the Emmy-nominated actor
Emmy-nominated actor stops by StudioWrap for an interview and photo session
TheWrap Emmy magazine: “I tell them to get booze that they’ve never had a bad experience with,” the show’s co-creator says
TheWrap Emmy magazine: “There were a lot of things in play, but mostly it was Jonathan [Demme] protecting me and allowing me to figure it out,” says King of one of the director’s last jobs
Emmy-nominated actress stops by StudioWrap for an interview and photo session
TheWrap Emmy magazine cover story: Asked how dramatically Trump has changed late night, Jimmy Kimmel replies, “How dramatically did the plague change medieval Europe?”
TheWrap Emmy magazine: “There was kind of a trashy, commercial part of me that wanted a shootout,” co-star Matthew Rhys admits
TheWrap Emmy magazine: “[They keep] wanting to put you into a certain box,” the Emmy-nominated actress says
The Emmy-nominated star stops by StudioWrap for an interview and photo session
TheWrap Emmy magazine: “We were almost overly cautious,” showrunner Jennifer Lane says of the search for the stars of the Emmy-nominated revival
TheWrap Emmy Magazine: “It’s not just speaking at that pace, it’s a way of listening at a high speed,” says the Emmy- and Tony-winning actor
TheWrap Emmy magazine: “I had everything I needed to work the same way I work on everything else — from my imagination,” the four-time Emmy winner says
TheWrap Emmy magazine: The veteran lighting designer explains why live awards shows pose very different challenges
