‘Halfway Bitches Go Straight to Heaven’ Theater Review: Stephen Adly Guirgis Delivers the Funniest, Saddest Play of the Year
The Pulitzer Prize-winning playwright delivers a female “Iceman Cometh” for this century
Hollyblogs
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‘Greater Clements’ Theater Review: Judith Ivey Carries the Very Heavy Load of a Son
The actor brings her naturalistic gifts to Samuel D. Hunter’s uneven new play about life in a town that deserves to die
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Why This Indie Musician Isn’t Scared of California’s AB-5 Law ‘Crashing’ the Music Business | PRO Insight
Despite industry-wide panic, singer-songwriter Greg Gilman of the L.A.-based rock band Greg in Good Company thinks he’ll remain an independent contractor in the eye of the new law
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‘Jagged Little Pill’ Broadway Review: Alanis Morissette’s Classic Album Becomes a #MeToo Angst Fest
Oscar-winning writer Diablo Cody and the Tony-winning director Diane Paulus join forces for a super-topical jukebox musical
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The Luck of ‘The Irishman': How One Man’s Bookstore Visit Led to Producing the Martin Scorsese Hit (Guest Blog)
“This project was born under a lucky star,” producer Gerald “Jerry” Chamales says
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‘A Bright Room Called Day’ Theater Review: Tony Kushner Revisits His First, Flawed Play
The author of “Angels in America” rewrites his stage debut, about Nazi Germany, the Reagan Revolution and other things on his mind
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‘The Young Man From Atlanta’ Theater Review: Aidan Quinn Enters Willy Loman’s Turf
The “Elementary” actor recalls the theater’s most beleaguered salesman in this uneven but ultimately moving revival
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‘The Underlying Chris’ Theater Review: Will Eno Goes Full Hallmark
The playwright continues to explore the wondrousness of life, even when it’s downright ordinary
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‘The Half-Life of Marie Curie’ Theater Review: Kate Mulgrew Is Radioactively Great
Lauren Gunderson’s new two-hander gives all the best lines to a woman you probably never heard of
