Oscars
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The 11 Biggest Oscar Snubs and Surprises: From ‘The Woman King’ to Andrea Riseborough
Previous awards season favorites Danielle Deadwyler and “The Woman King” are nowhere to be seen
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Steven Spielberg Hits, Tom Cruise Stumbles and What Else We Learned During This Wild Awards Week
Four days, two awards shows, 13 nominations announcements and nine lessons
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Oscar-Eligible Features for Best Picture Again Top 300 Films After 2021 Dip
The Academy’s list of features eligible for consideration at the 95th Oscars is up from last year’s 276 titles
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If You Want to Save Cinema, Kill the Oscars (Guest Blog)
And while you’re at it, do the same for all the other critics’ polls and awards shows
By
Ted Hope -
Taylor Swift and Diane Warren Edge Out Billie Eilish and Trent Reznor in Oscar Music Shortlists
In the score category, John Williams could possibly net his 53rd Oscar nom next month
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Taylor Swift and Kendrick Lamar Snubbed From Live Action and Animated Short Films Oscars Contention
Live Action titles making the shortlist include “An Irish Goodbye,” “The Red Suitcase,” and “Warsha.”
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‘The Batman’ and ‘Wakanda Forever’ Land Oscars Shortlists for Makeup, Visual Effects and Sound
The Academy also unveiled semifinalists in the documentary, international film, and shorts categories
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Oscars Visual Effects Race Heats Up With a Multiverse of Movie Magic at Every Budget
“Avatar: The Way of Water,” “Top Gun: Maverick” and “Everything Everywhere All at Once” present extreme examples of VFX styles
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How ‘All Quiet on the Western Front’ Composer Created Those ‘Disturbing’ Sounds of War
TheWrap magazine: Volker Bertelmann says he used drums and harmoniums to make military sounds like shooting bullets
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‘Last Flight Home’ Director on Filming Her Father Before His Medically Assisted Death
TheWrap magazine: Ondi Timoner says turning on the cameras during her dad’s final days “suddenly became so valuable to everyone”
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‘Navalny’ Director Daniel Roher: Imprisoned Russian Opposition Leader’s Impact on History is Unfulfilled
TheWrap magazine: “It’s very, very sad to know that (Alexei Navalny) has never seen our film and he may never see our film,” the filmmaker says
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Why the ‘Darkling’ Director Chose to Show the Kosovo Crisis Through the Eyes of a Child
TheWrap Screening Series: Dušan Milić’s drama, which is Serbia’s Oscar entry, follows a family emotionally scarred by the war between Yugoslavia and Albania
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‘Return to Seoul’ Director Davy Chou on What It Means to Live Between Two Cultures
TheWrap magazine: Chou’s film, about a woman struggling to figure out who she is and where she belongs, is Cambodia’s Oscar entry
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‘Holy Spider’ Director Ali Abbasi Says Protests in Iran Have Made His Film About Murdered Sex Workers ‘Part of a Bigger Thing’
TheWrap magazine: “The magnitude of what’s happening in Iran, it’s so huge that I forget about the movie sometimes,” Abbasi says
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Director Laura Poitras Was Intimidated to Work With ‘Incredibly Brave’ Artist Nan Goldin on Doc ‘All the Beauty and the Bloodshed’
TheWrap magazine: “Both in the process of this film and in her own work, she goes to a place that rarely artists go to, in terms of vulnerability and honesty,” Poitras told TheWrap