Kathy Griffin Documentary ‘A Hell of a Story’ Acquired for One-Night Only Theatrical Release
Brainstorm Media is partnering with Fathom Events on film that premiered at SXSW
Movies
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18 Live-Action Disney Movies in the Works After ‘Aladdin’ (Photos)
The studio is raiding its vault to remake classics including “Mulan” and “The Lion King”
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Liam Gallagher Documentary ‘As It Was’ Acquired by Screen Media
Gavin Fitzgerald and Charlie Lightening direct film about former Oasis frontman
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Cannes Report, Day 6: ‘The Lighthouse’ Shines, Tarantino Begs for No Spoilers
Terence Malick also returns to form with debut of his film “A Hidden Life”
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Cannes at the Halfway Point: How Did Elton John Become King of the Fest?
Cannes 2019: While most of the attention has gone to a pair of major-studio flicks, “Rocketman” and the yet-unseen “Once Upon a Time … in Hollywood,” the festival is also full of dark films for a dark age
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‘Portrait of a Lady on Fire’ Film Review: Ravishing Drama Is a Feminist Tale From a Pre-Feminist World
Cannes 2019: Laced with bittersweet romanticism, director Céline Sciamma’s strong prize contender is fundamentally about the act of looking
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Jon Favreau Teams Up With Roy Choi (and a Few Avengers) on ‘The Chef’s Show’ for Netflix (Video)
Due previously worked together on Favreau’s 2014 film “Chef”
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‘A Hidden Life’ Film Review: Is This Where Terrence Malick Gets His Mojo Back?
Cannes 2019: Anchored in story in a way his last few movies have not been, this World War II drama is the director’s most monumental work since “The Tree of Life”
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Does ‘John Wick: Chapter 3 – Parabellum’ Have a Post-Credits Scene?
The third “John Wick” adventure sets the franchise down a new path, but does it tease the future with a bonus scene after the credits?
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‘John Wick: Chapter 3’ Tops ‘Avengers: Endgame’ With $57 Million Opening
“Endgame” passes “Avatar” on the all-time domestic box office domestic charts with $770 million
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Cannes Report, Day 5: Protests Hit the Croisette, ‘Too Old to Die Young’ Debuts
Plus, Dame Helen Mirren debuts a new hair color
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‘The Lighthouse’ Film Review: Robert Pattinson Rocks Cannes With a Portrait of Madness
Cannes 2019: Before he has a chance to don Batman’s cowl, Pattison teams with Willem Dafoe to rip into this black-and-white fever dream with demented glee
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‘Vivarium’ Review: Jesse Eisenberg Satire Bites Off More Than It Can Chew
Cannes 2019: Eisenberg and Imogen Poots star in director Lorcan Finnegan’s film set in a purgatorial pre-fab suburb, but it never follows through on its interesting ideas
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‘Family Romance, LLC’ Film Review: Love’s for Sale in Werner Herzog’s Odd New Film
Cannes 2019: A curious little meditation on the commodification of everything up to and including love, the film is slight but has moments of pure Herzogian rhapsody
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‘The Whistlers’ Film Review: Romanian Wild Ride Runs on Black Humor
Cannes 2019: Corneliu Porumboiu’s film is an oversized, deliciously twisted ride that slips in references to John Wayne and Alfred Hitchcock
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‘The Wild Goose Lake’ Film Review: Chinese Action Flick Is Indulgent but Fun
Cannes 2019: Director Diao Yinan puts his own spin on some familiar action tropes
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‘Liberte’ Film Review: An Exploration of Dangerous Sex in Revolutionary France (NSFW)
Cannes 2019: Film by Spanish writer-director Albert Serra is a contemplation of Libertinism
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Elizabeth Olsen Recalls Her ‘Terrible’ Audition for Role of Daenerys in ‘Game of Thrones’
Actress says she read for the part of Khaleesi of the Great Grass Sea using two accents
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Woody Allen Releases ‘A Rainy Day in New York’ Trailer Despite US Distribution Limbo (Video)
Elle Fanning and Timothée Chalamet star in the film that’s been in limbo since Amazon Studios terminated director’s four-picture deal
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‘The Silence of the Lambs’ Author Thomas Harris Breaks Long Silence: ‘Nothing’s Made Up’
Creator of Hannibal Lecter gives first major interview in four decades
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‘John Wick: Chapter 3’ Dethrones ‘Avengers: Endgame’ From Top of Box Office
Action threequel set to become Lionsgate’s biggest opening in nearly four years
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Cannes Report, Day 4: Amazon and Paramount Open Their Wallets, Mariah Carey Sings!
Pedro Almodóvar’s “Pain & Glory” debuts to solid reviews
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‘Too Old to Die Young’ Review: Miles Teller Embraces Slow Nihilism in Nicolas Winding Refn Series
Cannes 2019: Director Nicolas Winding Refn flirts dangerously with violence for its own sake
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Chris Hemsworth and Tiffany Haddish $40 Million Comedy ‘Down Under Cover’ Picked Up by Paramount
Cannes 2019: “Avengers: Endgame” directors Anthony and Joe Russo are producers on the hot sales package
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‘Port Authority’ Film Review: Searching for Family in New York’s LGBT Ball Scene
Cannes 2019: Danielle Lessovitz’s debut feature is a rough but vital film for the age of “Pose” and “RuPaul’s Drag Race”
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‘Mortal Kombat': Warner Bros Sets Spring 2021 Release for James Wan-Produced Film
Movie is based on popular video game franchise
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Carrie Fisher Didn’t Want to Be an Actress. She Became an Icon (Podcast)
“Inside Star Wars” host Mark Ramsey tells us why we need a Carrie Fisher biopic
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‘Step Up Revolution’ Director Scott Speer Pleads Not Guilty to Child Abuse, Arson
Speer was charged with one felony count each of arson, injuring a spouse, child abuse, criminal threats and resisting arrest
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‘Pain and Glory’ Film Review: Antonio Banderas Plays Pedro Almodóvar – Sort Of
Cannes 2019: Almodóvar’s gentle memory piece replaces the youthful provocation of his early films with mature reflection
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Piers Morgan Rips Emily Ratajkowski for Using ‘Dumb Self-Promoting’ Topless Photo for Abortion-Law Protest
British media personality says that actress-model “ruined” an otherwise good message with a flesh-baring photo
