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  • Cannes

Cannes Report

  • ‘Meeting With Pol Pot’ Is a Lesson in Genocide

    Cannes 2024: It’s a great time to revisit the story of a left-wing regime that in its savage pursuit of a just society instead murdered a quarter of its people

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    May 16, 2024 @ 3:41 PM
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  • ‘Megalopolis’ Review: Francis Ford Coppola’s Epic Sprawl Is Grandiose and Goofy

    Cannes 2024: This is a project of operatic pronouncements, didactic repetitions and mad artistic ambitions – quite a few realized, just as many not

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    ‘Megalopolis’ Review: Francis Ford Coppola’s Epic Sprawl Is Grandiose and Goofy
  • Meryl Streep Explains Why Her Love Scene With Robert Redford Was Her Favorite: ‘I Didn’t Want It to End’

     “It’s a sex scene in a way, because it’s so intimate,” the acting legend shares of her iconic “Out of Africa” shampoo sequence

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    Emily Smith
    May 16, 2024 @ 11:44 AM
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    Meryl Streep Explains Why Her Love Scene With Robert Redford Was Her Favorite: ‘I Didn’t Want It to End’
  • ‘On Becoming a Guinea Fowl’ Review: African Story Slips Between Fable and Hard Reality

    Cannes 2024: Rungano Nyoni’s follow-up to “I Am Not a Witch” is timely, but it also exists completely out of time

    By

    Steve Pond
    May 16, 2024 @ 11:37 AM
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    ‘On Becoming a Guinea Fowl’ Review: African Story Slips Between Fable and Hard Reality
  • Cannes Day 2: ‘Furiosa’ Turns the Croisette Into the Wasteland

    Plus: “Megalopolis” goes IMAX and a “Silent Hill” sequel

    By

    Drew Taylor
    May 16, 2024 @ 11:15 AM
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    Cannes Day 2: ‘Furiosa’ Turns the Croisette Into the Wasteland
  • ‘Bird’ Review: Andrea Arnold’s Arresting, Surreal Drama Soars

    Cannes 2024: Franz Rogowski and Nykiya Adams anchor a touching coming-of-age tale with a big swing

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    Chase Hutchinson
    May 16, 2024 @ 8:31 AM
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  • Anya Taylor-Joy on Those ‘Furiosa’ Action Scenes: ‘It Doesn’t Make Any Sense How Safe This Film Was’

    Cannes 2024: “Our one priority was not to injure anybody,” producer Doug Mitchell says of the high-octane George Miller film

    By

    Matthew Creith
    May 16, 2024 @ 4:11 AM
    Cannes Report
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    Anya Taylor-Joy on Those ‘Furiosa’ Action Scenes: ‘It Doesn’t Make Any Sense How Safe This Film Was’
  • ‘The Girl With the Needle’ Review: Magnus von Horn and Vic Carmen Sonne Cast a Shattering Spell in Haunting Historical Drama

    Cannes 2024: With a killer score and stunning visuals, this film descends into darkness

    By

    Chase Hutchinson
    May 15, 2024 @ 3:59 PM
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    ‘The Girl With the Needle’ Review: Magnus von Horn and Vic Carmen Sonne Cast a Shattering Spell in Haunting Historical Drama
  • ‘Furiosa: A Mad Max Saga’ Review: Anya Taylor-Joy Takes Over in a Brutal Return to Fury Road

    Cannes 2024: The fifth “Mad Max” installment contains as many vehicular stunts as a “Fast  & Furious” flick but still felt at home in the Grand Theatre Lumiere at Cannes

    By

    Steve Pond
    May 15, 2024 @ 12:30 PM
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    ‘Furiosa: A Mad Max Saga’ Review: Anya Taylor-Joy Takes Over in a Brutal Return to Fury Road
  • Cannes Day 1: Greta Gerwig’s Testy Press Conference and a Goofy Opening Movie

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    Drew Taylor
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  • ‘Wild Diamond’ Review: Cannes Character Study Is Empathetic and Unforgiving

    Cannes 2024: First-time director Agathe Riedinger presents social media and reality TV stardom as a pie-in-the-sky way to escape a life of poverty

    By

    Steve Pond
    May 15, 2024 @ 8:45 AM
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  • A Serious Cannes Film Festival Opens With a Goofy Comedy, ‘The Second Act’

    Cannes 2024: Quentin Dupieux’s film about the making of the first AI movie is an amusing trifle, and very meta

    By

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    May 14, 2024 @ 1:47 PM
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    A Serious Cannes Film Festival Opens With a Goofy Comedy, ‘The Second Act’
  • Cannes 2024 Red Carpet: Meryl Streep, Anya Taylor-Joy, Lily Gladstone and More Hit the Croisette | Photos

    The 77th Cannes Film Festival is underway in France

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    May 14, 2024 @ 11:42 AM
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    Cannes 2024 Red Carpet: Meryl Streep, Anya Taylor-Joy, Lily Gladstone and More Hit the Croisette | Photos
  • Cannes: Diane Kruger Says David Cronenberg’s ‘The Shrouds’ Is a ‘Desperate, Emotional Cry’

    TheWrap magazine: The German actress describes Cronenberg’s latest, which was inspired by his wife’s death, as “100% the most personal film he’s ever made”

    By

    Joe McGovern
    May 14, 2024 @ 9:00 AM
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    9:00 AM
    Cannes: Diane Kruger Says David Cronenberg’s ‘The Shrouds’ Is a ‘Desperate, Emotional Cry’
  • 36 of the Biggest Directors at Cannes 2024: Oliver Stone, Yorgos Lanthimos and More | Exclusive Photos

    Here are the filmmakers lighting up this year’s festival, photographed around the world from L.A. to Buenos Aires to Tokyo

    By

    Steve Pond
    May 14, 2024 @ 6:15 AM

    Pro Available to WrapPRO members

    Movies
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    36 of the Biggest Directors at Cannes 2024: Oliver Stone, Yorgos Lanthimos and More | Exclusive Photos

    Pro Available to WrapPRO members

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