Cannes Report
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Cannes Day 2: Tom Cruise and ‘Top Gun: Maverick’ Celebrate the Big Screen Experience
Plus, Ukrainian President Volodymyr Zelenskyy shows his love for Charlie Chaplin
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‘Tchaikovsky’s Wife’ Film Review: Cannes’ Only Russian Film Is Bold and Cold
Cannes 2022: Director Kirill Serebrennikov looks at the celebrated composer’s personal life in a drama that slips into madness
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‘Scarlet’ Review: World War I Drama Folds Fact Into Fiction
Cannes 2022: “Martin Eden” director Pietro Marcello returns with a more ambitious — and more uneven — new film
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TheWrap’s Guide to the 2022 Cannes Film Festival
TheWrap Cannes magazine: A look at the film festival on its 75th anniversary
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29 of Cannes’ Hottest Directors, From Park Chan-Wook to Mia Hansen-Love (Exclusive Photos)
Our eighth photo tribute to the men and women whose work defines Cannes includes 31 directors shot in 10 different countries
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Photographed by Various Artists for TheWrap -
‘Final Cut’ Cannes Review: Come to the World’s Classiest Film Festival to See Barfing, Pooping Zombies!
Cannes 2022: Director Michel Hazanavicius’ over-the-top riff on horror movies also happens to be the most entertaining Cannes opener in years
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How a Casual Hangout Led to Riley Keough and Gina Gammell’s Native American Tale ‘War Pony’
TheWrap Cannes magazine: “We are true allies to the indigenous community, and this film was made by many indigenous people,” Keough says of the intimate film
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‘War Pony’ Directors Riley Keogh and Gina Gammell Strike a Pose (Exclusive Photos)
TheWrap Cannes magazine: The directors and two of their Native American collaborators are featured in an exclusive shoot
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Photographed by Jai Lennard for TheWrap -
Cristian Mungiu’s ‘R.M.N.’ Acquired by IFC Films Ahead of Cannes Premiere
Drama from Romanian director behind “4 Months, 3 Weeks and 2 Days” will get a theatrical release in 2022
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Cannes Film Market Seeks a New Normal as Buyers Anticipate Big Sales
TheWrap Cannes magazine: “I don’t want to say, ‘Let’s party like it’s 2019,’ but it does feel like it may be even more robust than that,” Bleecker Street’s Kent Sanderson says
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Cannes Critic’s Forecast: Tom Cruise, a Cronenberg Gorefest and a Polish Donkey Hit the Croisette
From “Top Gun: Maverick” to Jerzy Skolimowski’s film told from a donkey’s POV, there’s something for everyone at this year’s fest
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Sony Pictures Classics Acquires Davy Chou’s ‘All The People I’ll Never Be’ Out of Cannes
Film playing in Un Certain Regard competition will be re-titled as “Return to Seoul”
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‘Lux Aeterna’ Film Review: Gaspar Noe Wants to Mess You Up, Again
The Argentinian maestro of transgression has unleashed another assault on his audience, but it’s almost mesmerizing in its perverse single-mindedness
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Jacob Tremblay and Woody Norman to Star in Paul Barry Drama ‘The Skeleton Tree’
87North will produce the project, whose script made the 2021 Black List
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Mubi Picks Up Léa Mysius’ ‘The Five Devils’ Ahead of Cannes Premiere
Director’s second feature will premiere in Directors Fortnight section of this month’s festival