Cannes Report
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Cannes Report Day 9: ‘A Hero’ Emerges as Palme d’Or Contender, ‘Titane’ Adds to Wild Festival
Cannes 2021: Plus, Lea Seydoux cancels her trip and ‘Blue Bayou’ drops a trailer
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‘Deception’ Film Review: French Philip Roth Adaptation Is an Awful Slog to Sit Through
Cannes 2021: Despite the handsome production values, director Arnaud Desplechin’s talky drama is a postcard for archivists and a curio for obsessives
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Celine Dion Biopic ‘Aline’ Boggles Critics at Cannes With 57-Year-Old Playing Singer at Age 12
Cannes 2021: ”You have not lived until you have seen this 57-year-old actress-director shrink herself down to Hobbit size to play a pre-teen,“ a New York Times writer says
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‘Lingui, The Sacred Bonds’ Acquired by MUBI Out of Cannes
Cannes 2021: The abortion drama from Chadian director Mahamat-Saleh Haroun is playing in competition at the festival
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Cannes Report Day 8: Oliver Stone Says Hollywood Won’t Back JFK Doc, ‘French Dispatch’ Wows
Cannes 2021: Plus, the festival catches a break from Emmanuel Macron, and ”F9“ crashes the beach
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‘Petrov’s Flu’ Film Review: Provocative Russian Drama Is Exhilarating and Exhausting
Cannes 2021: Kirill Serebrennikov made a formidable piece of filmmaking that also uses its own virtuoso technique as a blunt-force tool against the audience
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Wes Anderson’s ‘The French Dispatch’ Hailed as ‘Relentlessly Wonderful’ and as ‘Playful as They Come’
Cannes 2021: ”It packs about 10 different movies in just 2 hours,“ one critic writes
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‘JFK Revisited’ Film Review: Oliver Stone Keeps Digging, But He Still Doesn’t Have the Answers
Cannes 2021: In Stone’s new documentary about the JFK assassination, every gun becomes a smoking one, until there’s so much smoke you can’t see anything clearly
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Cannes So Far: It’s All About the Testing – and the Sexy Nuns, of Course
Cannes 2021: Rumors run rampant, nobody likes spitting in tubes or wearing masks in the heat, and the movies have yet to stand out — but in a way, Cannes is still Cannes
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‘Evolution’ Film Review: ‘Pieces of a Woman’ Filmmakers Offer a Powerful Meditation on Trauma
Cannes 2021: Director Kornél Mundruczó and writer Kata Wéber explore the complicated identity of Jews in and around Germany after World War II
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‘Three Floors’ Film Review: Italian Drama Just Doesn’t Work on Any Level
Cannes 2021: Director Nanni Moretti is a Cannes regular, but this film set in a middle-class apartment building is one of the worst efforts in a great career
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‘Ali & Ava’ Film Review: Interracial Romance Is Rich in Details
Cannes 2021: British director Clio Barnard’s film is also an acting showcase for Adeel Akhtar and Claire Rushbrook
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Cannes Report Day 6: Sean Penn Trashes Trump, ‘Compartment No. 6’ Surprises
Cannes 2021: Plus, people are happy about one red carpet trend in particular
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‘Compartment No. 6’ Film Review: Finnish Drama Is a Slow-Moving Train to Revelation
Cannes 2021: The story of a Finnish architecture student and a Russian boor sharing a train compartment is deliberate in pace and wintry in tone
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‘The Divide’ Film Review: Catherine Corsini Tackles French Troubles With Gallows Humor
Cannes 2021: The film wrangles the country’s various cultural, racial and social tensions under one leaky roof
