Cannes Report
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Disney and Pixar Return to Cannes With Closing Night Film ‘Elemental’
The revered animation house’s latest feature is its fourth to premiere at the Croisette, following “Up,” “Inside Out” and “Soul”
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Cannes Film Festival Lineup Includes New Films From Wes Anderson, Todd Haynes, Jonathan Glazer
The Main Competition includes six films directed by women, a new record for Cannes
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Martin Scorsese’s ‘Killers of the Flower Moon’ to Premiere in Cannes
The Apple Studios release marks the filmmaker’s return to the festival after screening “After Hours” nearly 40 years ago
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Ruben Östlund Named President of Cannes Film Festival Jury
The “Triangle of Sadness” director becomes the first Swedish president of the Cannes jury since Ingmar Bergman 50 years ago
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‘Close’ Review: Gentle Coming-of-Age Drama Packs an Emotional Punch
Belgian filmmaker Lukas Dhont is a generous and patient director of his unknown and more established performers
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‘One Fine Morning’ Review: Mia Hansen-Løve Captures Love, Death, and Renewal in a Young Mother’s Life
Léa Seydoux gives a striking performance, her face registering a panoply of emotions with honesty and subtlety
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‘Nostalgia’ Review: Mario Martone’s Thin Story Bolstered by Star Pierfrancesco Favino
Italy’s Oscar entry is a nigh perfect candidate to wave il Tricolore, however
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‘Broker’ Review: Hirokazu Kore-eda Continues to Explore What Makes a Family
The Japanese director who won the Palme d’Or for “Shoplifters” returns to that track with a fine but none-too-memorable drama
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‘Corsage’ Film Review: Vicky Krieps Suffers Aristocratically in a ‘Spencer’ for the 19th Century
Marie Kreutzer sympathetically and incisively examines the demands of the Austro-Hungarian spotlight on Empress Elisabeth
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‘Hunt’ Review: ‘Squid Game’ Actor Lee Jung-jae Brings a Dense Spy Thriller to Cannes
Lee’s directorial debut fictionalizes Korean history and throws in double agents, buried secrets and lots of broken arms
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‘EO’ Review: Cannes’ Oldest Director Gives Us a Silly, Entertaining Trifle About a Donkey
Jerzy Skolimowski seems mostly interested in making his camera swoop and soar and perform stupid pet tricks
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‘Armageddon Time’ Review: James Gray Looks at His Childhood Without Nostalgia
Anthony Hopkins, Anne Hathaway and Jeremy Strong are among the stars in a semi-autobiographical story that is both unsentimental and touching
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‘Stars at Noon’ Review: Claire Denis Keeps Things Chilly in a Balmy Spy Thriller
Margaret Qualley and Joe Alwyn are gorgeous and privileged as they make their way through intrigue (and the COVID-19 pandemic)
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‘Aftersun’ Review: Charlotte Wells Debuts With an Achingly Stirring Coming-of-Age Tale
The first-time filmmaker poignantly captures the passage of time as it affects both parents and children
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‘Decision to Leave’ Film Review: Park Chan-Wook Mixes Crime Story With Love Story
The Korean director’s first movie since “The Handmaiden” is gorgeous, richly dramatic and increasingly complex