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Reviews

  • ‘3 Days To Kill’ Review: Kevin Costner Thriller Is Ambitious Disaster Trying to Be Both Action and Comedy

    Director McG’s latest suggests the director wasn’t kidding when he named his last movie “This Means War”

    By

    Todd Gilchrist
    February 20, 2014 @ 9:20 AM
    9:20 AM
    ‘3 Days To Kill’ Review: Kevin Costner Thriller Is Ambitious Disaster Trying to Be Both Action and Comedy
  • ‘Omar’ Review: Palestinians Chafe Under Israeli Occupation in Oscar-Nominated Drama

    Until a weak finish, writer-director Hany Abu-Assad (“Paradise Now”) takes a provocative look at how the ongoing struggles in the West Bank take a personal toll on the people who live there

    By

    Inkoo Kang
    February 19, 2014 @ 1:41 PM
    1:41 PM
    ‘Omar’ Review: Palestinians Chafe Under Israeli Occupation in Oscar-Nominated Drama
  • ‘Pompeii’ Review: It’s Basically ‘Titanic’ With Lava — and Without Compelling Leads (Video)

    Kit Harington and Emily Browning have about one facial expression between them as star-crossed lovers in this empty epic

    By

    Alonso Duralde
    February 19, 2014 @ 10:44 AM
    10:44 AM
    ‘Pompeii’ Review: It’s Basically ‘Titanic’ With Lava — and Without Compelling Leads (Video)
  • ‘In Secret’ Review: Elizabeth Olsen Stars in the ‘John Carter’ of Homicidal Romances

    Émile Zola’s “Thérèse Raquin” was a shocker in 1867, but its story elements have been borrowed so many times that they’re threadbare in this passionless remake

    By

    Alonso Duralde
    February 18, 2014 @ 1:42 PM
    1:42 PM
    ‘In Secret’ Review: Elizabeth Olsen Stars in the ‘John Carter’ of Homicidal Romances
  • ‘About Last Night’ Review: Kevin Hart and Regina Hall Steal This Mixed-Doubles Rom-Com

    This reworking of the 1986 comedy gets so much right about love and relationships that you’ll forgive the occasional cliché in the screenplay by Leslye Headland (“Bachelorette”)

    By

    Todd Gilchrist
    February 14, 2014 @ 7:10 AM
    7:10 AM
    ‘About Last Night’ Review: Kevin Hart and Regina Hall Steal This Mixed-Doubles Rom-Com
  • ‘House of Cards’ Review: How Do You Raise the Stakes From Murder? Like This

    We’re legally allowed to say it’s great, but that’s it

    By

    Tim Molloy
    February 13, 2014 @ 11:52 AM
    11:52 AM
    ‘House of Cards’ Review: How Do You Raise the Stakes From Murder? Like This
  • ‘Endless Love’ Review: Teen Romance Isn’t Schmaltzy, But It’s Not Special, Either

    Alex Pettyfer is poor, Gabriella Wilde is rich, and they’re both pretty in this slick but ardent love story

    By

    Inkoo Kang
    February 13, 2014 @ 6:58 AM
    6:58 AM
    ‘Endless Love’ Review: Teen Romance Isn’t Schmaltzy, But It’s Not Special, Either
  • ‘Winter’s Tale’ Review: A Love Story With Lots of Colin Farrell and Very Little Sense

    This fantasy-romance strives for magical realism, but the logical conundrums and plot conveniences get in the way of the hearts and flowers

    By

    Alonso Duralde
    February 11, 2014 @ 9:01 PM
    9:01 PM
    ‘Winter’s Tale’ Review: A Love Story With Lots of Colin Farrell and Very Little Sense
  • ‘RoboCop’ Review: Not a Disastrous Remake, But Still Flat-Footed (Video)

    It’s not a dark satire, it’s not ultra-violent, but it’s not much else instead except a competent but unexciting sci-fi action movie with a few good ideas

    By

    Alonso Duralde
    February 10, 2014 @ 11:56 PM
    11:56 PM
    ‘RoboCop’ Review: Not a Disastrous Remake, But Still Flat-Footed (Video)
  • ‘The Tribute Artist’ Theater Review: Aging Drag Queen Gets Role of Lifetime in Charles Busch’s Daring Comedy

    How is an aging drag queen who specializes in Bette and Marilyn going to keep working in Vegas when all the Millennials and Gen-Xers want are impersonations of Rihanna and Beyonce? Busch offers one possibility

    By

    Robert Hofler
    February 9, 2014 @ 7:00 PM
    7:00 PM
    ‘The Tribute Artist’ Theater Review: Aging Drag Queen Gets Role of Lifetime in Charles Busch’s Daring Comedy
  • ‘Vampire Academy’ Review: A YA Adaptation With More Hormones Than Brain Cells

    More “Meaningless” than “Mean Girls,” Mark Waters’ vampire-themed thriller drowns overprivileged teens in an overcomplicated mythology

    By

    Todd Gilchrist
    February 7, 2014 @ 6:18 PM
    6:18 PM
    ‘Vampire Academy’ Review: A YA Adaptation With More Hormones Than Brain Cells
  • ‘The Monuments Men’ Reviews: Critics Bomb George Clooney’s World War II Movie

    Many fault the film for being either a bit too boring, a bit too light, and a bit unbalanced

    By

    Greg Gilman
    February 7, 2014 @ 9:33 AM
    9:33 AM
    ‘The Monuments Men’ Reviews: Critics Bomb George Clooney’s World War II Movie
  • ‘Bronx Bombers’ Theater Review: Yogi Berra and Reggie Jackson Make Belated Broadway Debut

    It’s crisis time in the land of the Yankees. And a sports crisis for playwright-director Eric Simonson is equal to a nuclear meltdown or the onset of male pattern baldness

    By

    Robert Hofler
    February 6, 2014 @ 7:00 PM
    7:00 PM
    ‘Bronx Bombers’ Theater Review: Yogi Berra and Reggie Jackson Make Belated Broadway Debut
  • ‘The Grand Budapest Hotel’ Review: Wes Anderson’s Latest an Exhilarating — and Ephemeral — Sugar Rush (Video)

    This action-comedy-romance-nostalgia piece is a movie lover’s head-spinning delight, and two hours later you’ll barely remember it

    By

    Alonso Duralde
    February 6, 2014 @ 12:00 PM
    12:00 PM
    ‘The Grand Budapest Hotel’ Review: Wes Anderson’s Latest an Exhilarating — and Ephemeral — Sugar Rush (Video)
  • ‘Cavemen’ Review: A Rom-Com That’s a Real Knuckle-Dragger

    Despite Skylar Astin and Camilla Belle’s charm, this no-brainer makes “That Awkward Moment” seem like Mamet

    By

    Alonso Duralde
    February 5, 2014 @ 3:41 PM
    3:41 PM
    ‘Cavemen’ Review: A Rom-Com That’s a Real Knuckle-Dragger
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