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Reviews

  • ‘The Pigeon Tunnel’ Review: Errol Morris Explores a World of Betrayal in John le Carré Documentary

    Telluride Film Festival: Morris creates a personal portrait that goes as deep as his subject wants it to go but never feels as if the late author is getting away with anything

    By

    Steve Pond
    September 1, 2023 @ 4:30 PM
    Steve Pond
    4:30 PM
    ‘The Pigeon Tunnel’ Review: Errol Morris Explores a World of Betrayal in John le Carré Documentary
  • ‘Poor Things’ Review: Emma Stone and Yorgos Lanthimos Craft a Burlesque of Guts, Gore and Delight

    Venice 2023: The film marks a change in tone change in tone from “The Favourite” filmmaker’s bleak outlook

    By

    Ben Croll
    September 1, 2023 @ 11:14 AM
    Movies
    11:14 AM
    ‘Poor Things’ Review: Emma Stone and Yorgos Lanthimos Craft a Burlesque of Guts, Gore and Delight
  • ‘The Holdovers’ Review: Alexander Payne’s ’70s-Set Christmastime Movie Is Familiar and Cozily Beautiful

    Telluride 2023: Paul Giamatti, Da’Vine Joy Randolph and newcomer Dominic Sessa play sad people who lift one another up over the holidays at a posh New England school

    By

    Tomris Laffly
    September 1, 2023 @ 9:32 AM
    Movies
    9:32 AM
    ‘The Holdovers’ Review: Alexander Payne’s ’70s-Set Christmastime Movie Is Familiar and Cozily Beautiful
  • ‘The Promised Land’ Review: Mads Mikkelsen Needs a Little Help in Bold Danish Drama

    Venice Film Festival: The “Another Round” actor is central to Nikolaj Arcel’s 18th century story, but actress Amanda Collin is a quiet MVP

    By

    Steve Pond
    September 1, 2023 @ 7:00 AM
    Movies
    7:00 AM
    ‘The Promised Land’ Review: Mads Mikkelsen Needs a Little Help in Bold Danish Drama
  • ‘The Wonderful World of Henry Sugar’ Review: Wes Anderson’s Dahl Adaptation Breaks Fresh Ground

    Venice 2023: The lauded filmmaker takes a “real time” approach to his style in the refreshingly earnest Netflix short film

    By

    Ben Croll
    September 1, 2023 @ 6:18 AM
    Movies
    6:18 AM
    ‘The Wonderful World of Henry Sugar’ Review: Wes Anderson’s Dahl Adaptation Breaks Fresh Ground
  • ‘Saltburn’ Review: Emerald Fennell Reinforces Her Cinematic Panache With a Delightfully Weird Drama

    Telluride 2023: Barry Keoghan is brilliant in Fennell’s bold, if imperfect, ‘Promising Young Woman’ follow-up

    By

    Tomris Laffly
    August 31, 2023 @ 10:59 PM
    Movies
    10:59 PM
    ‘Saltburn’ Review: Emerald Fennell Reinforces Her Cinematic Panache With a Delightfully Weird Drama
  • ‘All of Us Strangers’ Review: Andrew Scott and Paul Mescal Break Your Heart in Andrew Haigh’s Sublime Masterpiece

    Telluride 2023: A rumination on grief and love, Haigh’s poignant and understated ghost story is one of the best films of the year

    By

    Tomris Laffly
    August 31, 2023 @ 10:00 PM
    Movies
    10:00 PM
    ‘All of Us Strangers’ Review: Andrew Scott and Paul Mescal Break Your Heart in Andrew Haigh’s Sublime Masterpiece
  • ‘American Symphony’ Review: Documentary Captures Jon Batiste’s Personal and Professional Struggles

    Telluride Film Festival: Matthew Heineman’s doc jumps between uplift and heartbreak, between Batiste’s career pressures and his wife’s fight for survival

    By

    Steve Pond
    August 31, 2023 @ 5:00 PM
    Report From Telluride
    5:00 PM
    ‘American Symphony’ Review: Documentary Captures Jon Batiste’s Personal and Professional Struggles
  • ‘Dogman’ Review: Controversial Director Luc Besson Lets His Freak Flag Fly

    Venice 2023: It coasts on style amiably enough, showcasing another gonzo turn from Caleb Landry Jones

    By

    Ben Croll
    August 31, 2023 @ 4:52 PM
    Movies
    4:52 PM
    ‘Dogman’ Review: Controversial Director Luc Besson Lets His Freak Flag Fly
  • ‘Ferrari’ Review: Michael Mann’s Racing Movie Astounds but Sputters

    Venice 2023: Mann’s first film in eight years is overwhelming at times, but it’s hard to ignore the creakiness of the script

    By

    Ben Croll
    August 31, 2023 @ 10:28 AM
    Movies
    10:28 AM
    ‘Ferrari’ Review:  Michael Mann’s Racing Movie Astounds but Sputters
  • ‘El Conde’ Review: Pablo Larraín Fashions a Fiercely Original Vampire Tale About Pinochet and Chile’s Authoritarian Legacy

    Venice 2023: The auteur’s deliciously gothic political satire feels urgent

    By

    Tomris Laffly
    August 31, 2023 @ 7:30 AM
    Movies
    7:30 AM
    ‘El Conde’ Review: Pablo Larraín Fashions a Fiercely Original Vampire Tale About Pinochet and Chile’s Authoritarian Legacy
  • ‘One Piece’ Review: Netflix Finally Gets an Anime Adaptation Right

    Newcomer Iñaki Godoy leads the cast of a surreal adventure series, offering an enjoyable summer binge-watch for fans new and old

    By

    Kayleigh Donaldson
    August 31, 2023 @ 12:01 AM
    TV
    12:01 AM
    ‘One Piece’ Review: Netflix Finally Gets an Anime Adaptation Right
  • ‘Comandante’ Review: An Improbable If Pleasant War Drama That Calls for Tolerance

    Venice 2023: The Edoardo De Angelis film is well-intentioned despite all its dopiness and national mythologizing

    By

    Ben Croll
    August 30, 2023 @ 12:06 PM
    Movies
    12:06 PM
    ‘Comandante’ Review: An Improbable If Pleasant War Drama That Calls for Tolerance
  • ‘The Equalizer 3’ Review: Denzel Washington-Led Reboot Heads to Italy and Finally Cuts Loose

    Robert McCall takes on the Neapolitan mob in director Antoine Fuqua’s three-quel

    By

    Fran Hoepfner
    August 29, 2023 @ 6:00 AM
    News
    6:00 AM
    ‘The Equalizer 3’ Review: Denzel Washington-Led Reboot Heads to Italy and Finally Cuts Loose
  • ‘Retribution’ Reviews Call Liam Neeson’s Latest a ‘Paycheck Movie’ That’s ‘Devoid of Thrills’

    “Unintended laughs, cringe worthy dialogue and a toilet paper plot reduce the latest Neeson thriller to an embarrassment,” one critic writes

    By

    Umberto Gonzalez
    August 25, 2023 @ 1:37 PM
    Movies
    1:37 PM
    ‘Retribution’ Reviews Call Liam Neeson’s Latest a ‘Paycheck Movie’ That’s ‘Devoid of Thrills’
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